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Character drawing style in cartoons on empathy induction: an eye-tracking and EEG study

In its most basic form, empathy refers to the ability to understand another person’s feelings and emotions, representing an essential component of human social interaction. Owing to an increase in the use of mass media, which is used to distribute high levels of empathy-inducing content, media plays...

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Autores principales: Lee, Yong-il, Choi, Yeojeong, Jeong, Jaeseung
Formato: Online Artículo Texto
Lenguaje:English
Publicado: PeerJ Inc. 2017
Materias:
Acceso en línea:https://www.ncbi.nlm.nih.gov/pmc/articles/PMC5687150/
https://www.ncbi.nlm.nih.gov/pubmed/29152415
http://dx.doi.org/10.7717/peerj.3988
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author Lee, Yong-il
Choi, Yeojeong
Jeong, Jaeseung
author_facet Lee, Yong-il
Choi, Yeojeong
Jeong, Jaeseung
author_sort Lee, Yong-il
collection PubMed
description In its most basic form, empathy refers to the ability to understand another person’s feelings and emotions, representing an essential component of human social interaction. Owing to an increase in the use of mass media, which is used to distribute high levels of empathy-inducing content, media plays a key role in individual and social empathy induction. We investigated empathy induction in cartoons using eye movement, EEG and behavioral measures to explore whether empathy factors correlate with character drawing styles. Two different types of empathy-inducing cartoons that consisted of three stages and had the same story plot were used. One had an iconic style, while the other was realistic style. Fifty participants were divided into two groups corresponding to the individual cartoon drawing styles and were presented with only one type of drawing style. We found that there were no significant differences of empathy factors between iconic and realistic style. However, the Induced Empathy Score (IES) had a close relationship with subsequent attentional processing (total fixation length for gaze duration). Furthermore, iconic style suppressed the fronto-central area more than realistic style in the gamma power band. These results suggest that iconic cartoons have the advantage of abstraction during empathy induction, because the iconic cartoons induced the same level of empathy as realistic cartoons while using the same story plot (top-down process), even though lesser time and effort were required by the cartoon artist to draw them. This also means that the top-down process (story plot) is more important than the bottom-up process (drawing style) in empathy induction when viewing cartoons
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spelling pubmed-56871502017-11-17 Character drawing style in cartoons on empathy induction: an eye-tracking and EEG study Lee, Yong-il Choi, Yeojeong Jeong, Jaeseung PeerJ Neuroscience In its most basic form, empathy refers to the ability to understand another person’s feelings and emotions, representing an essential component of human social interaction. Owing to an increase in the use of mass media, which is used to distribute high levels of empathy-inducing content, media plays a key role in individual and social empathy induction. We investigated empathy induction in cartoons using eye movement, EEG and behavioral measures to explore whether empathy factors correlate with character drawing styles. Two different types of empathy-inducing cartoons that consisted of three stages and had the same story plot were used. One had an iconic style, while the other was realistic style. Fifty participants were divided into two groups corresponding to the individual cartoon drawing styles and were presented with only one type of drawing style. We found that there were no significant differences of empathy factors between iconic and realistic style. However, the Induced Empathy Score (IES) had a close relationship with subsequent attentional processing (total fixation length for gaze duration). Furthermore, iconic style suppressed the fronto-central area more than realistic style in the gamma power band. These results suggest that iconic cartoons have the advantage of abstraction during empathy induction, because the iconic cartoons induced the same level of empathy as realistic cartoons while using the same story plot (top-down process), even though lesser time and effort were required by the cartoon artist to draw them. This also means that the top-down process (story plot) is more important than the bottom-up process (drawing style) in empathy induction when viewing cartoons PeerJ Inc. 2017-11-08 /pmc/articles/PMC5687150/ /pubmed/29152415 http://dx.doi.org/10.7717/peerj.3988 Text en ©2017 Lee et al. http://creativecommons.org/licenses/by/4.0/ This is an open access article distributed under the terms of the Creative Commons Attribution License (http://creativecommons.org/licenses/by/4.0/) , which permits unrestricted use, distribution, reproduction and adaptation in any medium and for any purpose provided that it is properly attributed. For attribution, the original author(s), title, publication source (PeerJ) and either DOI or URL of the article must be cited.
spellingShingle Neuroscience
Lee, Yong-il
Choi, Yeojeong
Jeong, Jaeseung
Character drawing style in cartoons on empathy induction: an eye-tracking and EEG study
title Character drawing style in cartoons on empathy induction: an eye-tracking and EEG study
title_full Character drawing style in cartoons on empathy induction: an eye-tracking and EEG study
title_fullStr Character drawing style in cartoons on empathy induction: an eye-tracking and EEG study
title_full_unstemmed Character drawing style in cartoons on empathy induction: an eye-tracking and EEG study
title_short Character drawing style in cartoons on empathy induction: an eye-tracking and EEG study
title_sort character drawing style in cartoons on empathy induction: an eye-tracking and eeg study
topic Neuroscience
url https://www.ncbi.nlm.nih.gov/pmc/articles/PMC5687150/
https://www.ncbi.nlm.nih.gov/pubmed/29152415
http://dx.doi.org/10.7717/peerj.3988
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