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The progression pattern of male hyrax songs and the role of climactic ending

The study of animal vocal signals can either focus on the properties of distinct vocal elements or address the signal as a whole. Although some attention has been given to the continuous progression patterns of bird songs, such patterns in mammalian vocalisations have been largely overlooked. We exa...

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Autores principales: Demartsev, Vlad, Ilany, Amiyaal, Kershenbaum, Arik, Geva, Yair, Margalit, Ori, Schnitzer, Inbar, Barocas, Adi, Bar-Ziv, Einat, Koren, Lee, Geffen, Eli
Formato: Online Artículo Texto
Lenguaje:English
Publicado: Nature Publishing Group UK 2017
Materias:
Acceso en línea:https://www.ncbi.nlm.nih.gov/pmc/articles/PMC5459900/
https://www.ncbi.nlm.nih.gov/pubmed/28584250
http://dx.doi.org/10.1038/s41598-017-03035-x
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author Demartsev, Vlad
Ilany, Amiyaal
Kershenbaum, Arik
Geva, Yair
Margalit, Ori
Schnitzer, Inbar
Barocas, Adi
Bar-Ziv, Einat
Koren, Lee
Geffen, Eli
author_facet Demartsev, Vlad
Ilany, Amiyaal
Kershenbaum, Arik
Geva, Yair
Margalit, Ori
Schnitzer, Inbar
Barocas, Adi
Bar-Ziv, Einat
Koren, Lee
Geffen, Eli
author_sort Demartsev, Vlad
collection PubMed
description The study of animal vocal signals can either focus on the properties of distinct vocal elements or address the signal as a whole. Although some attention has been given to the continuous progression patterns of bird songs, such patterns in mammalian vocalisations have been largely overlooked. We examined temporal changes in structural and acoustic parameters in male rock hyrax songs. We found a gradual increase in call frequency and amplitude towards the song ending, as well as an abrupt increase in bout syntactic complexity, peaking in the last quintile of a song. In musical terms, such a pattern can be described as a crescendo (amplitude increase) with a terminal climax. In Western music, crescendos are used to maintain attention and direct the listeners towards a memorable highpoint of the musical piece. This structure may have an analogous function in animal communication, recruiting audience attention towards the climactic and potentially most informative part of the signal. Our playback experiments revealed that hyrax males tend to reply more to songs with a climactic ending, indicating that this progression pattern is important for hyrax communication. We suggest that animal vocal communication research can benefit from adding musical concepts to the analysis toolbox.
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spelling pubmed-54599002017-06-06 The progression pattern of male hyrax songs and the role of climactic ending Demartsev, Vlad Ilany, Amiyaal Kershenbaum, Arik Geva, Yair Margalit, Ori Schnitzer, Inbar Barocas, Adi Bar-Ziv, Einat Koren, Lee Geffen, Eli Sci Rep Article The study of animal vocal signals can either focus on the properties of distinct vocal elements or address the signal as a whole. Although some attention has been given to the continuous progression patterns of bird songs, such patterns in mammalian vocalisations have been largely overlooked. We examined temporal changes in structural and acoustic parameters in male rock hyrax songs. We found a gradual increase in call frequency and amplitude towards the song ending, as well as an abrupt increase in bout syntactic complexity, peaking in the last quintile of a song. In musical terms, such a pattern can be described as a crescendo (amplitude increase) with a terminal climax. In Western music, crescendos are used to maintain attention and direct the listeners towards a memorable highpoint of the musical piece. This structure may have an analogous function in animal communication, recruiting audience attention towards the climactic and potentially most informative part of the signal. Our playback experiments revealed that hyrax males tend to reply more to songs with a climactic ending, indicating that this progression pattern is important for hyrax communication. We suggest that animal vocal communication research can benefit from adding musical concepts to the analysis toolbox. Nature Publishing Group UK 2017-06-05 /pmc/articles/PMC5459900/ /pubmed/28584250 http://dx.doi.org/10.1038/s41598-017-03035-x Text en © The Author(s) 2017 Open Access This article is licensed under a Creative Commons Attribution 4.0 International License, which permits use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license, and indicate if changes were made. The images or other third party material in this article are included in the article’s Creative Commons license, unless indicated otherwise in a credit line to the material. If material is not included in the article’s Creative Commons license and your intended use is not permitted by statutory regulation or exceeds the permitted use, you will need to obtain permission directly from the copyright holder. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/.
spellingShingle Article
Demartsev, Vlad
Ilany, Amiyaal
Kershenbaum, Arik
Geva, Yair
Margalit, Ori
Schnitzer, Inbar
Barocas, Adi
Bar-Ziv, Einat
Koren, Lee
Geffen, Eli
The progression pattern of male hyrax songs and the role of climactic ending
title The progression pattern of male hyrax songs and the role of climactic ending
title_full The progression pattern of male hyrax songs and the role of climactic ending
title_fullStr The progression pattern of male hyrax songs and the role of climactic ending
title_full_unstemmed The progression pattern of male hyrax songs and the role of climactic ending
title_short The progression pattern of male hyrax songs and the role of climactic ending
title_sort progression pattern of male hyrax songs and the role of climactic ending
topic Article
url https://www.ncbi.nlm.nih.gov/pmc/articles/PMC5459900/
https://www.ncbi.nlm.nih.gov/pubmed/28584250
http://dx.doi.org/10.1038/s41598-017-03035-x
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