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A SMARC Effect for Loudness

Various reports suggest that the pitch height of musical tones may be represented along a mental space, with lower pitch heights represented on the left or lower sectors and higher pitch heights represented on the right or upper sectors of the mental space. Given that in Western languages the loudne...

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Detalles Bibliográficos
Autores principales: Bruzzi, Elena, Talamini, Francesca, Priftis, Konstantinos, Grassi, Massimo
Formato: Online Artículo Texto
Lenguaje:English
Publicado: SAGE Publications 2017
Materias:
Acceso en línea:https://www.ncbi.nlm.nih.gov/pmc/articles/PMC5700794/
https://www.ncbi.nlm.nih.gov/pubmed/29201342
http://dx.doi.org/10.1177/2041669517742175
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author Bruzzi, Elena
Talamini, Francesca
Priftis, Konstantinos
Grassi, Massimo
author_facet Bruzzi, Elena
Talamini, Francesca
Priftis, Konstantinos
Grassi, Massimo
author_sort Bruzzi, Elena
collection PubMed
description Various reports suggest that the pitch height of musical tones may be represented along a mental space, with lower pitch heights represented on the left or lower sectors and higher pitch heights represented on the right or upper sectors of the mental space. Given that in Western languages the loudness of tones is often addressed spatially, with loud sounds referred to as “high” and quiet sounds referred to as “low,” here we investigated whether loudness might also have a spatial representation. Participants judged whether a tone was louder or quieter than a reference tone, by pressing two keys: one at the top and the other at the bottom of a response box. Participants were faster in a situation where they pressed the key at the top to report louder sounds, and the key at the bottom to report quieter sounds, than vice versa. This result supports the view that loudness, like other types of magnitudes, might be represented spatially.
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spelling pubmed-57007942017-12-01 A SMARC Effect for Loudness Bruzzi, Elena Talamini, Francesca Priftis, Konstantinos Grassi, Massimo Iperception Short Report Various reports suggest that the pitch height of musical tones may be represented along a mental space, with lower pitch heights represented on the left or lower sectors and higher pitch heights represented on the right or upper sectors of the mental space. Given that in Western languages the loudness of tones is often addressed spatially, with loud sounds referred to as “high” and quiet sounds referred to as “low,” here we investigated whether loudness might also have a spatial representation. Participants judged whether a tone was louder or quieter than a reference tone, by pressing two keys: one at the top and the other at the bottom of a response box. Participants were faster in a situation where they pressed the key at the top to report louder sounds, and the key at the bottom to report quieter sounds, than vice versa. This result supports the view that loudness, like other types of magnitudes, might be represented spatially. SAGE Publications 2017-11-21 /pmc/articles/PMC5700794/ /pubmed/29201342 http://dx.doi.org/10.1177/2041669517742175 Text en © The Author(s) 2017 http://creativecommons.org/licenses/by/4.0/ This article is distributed under the terms of the Creative Commons Attribution 4.0 License (http://www.creativecommons.org/licenses/by/4.0/) which permits any use, reproduction and distribution of the work without further permission provided the original work is attributed as specified on the SAGE and Open Access pages (https://us.sagepub.com/en-us/nam/open-access-at-sage).
spellingShingle Short Report
Bruzzi, Elena
Talamini, Francesca
Priftis, Konstantinos
Grassi, Massimo
A SMARC Effect for Loudness
title A SMARC Effect for Loudness
title_full A SMARC Effect for Loudness
title_fullStr A SMARC Effect for Loudness
title_full_unstemmed A SMARC Effect for Loudness
title_short A SMARC Effect for Loudness
title_sort smarc effect for loudness
topic Short Report
url https://www.ncbi.nlm.nih.gov/pmc/articles/PMC5700794/
https://www.ncbi.nlm.nih.gov/pubmed/29201342
http://dx.doi.org/10.1177/2041669517742175
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