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The Ethereal Veil of Visual Perception

The rich palette of perceptual effects elicited from simple patterns of black and white lines—such as the paintings of op artists—underlines just how much science still needs to unravel before the complexity of visual perception is fully understood. In this presentation, I would like to show how a f...

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Detalles Bibliográficos
Autor principal: Van Tonder, Gert J.
Formato: Online Artículo Texto
Lenguaje:English
Publicado: SAGE Publications 2011
Materias:
Acceso en línea:https://www.ncbi.nlm.nih.gov/pmc/articles/PMC5393787/
http://dx.doi.org/10.1068/ic283
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author Van Tonder, Gert J.
author_facet Van Tonder, Gert J.
author_sort Van Tonder, Gert J.
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description The rich palette of perceptual effects elicited from simple patterns of black and white lines—such as the paintings of op artists—underlines just how much science still needs to unravel before the complexity of visual perception is fully understood. In this presentation, I would like to show how a few of the more subtle and some of the most salient perceptual effects experienced in black and white line patterns can be interpreted as a concerted outcome of various very early stages of visual processing. Specifically, what seem to be complex effects can be simulated with relatively simple models. The effects bear witness to the intuitive skill with which the artists wield considerable visual impact on their canvas. Scientific scrutiny, of their art and of the possible visual processing involved, leads to new insight into the perceptual complexity experienced in these deceptively simple paintings. In a sense, their works present the construction of an ephemeral canvas within stripes of black and white paint.
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spelling pubmed-53937872017-04-24 The Ethereal Veil of Visual Perception Van Tonder, Gert J. Iperception Article The rich palette of perceptual effects elicited from simple patterns of black and white lines—such as the paintings of op artists—underlines just how much science still needs to unravel before the complexity of visual perception is fully understood. In this presentation, I would like to show how a few of the more subtle and some of the most salient perceptual effects experienced in black and white line patterns can be interpreted as a concerted outcome of various very early stages of visual processing. Specifically, what seem to be complex effects can be simulated with relatively simple models. The effects bear witness to the intuitive skill with which the artists wield considerable visual impact on their canvas. Scientific scrutiny, of their art and of the possible visual processing involved, leads to new insight into the perceptual complexity experienced in these deceptively simple paintings. In a sense, their works present the construction of an ephemeral canvas within stripes of black and white paint. SAGE Publications 2011-05-01 2011-05 /pmc/articles/PMC5393787/ http://dx.doi.org/10.1068/ic283 Text en © 2011 SAGE Publications Ltd. Manuscript content on this site is licensed under Creative Commons Licenses http://creativecommons.org/licenses/by-nc-nd/3.0/ This article is distributed under the terms of the Creative Commons Attribution-NonCommercial-NoDerivs 3.0 License (http://www.creativecommons.org/licenses/by-nc-nd/3.0/) which permits non-commercial use, reproduction and distribution of the work as published without adaptation or alteration, without further permission provided the original work is attributed as specified on the SAGE and Open Access page (http://www.uk.sagepub.com/aboutus/openaccess.htm).
spellingShingle Article
Van Tonder, Gert J.
The Ethereal Veil of Visual Perception
title The Ethereal Veil of Visual Perception
title_full The Ethereal Veil of Visual Perception
title_fullStr The Ethereal Veil of Visual Perception
title_full_unstemmed The Ethereal Veil of Visual Perception
title_short The Ethereal Veil of Visual Perception
title_sort ethereal veil of visual perception
topic Article
url https://www.ncbi.nlm.nih.gov/pmc/articles/PMC5393787/
http://dx.doi.org/10.1068/ic283
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