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The hidden therapist: evidence for a central role of music in psychedelic therapy
RATIONALE: Recent studies have supported the safety and efficacy of psychedelic therapy for mood disorders and addiction. Music is considered an important component in the treatment model, but little empirical research has been done to examine the magnitude and nature of its therapeutic role. OBJECT...
Autores principales: | , , , , , , , , , |
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Formato: | Online Artículo Texto |
Lenguaje: | English |
Publicado: |
Springer Berlin Heidelberg
2018
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Materias: | |
Acceso en línea: | https://www.ncbi.nlm.nih.gov/pmc/articles/PMC5893695/ https://www.ncbi.nlm.nih.gov/pubmed/29396616 http://dx.doi.org/10.1007/s00213-017-4820-5 |
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author | Kaelen, Mendel Giribaldi, Bruna Raine, Jordan Evans, Lisa Timmerman, Christopher Rodriguez, Natalie Roseman, Leor Feilding, Amanda Nutt, David Carhart-Harris, Robin |
author_facet | Kaelen, Mendel Giribaldi, Bruna Raine, Jordan Evans, Lisa Timmerman, Christopher Rodriguez, Natalie Roseman, Leor Feilding, Amanda Nutt, David Carhart-Harris, Robin |
author_sort | Kaelen, Mendel |
collection | PubMed |
description | RATIONALE: Recent studies have supported the safety and efficacy of psychedelic therapy for mood disorders and addiction. Music is considered an important component in the treatment model, but little empirical research has been done to examine the magnitude and nature of its therapeutic role. OBJECTIVES: The present study assessed the influence of music on the acute experience and clinical outcomes of psychedelic therapy. METHODS: Semi-structured interviews inquired about the different ways in which music influenced the experience of 19 patients undergoing psychedelic therapy with psilocybin for treatment-resistant depression. Interpretative phenomenological analysis was applied to the interview data to identify salient themes. In addition, ratings were given for each patient for the extent to which they expressed “liking,” “resonance” (the music being experienced as “harmonious” with the emotional state of the listener), and “openness” (acceptance of the music-evoked experience). RESULTS: Analyses of the interviews revealed that the music had both “welcome” and “unwelcome” influences on patients’ subjective experiences. Welcome influences included the evocation of personally meaningful and therapeutically useful emotion and mental imagery, a sense of guidance, openness, and the promotion of calm and a sense of safety. Conversely, unwelcome influences included the evocation of unpleasant emotion and imagery, a sense of being misguided and resistance. Correlation analyses showed that patients’ experience of the music was associated with the occurrence of “mystical experiences” and “insightfulness.” Crucially, the nature of the music experience was significantly predictive of reductions in depression 1 week after psilocybin, whereas general drug intensity was not. CONCLUSIONS: This study indicates that music plays a central therapeutic function in psychedelic therapy. ELECTRONIC SUPPLEMENTARY MATERIAL: The online version of this article (10.1007/s00213-017-4820-5) contains supplementary material, which is available to authorized users. |
format | Online Article Text |
id | pubmed-5893695 |
institution | National Center for Biotechnology Information |
language | English |
publishDate | 2018 |
publisher | Springer Berlin Heidelberg |
record_format | MEDLINE/PubMed |
spelling | pubmed-58936952018-04-17 The hidden therapist: evidence for a central role of music in psychedelic therapy Kaelen, Mendel Giribaldi, Bruna Raine, Jordan Evans, Lisa Timmerman, Christopher Rodriguez, Natalie Roseman, Leor Feilding, Amanda Nutt, David Carhart-Harris, Robin Psychopharmacology (Berl) Original Investigation RATIONALE: Recent studies have supported the safety and efficacy of psychedelic therapy for mood disorders and addiction. Music is considered an important component in the treatment model, but little empirical research has been done to examine the magnitude and nature of its therapeutic role. OBJECTIVES: The present study assessed the influence of music on the acute experience and clinical outcomes of psychedelic therapy. METHODS: Semi-structured interviews inquired about the different ways in which music influenced the experience of 19 patients undergoing psychedelic therapy with psilocybin for treatment-resistant depression. Interpretative phenomenological analysis was applied to the interview data to identify salient themes. In addition, ratings were given for each patient for the extent to which they expressed “liking,” “resonance” (the music being experienced as “harmonious” with the emotional state of the listener), and “openness” (acceptance of the music-evoked experience). RESULTS: Analyses of the interviews revealed that the music had both “welcome” and “unwelcome” influences on patients’ subjective experiences. Welcome influences included the evocation of personally meaningful and therapeutically useful emotion and mental imagery, a sense of guidance, openness, and the promotion of calm and a sense of safety. Conversely, unwelcome influences included the evocation of unpleasant emotion and imagery, a sense of being misguided and resistance. Correlation analyses showed that patients’ experience of the music was associated with the occurrence of “mystical experiences” and “insightfulness.” Crucially, the nature of the music experience was significantly predictive of reductions in depression 1 week after psilocybin, whereas general drug intensity was not. CONCLUSIONS: This study indicates that music plays a central therapeutic function in psychedelic therapy. ELECTRONIC SUPPLEMENTARY MATERIAL: The online version of this article (10.1007/s00213-017-4820-5) contains supplementary material, which is available to authorized users. Springer Berlin Heidelberg 2018-02-02 2018 /pmc/articles/PMC5893695/ /pubmed/29396616 http://dx.doi.org/10.1007/s00213-017-4820-5 Text en © The Author(s) 2018 Open Access This article is distributed under the terms of theCreative Commons Attribution 4.0 International License (http://creativecommons.org/licenses/by/4.0/),which permits use, duplication, adaptation, distribution and reproduction inany medium or format, as long as you give appropriate credit to the originalauthor(s) and the source, provide a link to the Creative Commons license andindicate if changes were made. |
spellingShingle | Original Investigation Kaelen, Mendel Giribaldi, Bruna Raine, Jordan Evans, Lisa Timmerman, Christopher Rodriguez, Natalie Roseman, Leor Feilding, Amanda Nutt, David Carhart-Harris, Robin The hidden therapist: evidence for a central role of music in psychedelic therapy |
title | The hidden therapist: evidence for a central role of music in
psychedelic therapy |
title_full | The hidden therapist: evidence for a central role of music in
psychedelic therapy |
title_fullStr | The hidden therapist: evidence for a central role of music in
psychedelic therapy |
title_full_unstemmed | The hidden therapist: evidence for a central role of music in
psychedelic therapy |
title_short | The hidden therapist: evidence for a central role of music in
psychedelic therapy |
title_sort | hidden therapist: evidence for a central role of music in
psychedelic therapy |
topic | Original Investigation |
url | https://www.ncbi.nlm.nih.gov/pmc/articles/PMC5893695/ https://www.ncbi.nlm.nih.gov/pubmed/29396616 http://dx.doi.org/10.1007/s00213-017-4820-5 |
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