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How What We See and What We Know Influence Iconic Gesture Production
In face-to-face communication, speakers typically integrate information acquired through different sources, including what they see and what they know, into their communicative messages. In this study, we asked how these different input sources influence the frequency and type of iconic gestures pro...
Autores principales: | , , |
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Formato: | Online Artículo Texto |
Lenguaje: | English |
Publicado: |
Springer US
2017
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Materias: | |
Acceso en línea: | https://www.ncbi.nlm.nih.gov/pmc/articles/PMC5649601/ https://www.ncbi.nlm.nih.gov/pubmed/29104335 http://dx.doi.org/10.1007/s10919-017-0261-4 |
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author | Masson-Carro, Ingrid Goudbeek, Martijn Krahmer, Emiel |
author_facet | Masson-Carro, Ingrid Goudbeek, Martijn Krahmer, Emiel |
author_sort | Masson-Carro, Ingrid |
collection | PubMed |
description | In face-to-face communication, speakers typically integrate information acquired through different sources, including what they see and what they know, into their communicative messages. In this study, we asked how these different input sources influence the frequency and type of iconic gestures produced by speakers during a communication task, under two degrees of task complexity. Specifically, we investigated whether speakers gestured differently when they had to describe an object presented to them as an image or as a written word (input modality) and, additionally, when they were allowed to explicitly name the object or not (task complexity). Our results show that speakers produced more gestures when they attended to a picture. Further, speakers more often gesturally depicted shape information when attended to an image, and they demonstrated the function of an object more often when they attended to a word. However, when we increased the complexity of the task by forbidding speakers to name the target objects, these patterns disappeared, suggesting that speakers may have strategically adapted their use of iconic strategies to better meet the task’s goals. Our study also revealed (independent) effects of object manipulability on the type of gestures produced by speakers and, in general, it highlighted a predominance of molding and handling gestures. These gestures may reflect stronger motoric and haptic simulations, lending support to activation-based gesture production accounts. |
format | Online Article Text |
id | pubmed-5649601 |
institution | National Center for Biotechnology Information |
language | English |
publishDate | 2017 |
publisher | Springer US |
record_format | MEDLINE/PubMed |
spelling | pubmed-56496012017-11-01 How What We See and What We Know Influence Iconic Gesture Production Masson-Carro, Ingrid Goudbeek, Martijn Krahmer, Emiel J Nonverbal Behav Original Paper In face-to-face communication, speakers typically integrate information acquired through different sources, including what they see and what they know, into their communicative messages. In this study, we asked how these different input sources influence the frequency and type of iconic gestures produced by speakers during a communication task, under two degrees of task complexity. Specifically, we investigated whether speakers gestured differently when they had to describe an object presented to them as an image or as a written word (input modality) and, additionally, when they were allowed to explicitly name the object or not (task complexity). Our results show that speakers produced more gestures when they attended to a picture. Further, speakers more often gesturally depicted shape information when attended to an image, and they demonstrated the function of an object more often when they attended to a word. However, when we increased the complexity of the task by forbidding speakers to name the target objects, these patterns disappeared, suggesting that speakers may have strategically adapted their use of iconic strategies to better meet the task’s goals. Our study also revealed (independent) effects of object manipulability on the type of gestures produced by speakers and, in general, it highlighted a predominance of molding and handling gestures. These gestures may reflect stronger motoric and haptic simulations, lending support to activation-based gesture production accounts. Springer US 2017-07-12 2017 /pmc/articles/PMC5649601/ /pubmed/29104335 http://dx.doi.org/10.1007/s10919-017-0261-4 Text en © The Author(s) 2017 Open AccessThis article is distributed under the terms of the Creative Commons Attribution 4.0 International License (http://creativecommons.org/licenses/by/4.0/), which permits unrestricted use, distribution, and reproduction in any medium, provided you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license, and indicate if changes were made. |
spellingShingle | Original Paper Masson-Carro, Ingrid Goudbeek, Martijn Krahmer, Emiel How What We See and What We Know Influence Iconic Gesture Production |
title | How What We See and What We Know Influence Iconic Gesture Production |
title_full | How What We See and What We Know Influence Iconic Gesture Production |
title_fullStr | How What We See and What We Know Influence Iconic Gesture Production |
title_full_unstemmed | How What We See and What We Know Influence Iconic Gesture Production |
title_short | How What We See and What We Know Influence Iconic Gesture Production |
title_sort | how what we see and what we know influence iconic gesture production |
topic | Original Paper |
url | https://www.ncbi.nlm.nih.gov/pmc/articles/PMC5649601/ https://www.ncbi.nlm.nih.gov/pubmed/29104335 http://dx.doi.org/10.1007/s10919-017-0261-4 |
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