Cross-Modal Perception of Noise-in-Music: Audiences Generate Spiky Shapes in Response to Auditory Roughness in a Novel Electroacoustic Concert Setting

Noise has become integral to electroacoustic music aesthetics. In this paper, we define noise as sound that is high in auditory roughness, and examine its effect on cross-modal mapping between sound and visual shape in participants. In order to preserve the ecological validity of contemporary music...

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Detalles Bibliográficos
Autores principales: Liew, Kongmeng, Lindborg, PerMagnus, Rodrigues, Ruth, Styles, Suzy J.
Formato: Online Artículo Texto
Lenguaje:English
Publicado: Frontiers Media S.A. 2018
Materias:
Psychology
Acceso en línea:https://www.ncbi.nlm.nih.gov/pmc/articles/PMC5826189/
https://www.ncbi.nlm.nih.gov/pubmed/29515494
http://dx.doi.org/10.3389/fpsyg.2018.00178

Internet

https://www.ncbi.nlm.nih.gov/pmc/articles/PMC5826189/
https://www.ncbi.nlm.nih.gov/pubmed/29515494
http://dx.doi.org/10.3389/fpsyg.2018.00178

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