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“It's Your Problem. Deal with It.” Performers' Experiences of Psychological Challenges in Music

Musicians need to deal with a range of challenges during their performance career and in response to these have reported a number of conditions that impact on their performance. Although social support from peers and teachers has been identified as part of the process of dealing with these challenge...

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Autores principales: Pecen, Ellis, Collins, David J., MacNamara, Áine
Formato: Online Artículo Texto
Lenguaje:English
Publicado: Frontiers Media S.A. 2018
Materias:
Acceso en línea:https://www.ncbi.nlm.nih.gov/pmc/articles/PMC5788962/
https://www.ncbi.nlm.nih.gov/pubmed/29422878
http://dx.doi.org/10.3389/fpsyg.2017.02374
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author Pecen, Ellis
Collins, David J.
MacNamara, Áine
author_facet Pecen, Ellis
Collins, David J.
MacNamara, Áine
author_sort Pecen, Ellis
collection PubMed
description Musicians need to deal with a range of challenges during their performance career and in response to these have reported a number of conditions that impact on their performance. Although social support from peers and teachers has been identified as part of the process of dealing with these challenges, little is understood about musicians' coping methods, beliefs and their attitudes toward support. Therefore, this study aimed to explore (a) performers' previous experiences of psychological challenges, (b) the types of support they used and, (c) how this might inform future support programs in learning environments. Fifteen interviews were conducted with pre-elite (n = 5) transitioning elite (n = 3) and established elite performers (n = 7) in order to elicit data on psychological challenges, coping, beliefs and preferences for support. Inductive content analysis suggested that elite performers in this sample reported positive health habits, philosophical views of performance, health and life, positive anxiety reappraisal, and use of various psychological strategies, albeit without being explicitly aware of it. The need for various professional skills (e.g., communication, business, self-management, and organizational skills) was emphasized by all participants. Transition into conservatoire was marked by severe psychological challenges, disorders and trauma. Primary sources of support included friends, family and self-help literature. Professional help was predominantly sought for physical problems. The impact of teachers was paramount, yet securing good teachers was considered a matter of “luck.” The most negative aspects recounted included abusive teachers, unsupportive environments, social comparison, competition, and disillusionment after entering the profession. Participants believed that talent could be developed and also valued wellbeing in relation to performance. Positive effects of late specialization on social development and professional skills were also mentioned. Implications and suggestions are discussed.
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spelling pubmed-57889622018-02-08 “It's Your Problem. Deal with It.” Performers' Experiences of Psychological Challenges in Music Pecen, Ellis Collins, David J. MacNamara, Áine Front Psychol Psychology Musicians need to deal with a range of challenges during their performance career and in response to these have reported a number of conditions that impact on their performance. Although social support from peers and teachers has been identified as part of the process of dealing with these challenges, little is understood about musicians' coping methods, beliefs and their attitudes toward support. Therefore, this study aimed to explore (a) performers' previous experiences of psychological challenges, (b) the types of support they used and, (c) how this might inform future support programs in learning environments. Fifteen interviews were conducted with pre-elite (n = 5) transitioning elite (n = 3) and established elite performers (n = 7) in order to elicit data on psychological challenges, coping, beliefs and preferences for support. Inductive content analysis suggested that elite performers in this sample reported positive health habits, philosophical views of performance, health and life, positive anxiety reappraisal, and use of various psychological strategies, albeit without being explicitly aware of it. The need for various professional skills (e.g., communication, business, self-management, and organizational skills) was emphasized by all participants. Transition into conservatoire was marked by severe psychological challenges, disorders and trauma. Primary sources of support included friends, family and self-help literature. Professional help was predominantly sought for physical problems. The impact of teachers was paramount, yet securing good teachers was considered a matter of “luck.” The most negative aspects recounted included abusive teachers, unsupportive environments, social comparison, competition, and disillusionment after entering the profession. Participants believed that talent could be developed and also valued wellbeing in relation to performance. Positive effects of late specialization on social development and professional skills were also mentioned. Implications and suggestions are discussed. Frontiers Media S.A. 2018-01-25 /pmc/articles/PMC5788962/ /pubmed/29422878 http://dx.doi.org/10.3389/fpsyg.2017.02374 Text en Copyright © 2018 Pecen, Collins and MacNamara. http://creativecommons.org/licenses/by/4.0/ This is an open-access article distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction in other forums is permitted, provided the original author(s) or licensor are credited and that the original publication in this journal is cited, in accordance with accepted academic practice. No use, distribution or reproduction is permitted which does not comply with these terms.
spellingShingle Psychology
Pecen, Ellis
Collins, David J.
MacNamara, Áine
“It's Your Problem. Deal with It.” Performers' Experiences of Psychological Challenges in Music
title “It's Your Problem. Deal with It.” Performers' Experiences of Psychological Challenges in Music
title_full “It's Your Problem. Deal with It.” Performers' Experiences of Psychological Challenges in Music
title_fullStr “It's Your Problem. Deal with It.” Performers' Experiences of Psychological Challenges in Music
title_full_unstemmed “It's Your Problem. Deal with It.” Performers' Experiences of Psychological Challenges in Music
title_short “It's Your Problem. Deal with It.” Performers' Experiences of Psychological Challenges in Music
title_sort “it's your problem. deal with it.” performers' experiences of psychological challenges in music
topic Psychology
url https://www.ncbi.nlm.nih.gov/pmc/articles/PMC5788962/
https://www.ncbi.nlm.nih.gov/pubmed/29422878
http://dx.doi.org/10.3389/fpsyg.2017.02374
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