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Perception of Western Musical Modes: A Chinese Study
The major mode conveys positive emotion, whereas the minor mode conveys negative emotion. However, previous studies have primarily focused on the emotions induced by Western music in Western participants. The influence of the musical mode (major or minor) on Chinese individuals’ perception of Wester...
Autores principales: | , , |
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Formato: | Online Artículo Texto |
Lenguaje: | English |
Publicado: |
Frontiers Media S.A.
2017
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Materias: | |
Acceso en línea: | https://www.ncbi.nlm.nih.gov/pmc/articles/PMC5671660/ https://www.ncbi.nlm.nih.gov/pubmed/29163286 http://dx.doi.org/10.3389/fpsyg.2017.01905 |
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author | Fang, Lele Shang, Junchen Chen, Nan |
author_facet | Fang, Lele Shang, Junchen Chen, Nan |
author_sort | Fang, Lele |
collection | PubMed |
description | The major mode conveys positive emotion, whereas the minor mode conveys negative emotion. However, previous studies have primarily focused on the emotions induced by Western music in Western participants. The influence of the musical mode (major or minor) on Chinese individuals’ perception of Western music is unclear. In the present experiments, we investigated the effects of musical mode and harmonic complexity on psychological perception among Chinese participants. In Experiment 1, the participants (N = 30) evaluated 24 musical excerpts in five dimensions (pleasure, arousal, dominance, emotional tension, and liking). In Experiment 2, the participants (N = 40) evaluated 48 musical excerpts. Perceptions of the musical excerpts differed significantly according to mode, even if the stimuli were Western musical excerpts. The major-mode music induced greater pleasure and arousal and produced higher liking ratings than the minor-mode music, whereas the minor-mode music induced greater tension than the major-mode music. Mode did not influence the dominance rating. Perception of Western music was not influenced by harmonic complexity. Moreover, preference for musical mode was influenced by previous exposure to Western music. These results confirm the cross-cultural emotion induction effects of musical modes in Western music. |
format | Online Article Text |
id | pubmed-5671660 |
institution | National Center for Biotechnology Information |
language | English |
publishDate | 2017 |
publisher | Frontiers Media S.A. |
record_format | MEDLINE/PubMed |
spelling | pubmed-56716602017-11-21 Perception of Western Musical Modes: A Chinese Study Fang, Lele Shang, Junchen Chen, Nan Front Psychol Psychology The major mode conveys positive emotion, whereas the minor mode conveys negative emotion. However, previous studies have primarily focused on the emotions induced by Western music in Western participants. The influence of the musical mode (major or minor) on Chinese individuals’ perception of Western music is unclear. In the present experiments, we investigated the effects of musical mode and harmonic complexity on psychological perception among Chinese participants. In Experiment 1, the participants (N = 30) evaluated 24 musical excerpts in five dimensions (pleasure, arousal, dominance, emotional tension, and liking). In Experiment 2, the participants (N = 40) evaluated 48 musical excerpts. Perceptions of the musical excerpts differed significantly according to mode, even if the stimuli were Western musical excerpts. The major-mode music induced greater pleasure and arousal and produced higher liking ratings than the minor-mode music, whereas the minor-mode music induced greater tension than the major-mode music. Mode did not influence the dominance rating. Perception of Western music was not influenced by harmonic complexity. Moreover, preference for musical mode was influenced by previous exposure to Western music. These results confirm the cross-cultural emotion induction effects of musical modes in Western music. Frontiers Media S.A. 2017-10-31 /pmc/articles/PMC5671660/ /pubmed/29163286 http://dx.doi.org/10.3389/fpsyg.2017.01905 Text en Copyright © 2017 Fang, Shang and Chen. http://creativecommons.org/licenses/by/4.0/ This is an open-access article distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction in other forums is permitted, provided the original author(s) or licensor are credited and that the original publication in this journal is cited, in accordance with accepted academic practice. No use, distribution or reproduction is permitted which does not comply with these terms. |
spellingShingle | Psychology Fang, Lele Shang, Junchen Chen, Nan Perception of Western Musical Modes: A Chinese Study |
title | Perception of Western Musical Modes: A Chinese Study |
title_full | Perception of Western Musical Modes: A Chinese Study |
title_fullStr | Perception of Western Musical Modes: A Chinese Study |
title_full_unstemmed | Perception of Western Musical Modes: A Chinese Study |
title_short | Perception of Western Musical Modes: A Chinese Study |
title_sort | perception of western musical modes: a chinese study |
topic | Psychology |
url | https://www.ncbi.nlm.nih.gov/pmc/articles/PMC5671660/ https://www.ncbi.nlm.nih.gov/pubmed/29163286 http://dx.doi.org/10.3389/fpsyg.2017.01905 |
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