Cargando…

Placing joy, surprise and sadness in space: a cross-linguistic study

The valence–space metaphor posits that emotion concepts map onto vertical space such that positive concepts are in upper locations and negative in lower locations. Whilst previous studies have demonstrated this pattern for positive and negative emotions e.g. ‘joy’ and ‘sadness’, the spatial location...

Descripción completa

Detalles Bibliográficos
Autores principales: Marmolejo-Ramos, Fernando, Correa, Juan C., Sakarkar, Gopal, Ngo, Giang, Ruiz-Fernández, Susana, Butcher, Natalie, Yamada, Yuki
Formato: Online Artículo Texto
Lenguaje:English
Publicado: Springer Berlin Heidelberg 2016
Materias:
Acceso en línea:https://www.ncbi.nlm.nih.gov/pmc/articles/PMC5486563/
https://www.ncbi.nlm.nih.gov/pubmed/27431389
http://dx.doi.org/10.1007/s00426-016-0787-9
Descripción
Sumario:The valence–space metaphor posits that emotion concepts map onto vertical space such that positive concepts are in upper locations and negative in lower locations. Whilst previous studies have demonstrated this pattern for positive and negative emotions e.g. ‘joy’ and ‘sadness’, the spatial location of neutral emotions, e.g. ‘surprise’, has not been investigated, and little is known about the effect of linguistic background. In this study, we first characterised the emotions joy, surprise and sadness via ratings of their concreteness, imageability, context availability and valence before examining the allocation of these emotions in vertical space. Participants from six linguistic groups completed either a rating task used to characterise the emotions or a word allocation task to implicitly assess where these emotions are positioned in vertical space. Our findings suggest that, across languages, gender, handedness, and ages, positive emotions are located in upper spatial locations and negative emotions in lower spatial locations. In addition, we found that the neutral emotional valence of surprise is reflected in this emotion being mapped mid-way between upper and lower locations onto the vertical plane. This novel finding indicates that the location of a concept on the vertical plane mimics the concept’s degree of emotional valence.