Cargando…
Music Audiences 3.0: Concert-Goers’ Psychological Motivations at the Dawn of Virtual Reality
Reviewing consumers’ motivations to attend performances in a continuously evolving social and technological context is essential because live concerts generate an important and growing share of revenues for the music industry. Evolving fans’ preferences and technological innovations constantly alter...
Autor principal: | |
---|---|
Formato: | Online Artículo Texto |
Lenguaje: | English |
Publicado: |
Frontiers Media S.A.
2017
|
Materias: | |
Acceso en línea: | https://www.ncbi.nlm.nih.gov/pmc/articles/PMC5441133/ https://www.ncbi.nlm.nih.gov/pubmed/28588528 http://dx.doi.org/10.3389/fpsyg.2017.00800 |
_version_ | 1783238204635217920 |
---|---|
author | Charron, Jean-Philippe |
author_facet | Charron, Jean-Philippe |
author_sort | Charron, Jean-Philippe |
collection | PubMed |
description | Reviewing consumers’ motivations to attend performances in a continuously evolving social and technological context is essential because live concerts generate an important and growing share of revenues for the music industry. Evolving fans’ preferences and technological innovations constantly alter the way music is distributed and consumed. In a marketing 3.0 era, what consumers do with music is becoming more significant than simply owning or listening to a song. These changes are not only blurring the lines between production and consumption (i.e., co-creation), but also distorting the concept of live attendance altogether. Although mediated performances typically lack presence and authenticity, recent advances in immersive technologies, such as spherical videos and virtual reality goggles, could represent a new form of experiencing live music. |
format | Online Article Text |
id | pubmed-5441133 |
institution | National Center for Biotechnology Information |
language | English |
publishDate | 2017 |
publisher | Frontiers Media S.A. |
record_format | MEDLINE/PubMed |
spelling | pubmed-54411332017-06-06 Music Audiences 3.0: Concert-Goers’ Psychological Motivations at the Dawn of Virtual Reality Charron, Jean-Philippe Front Psychol Psychology Reviewing consumers’ motivations to attend performances in a continuously evolving social and technological context is essential because live concerts generate an important and growing share of revenues for the music industry. Evolving fans’ preferences and technological innovations constantly alter the way music is distributed and consumed. In a marketing 3.0 era, what consumers do with music is becoming more significant than simply owning or listening to a song. These changes are not only blurring the lines between production and consumption (i.e., co-creation), but also distorting the concept of live attendance altogether. Although mediated performances typically lack presence and authenticity, recent advances in immersive technologies, such as spherical videos and virtual reality goggles, could represent a new form of experiencing live music. Frontiers Media S.A. 2017-05-23 /pmc/articles/PMC5441133/ /pubmed/28588528 http://dx.doi.org/10.3389/fpsyg.2017.00800 Text en Copyright © 2017 Charron. http://creativecommons.org/licenses/by/4.0/ This is an open-access article distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction in other forums is permitted, provided the original author(s) or licensor are credited and that the original publication in this journal is cited, in accordance with accepted academic practice. No use, distribution or reproduction is permitted which does not comply with these terms. |
spellingShingle | Psychology Charron, Jean-Philippe Music Audiences 3.0: Concert-Goers’ Psychological Motivations at the Dawn of Virtual Reality |
title | Music Audiences 3.0: Concert-Goers’ Psychological Motivations at the Dawn of Virtual Reality |
title_full | Music Audiences 3.0: Concert-Goers’ Psychological Motivations at the Dawn of Virtual Reality |
title_fullStr | Music Audiences 3.0: Concert-Goers’ Psychological Motivations at the Dawn of Virtual Reality |
title_full_unstemmed | Music Audiences 3.0: Concert-Goers’ Psychological Motivations at the Dawn of Virtual Reality |
title_short | Music Audiences 3.0: Concert-Goers’ Psychological Motivations at the Dawn of Virtual Reality |
title_sort | music audiences 3.0: concert-goers’ psychological motivations at the dawn of virtual reality |
topic | Psychology |
url | https://www.ncbi.nlm.nih.gov/pmc/articles/PMC5441133/ https://www.ncbi.nlm.nih.gov/pubmed/28588528 http://dx.doi.org/10.3389/fpsyg.2017.00800 |
work_keys_str_mv | AT charronjeanphilippe musicaudiences30concertgoerspsychologicalmotivationsatthedawnofvirtualreality |