Cargando…

Cortical Sensitivity to Guitar Note Patterns: EEG Entrainment to Repetition and Key

Music is ubiquitous throughout recent human culture, and many individual's have an innate ability to appreciate and understand music. Our appreciation of music likely emerges from the brain's ability to process a series of repeated complex acoustic patterns. In order to understand these pr...

Descripción completa

Detalles Bibliográficos
Autores principales: Bridwell, David A., Leslie, Emily, McCoy, Dakarai Q., Plis, Sergey M., Calhoun, Vince D.
Formato: Online Artículo Texto
Lenguaje:English
Publicado: Frontiers Media S.A. 2017
Materias:
Acceso en línea:https://www.ncbi.nlm.nih.gov/pmc/articles/PMC5331856/
https://www.ncbi.nlm.nih.gov/pubmed/28298889
http://dx.doi.org/10.3389/fnhum.2017.00090
_version_ 1782511453113155584
author Bridwell, David A.
Leslie, Emily
McCoy, Dakarai Q.
Plis, Sergey M.
Calhoun, Vince D.
author_facet Bridwell, David A.
Leslie, Emily
McCoy, Dakarai Q.
Plis, Sergey M.
Calhoun, Vince D.
author_sort Bridwell, David A.
collection PubMed
description Music is ubiquitous throughout recent human culture, and many individual's have an innate ability to appreciate and understand music. Our appreciation of music likely emerges from the brain's ability to process a series of repeated complex acoustic patterns. In order to understand these processes further, cortical responses were measured to a series of guitar notes presented with a musical pattern or without a pattern. ERP responses to individual notes were measured using a 24 electrode Bluetooth mobile EEG system (Smarting mBrainTrain) while 13 healthy non-musicians listened to structured (i.e., within musical keys and with repetition) or random sequences of guitar notes for 10 min each. We demonstrate an increased amplitude to the ERP that appears ~200 ms to notes presented within the musical sequence. This amplitude difference between random notes and patterned notes likely reflects individual's cortical sensitivity to guitar note patterns. These amplitudes were compared to ERP responses to a rare note embedded within a stream of frequent notes to determine whether the sensitivity to complex musical structure overlaps with the sensitivity to simple irregularities reflected in traditional auditory oddball experiments. Response amplitudes to the negative peak at ~175 ms are statistically correlated with the mismatch negativity (MMN) response measured to a rare note presented among a series of frequent notes (i.e., in a traditional oddball sequence), but responses to the subsequent positive peak at ~200 do not show a statistical relationship with the P300 response. Thus, the sensitivity to musical structure identified to 4 Hz note patterns appears somewhat distinct from the sensitivity to statistical regularities reflected in the traditional “auditory oddball” sequence. Overall, we suggest that this is a promising approach to examine individual's sensitivity to complex acoustic patterns, which may overlap with higher level cognitive processes, including language.
format Online
Article
Text
id pubmed-5331856
institution National Center for Biotechnology Information
language English
publishDate 2017
publisher Frontiers Media S.A.
record_format MEDLINE/PubMed
spelling pubmed-53318562017-03-15 Cortical Sensitivity to Guitar Note Patterns: EEG Entrainment to Repetition and Key Bridwell, David A. Leslie, Emily McCoy, Dakarai Q. Plis, Sergey M. Calhoun, Vince D. Front Hum Neurosci Neuroscience Music is ubiquitous throughout recent human culture, and many individual's have an innate ability to appreciate and understand music. Our appreciation of music likely emerges from the brain's ability to process a series of repeated complex acoustic patterns. In order to understand these processes further, cortical responses were measured to a series of guitar notes presented with a musical pattern or without a pattern. ERP responses to individual notes were measured using a 24 electrode Bluetooth mobile EEG system (Smarting mBrainTrain) while 13 healthy non-musicians listened to structured (i.e., within musical keys and with repetition) or random sequences of guitar notes for 10 min each. We demonstrate an increased amplitude to the ERP that appears ~200 ms to notes presented within the musical sequence. This amplitude difference between random notes and patterned notes likely reflects individual's cortical sensitivity to guitar note patterns. These amplitudes were compared to ERP responses to a rare note embedded within a stream of frequent notes to determine whether the sensitivity to complex musical structure overlaps with the sensitivity to simple irregularities reflected in traditional auditory oddball experiments. Response amplitudes to the negative peak at ~175 ms are statistically correlated with the mismatch negativity (MMN) response measured to a rare note presented among a series of frequent notes (i.e., in a traditional oddball sequence), but responses to the subsequent positive peak at ~200 do not show a statistical relationship with the P300 response. Thus, the sensitivity to musical structure identified to 4 Hz note patterns appears somewhat distinct from the sensitivity to statistical regularities reflected in the traditional “auditory oddball” sequence. Overall, we suggest that this is a promising approach to examine individual's sensitivity to complex acoustic patterns, which may overlap with higher level cognitive processes, including language. Frontiers Media S.A. 2017-03-01 /pmc/articles/PMC5331856/ /pubmed/28298889 http://dx.doi.org/10.3389/fnhum.2017.00090 Text en Copyright © 2017 Bridwell, Leslie, McCoy, Plis and Calhoun. http://creativecommons.org/licenses/by/4.0/ This is an open-access article distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction in other forums is permitted, provided the original author(s) or licensor are credited and that the original publication in this journal is cited, in accordance with accepted academic practice. No use, distribution or reproduction is permitted which does not comply with these terms.
spellingShingle Neuroscience
Bridwell, David A.
Leslie, Emily
McCoy, Dakarai Q.
Plis, Sergey M.
Calhoun, Vince D.
Cortical Sensitivity to Guitar Note Patterns: EEG Entrainment to Repetition and Key
title Cortical Sensitivity to Guitar Note Patterns: EEG Entrainment to Repetition and Key
title_full Cortical Sensitivity to Guitar Note Patterns: EEG Entrainment to Repetition and Key
title_fullStr Cortical Sensitivity to Guitar Note Patterns: EEG Entrainment to Repetition and Key
title_full_unstemmed Cortical Sensitivity to Guitar Note Patterns: EEG Entrainment to Repetition and Key
title_short Cortical Sensitivity to Guitar Note Patterns: EEG Entrainment to Repetition and Key
title_sort cortical sensitivity to guitar note patterns: eeg entrainment to repetition and key
topic Neuroscience
url https://www.ncbi.nlm.nih.gov/pmc/articles/PMC5331856/
https://www.ncbi.nlm.nih.gov/pubmed/28298889
http://dx.doi.org/10.3389/fnhum.2017.00090
work_keys_str_mv AT bridwelldavida corticalsensitivitytoguitarnotepatternseegentrainmenttorepetitionandkey
AT leslieemily corticalsensitivitytoguitarnotepatternseegentrainmenttorepetitionandkey
AT mccoydakaraiq corticalsensitivitytoguitarnotepatternseegentrainmenttorepetitionandkey
AT plissergeym corticalsensitivitytoguitarnotepatternseegentrainmenttorepetitionandkey
AT calhounvinced corticalsensitivitytoguitarnotepatternseegentrainmenttorepetitionandkey