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Implicit Detection of Poetic Harmony by the Naïve Brain
The power of poetry is universally acknowledged, but it is debatable whether its appreciation is reserved for experts. Here, we show that readers with no particular knowledge of a traditional form of Welsh poetry unconsciously distinguish phrases conforming to its complex poetic construction rules f...
Autores principales: | , , , , , |
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Formato: | Online Artículo Texto |
Lenguaje: | English |
Publicado: |
Frontiers Media S.A.
2016
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Materias: | |
Acceso en línea: | https://www.ncbi.nlm.nih.gov/pmc/articles/PMC5122823/ https://www.ncbi.nlm.nih.gov/pubmed/27933025 http://dx.doi.org/10.3389/fpsyg.2016.01859 |
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author | Vaughan-Evans, Awel Trefor, Robat Jones, Llion Lynch, Peredur Jones, Manon W. Thierry, Guillaume |
author_facet | Vaughan-Evans, Awel Trefor, Robat Jones, Llion Lynch, Peredur Jones, Manon W. Thierry, Guillaume |
author_sort | Vaughan-Evans, Awel |
collection | PubMed |
description | The power of poetry is universally acknowledged, but it is debatable whether its appreciation is reserved for experts. Here, we show that readers with no particular knowledge of a traditional form of Welsh poetry unconsciously distinguish phrases conforming to its complex poetic construction rules from those that violate them. We studied the brain response of native speakers of Welsh as they read meaningful sentences ending in a word that either complied with strict poetic construction rules, violated rules of consonantal repetition, violated stress pattern, or violated both these constraints. Upon reading the last word of each sentence, participants indicated sentence acceptability. As expected, our inexperienced participants did not explicitly distinguish between sentences that conformed to the poetic rules from those that violated them. However, in the case of orthodox sentences, the critical word elicited a distinctive brain response characteristic of target detection –the P3b– as compared to the other conditions, showing that speakers of Welsh with no expertise of this particular form of poetry implicitly detect poetic harmony. These results show for the first time that before we even consider literal meaning, the musical properties of poetry speak to the human mind in ways that escape consciousness. |
format | Online Article Text |
id | pubmed-5122823 |
institution | National Center for Biotechnology Information |
language | English |
publishDate | 2016 |
publisher | Frontiers Media S.A. |
record_format | MEDLINE/PubMed |
spelling | pubmed-51228232016-12-08 Implicit Detection of Poetic Harmony by the Naïve Brain Vaughan-Evans, Awel Trefor, Robat Jones, Llion Lynch, Peredur Jones, Manon W. Thierry, Guillaume Front Psychol Psychology The power of poetry is universally acknowledged, but it is debatable whether its appreciation is reserved for experts. Here, we show that readers with no particular knowledge of a traditional form of Welsh poetry unconsciously distinguish phrases conforming to its complex poetic construction rules from those that violate them. We studied the brain response of native speakers of Welsh as they read meaningful sentences ending in a word that either complied with strict poetic construction rules, violated rules of consonantal repetition, violated stress pattern, or violated both these constraints. Upon reading the last word of each sentence, participants indicated sentence acceptability. As expected, our inexperienced participants did not explicitly distinguish between sentences that conformed to the poetic rules from those that violated them. However, in the case of orthodox sentences, the critical word elicited a distinctive brain response characteristic of target detection –the P3b– as compared to the other conditions, showing that speakers of Welsh with no expertise of this particular form of poetry implicitly detect poetic harmony. These results show for the first time that before we even consider literal meaning, the musical properties of poetry speak to the human mind in ways that escape consciousness. Frontiers Media S.A. 2016-11-25 /pmc/articles/PMC5122823/ /pubmed/27933025 http://dx.doi.org/10.3389/fpsyg.2016.01859 Text en Copyright © 2016 Vaughan-Evans, Trefor, Jones, Lynch, Jones and Thierry. http://creativecommons.org/licenses/by/4.0/ This is an open-access article distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction in other forums is permitted, provided the original author(s) or licensor are credited and that the original publication in this journal is cited, in accordance with accepted academic practice. No use, distribution or reproduction is permitted which does not comply with these terms. |
spellingShingle | Psychology Vaughan-Evans, Awel Trefor, Robat Jones, Llion Lynch, Peredur Jones, Manon W. Thierry, Guillaume Implicit Detection of Poetic Harmony by the Naïve Brain |
title | Implicit Detection of Poetic Harmony by the Naïve Brain |
title_full | Implicit Detection of Poetic Harmony by the Naïve Brain |
title_fullStr | Implicit Detection of Poetic Harmony by the Naïve Brain |
title_full_unstemmed | Implicit Detection of Poetic Harmony by the Naïve Brain |
title_short | Implicit Detection of Poetic Harmony by the Naïve Brain |
title_sort | implicit detection of poetic harmony by the naïve brain |
topic | Psychology |
url | https://www.ncbi.nlm.nih.gov/pmc/articles/PMC5122823/ https://www.ncbi.nlm.nih.gov/pubmed/27933025 http://dx.doi.org/10.3389/fpsyg.2016.01859 |
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