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Listeners' and Performers' Shared Understanding of Jazz Improvisations

This study explores the extent to which a large set of musically experienced listeners share understanding with a performing saxophone-piano duo, and with each other, of what happened in three improvisations on a jazz standard. In an online survey, 239 participants listened to audio recordings of th...

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Autores principales: Schober, Michael F., Spiro, Neta
Formato: Online Artículo Texto
Lenguaje:English
Publicado: Frontiers Media S.A. 2016
Materias:
Acceso en línea:https://www.ncbi.nlm.nih.gov/pmc/articles/PMC5089999/
https://www.ncbi.nlm.nih.gov/pubmed/27853438
http://dx.doi.org/10.3389/fpsyg.2016.01629
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author Schober, Michael F.
Spiro, Neta
author_facet Schober, Michael F.
Spiro, Neta
author_sort Schober, Michael F.
collection PubMed
description This study explores the extent to which a large set of musically experienced listeners share understanding with a performing saxophone-piano duo, and with each other, of what happened in three improvisations on a jazz standard. In an online survey, 239 participants listened to audio recordings of three improvisations and rated their agreement with 24 specific statements that the performers and a jazz-expert commenting listener had made about them. Listeners endorsed statements that the performers had agreed upon significantly more than they endorsed statements that the performers had disagreed upon, even though the statements gave no indication of performers' levels of agreement. The findings show some support for a more-experienced-listeners-understand-more-like-performers hypothesis: Listeners with more jazz experience and with experience playing the performers' instruments endorsed the performers' statements more than did listeners with less jazz experience and experience on different instruments. The findings also strongly support a listeners-as-outsiders hypothesis: Listeners' ratings of the 24 statements were far more likely to cluster with the commenting listener's ratings than with either performer's. But the pattern was not universal; particular listeners even with similar musical backgrounds could interpret the same improvisations radically differently. The evidence demonstrates that it is possible for performers' interpretations to be shared with very few listeners, and that listeners' interpretations about what happened in a musical performance can be far more different from performers' interpretations than performers or other listeners might assume.
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spelling pubmed-50899992016-11-16 Listeners' and Performers' Shared Understanding of Jazz Improvisations Schober, Michael F. Spiro, Neta Front Psychol Psychology This study explores the extent to which a large set of musically experienced listeners share understanding with a performing saxophone-piano duo, and with each other, of what happened in three improvisations on a jazz standard. In an online survey, 239 participants listened to audio recordings of three improvisations and rated their agreement with 24 specific statements that the performers and a jazz-expert commenting listener had made about them. Listeners endorsed statements that the performers had agreed upon significantly more than they endorsed statements that the performers had disagreed upon, even though the statements gave no indication of performers' levels of agreement. The findings show some support for a more-experienced-listeners-understand-more-like-performers hypothesis: Listeners with more jazz experience and with experience playing the performers' instruments endorsed the performers' statements more than did listeners with less jazz experience and experience on different instruments. The findings also strongly support a listeners-as-outsiders hypothesis: Listeners' ratings of the 24 statements were far more likely to cluster with the commenting listener's ratings than with either performer's. But the pattern was not universal; particular listeners even with similar musical backgrounds could interpret the same improvisations radically differently. The evidence demonstrates that it is possible for performers' interpretations to be shared with very few listeners, and that listeners' interpretations about what happened in a musical performance can be far more different from performers' interpretations than performers or other listeners might assume. Frontiers Media S.A. 2016-11-02 /pmc/articles/PMC5089999/ /pubmed/27853438 http://dx.doi.org/10.3389/fpsyg.2016.01629 Text en Copyright © 2016 Schober and Spiro. http://creativecommons.org/licenses/by/4.0/ This is an open-access article distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction in other forums is permitted, provided the original author(s) or licensor are credited and that the original publication in this journal is cited, in accordance with accepted academic practice. No use, distribution or reproduction is permitted which does not comply with these terms.
spellingShingle Psychology
Schober, Michael F.
Spiro, Neta
Listeners' and Performers' Shared Understanding of Jazz Improvisations
title Listeners' and Performers' Shared Understanding of Jazz Improvisations
title_full Listeners' and Performers' Shared Understanding of Jazz Improvisations
title_fullStr Listeners' and Performers' Shared Understanding of Jazz Improvisations
title_full_unstemmed Listeners' and Performers' Shared Understanding of Jazz Improvisations
title_short Listeners' and Performers' Shared Understanding of Jazz Improvisations
title_sort listeners' and performers' shared understanding of jazz improvisations
topic Psychology
url https://www.ncbi.nlm.nih.gov/pmc/articles/PMC5089999/
https://www.ncbi.nlm.nih.gov/pubmed/27853438
http://dx.doi.org/10.3389/fpsyg.2016.01629
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