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Early auditory processing in musicians and dancers during a contemporary dance piece
The neural responses to simple tones and short sound sequences have been studied extensively. However, in reality the sounds surrounding us are spectrally and temporally complex, dynamic and overlapping. Thus, research using natural sounds is crucial in understanding the operation of the brain in it...
Autores principales: | , , |
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Formato: | Online Artículo Texto |
Lenguaje: | English |
Publicado: |
Nature Publishing Group
2016
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Materias: | |
Acceso en línea: | https://www.ncbi.nlm.nih.gov/pmc/articles/PMC5017142/ https://www.ncbi.nlm.nih.gov/pubmed/27611929 http://dx.doi.org/10.1038/srep33056 |
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author | Poikonen, Hanna Toiviainen, Petri Tervaniemi, Mari |
author_facet | Poikonen, Hanna Toiviainen, Petri Tervaniemi, Mari |
author_sort | Poikonen, Hanna |
collection | PubMed |
description | The neural responses to simple tones and short sound sequences have been studied extensively. However, in reality the sounds surrounding us are spectrally and temporally complex, dynamic and overlapping. Thus, research using natural sounds is crucial in understanding the operation of the brain in its natural environment. Music is an excellent example of natural stimulation which, in addition to sensory responses, elicits vast cognitive and emotional processes in the brain. Here we show that the preattentive P50 response evoked by rapid increases in timbral brightness during continuous music is enhanced in dancers when compared to musicians and laymen. In dance, fast changes in brightness are often emphasized with a significant change in movement. In addition, the auditory N100 and P200 responses are suppressed and sped up in dancers, musicians and laymen when music is accompanied with a dance choreography. These results were obtained with a novel event-related potential (ERP) method for natural music. They suggest that we can begin studying the brain with long pieces of natural music using the ERP method of electroencephalography (EEG) as has already been done with functional magnetic resonance (fMRI), these two brain imaging methods complementing each other. |
format | Online Article Text |
id | pubmed-5017142 |
institution | National Center for Biotechnology Information |
language | English |
publishDate | 2016 |
publisher | Nature Publishing Group |
record_format | MEDLINE/PubMed |
spelling | pubmed-50171422016-09-12 Early auditory processing in musicians and dancers during a contemporary dance piece Poikonen, Hanna Toiviainen, Petri Tervaniemi, Mari Sci Rep Article The neural responses to simple tones and short sound sequences have been studied extensively. However, in reality the sounds surrounding us are spectrally and temporally complex, dynamic and overlapping. Thus, research using natural sounds is crucial in understanding the operation of the brain in its natural environment. Music is an excellent example of natural stimulation which, in addition to sensory responses, elicits vast cognitive and emotional processes in the brain. Here we show that the preattentive P50 response evoked by rapid increases in timbral brightness during continuous music is enhanced in dancers when compared to musicians and laymen. In dance, fast changes in brightness are often emphasized with a significant change in movement. In addition, the auditory N100 and P200 responses are suppressed and sped up in dancers, musicians and laymen when music is accompanied with a dance choreography. These results were obtained with a novel event-related potential (ERP) method for natural music. They suggest that we can begin studying the brain with long pieces of natural music using the ERP method of electroencephalography (EEG) as has already been done with functional magnetic resonance (fMRI), these two brain imaging methods complementing each other. Nature Publishing Group 2016-09-09 /pmc/articles/PMC5017142/ /pubmed/27611929 http://dx.doi.org/10.1038/srep33056 Text en Copyright © 2016, The Author(s) http://creativecommons.org/licenses/by/4.0/ This work is licensed under a Creative Commons Attribution 4.0 International License. The images or other third party material in this article are included in the article’s Creative Commons license, unless indicated otherwise in the credit line; if the material is not included under the Creative Commons license, users will need to obtain permission from the license holder to reproduce the material. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/ |
spellingShingle | Article Poikonen, Hanna Toiviainen, Petri Tervaniemi, Mari Early auditory processing in musicians and dancers during a contemporary dance piece |
title | Early auditory processing in musicians and dancers during a contemporary dance piece |
title_full | Early auditory processing in musicians and dancers during a contemporary dance piece |
title_fullStr | Early auditory processing in musicians and dancers during a contemporary dance piece |
title_full_unstemmed | Early auditory processing in musicians and dancers during a contemporary dance piece |
title_short | Early auditory processing in musicians and dancers during a contemporary dance piece |
title_sort | early auditory processing in musicians and dancers during a contemporary dance piece |
topic | Article |
url | https://www.ncbi.nlm.nih.gov/pmc/articles/PMC5017142/ https://www.ncbi.nlm.nih.gov/pubmed/27611929 http://dx.doi.org/10.1038/srep33056 |
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