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Tapping Into Rate Flexibility: Musical Training Facilitates Synchronization Around Spontaneous Production Rates

The ability to flexibly adapt one’s behavior is critical for social tasks such as speech and music performance, in which individuals must coordinate the timing of their actions with others. Natural movement frequencies, also called spontaneous rates, constrain synchronization accuracy between partne...

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Detalles Bibliográficos
Autores principales: Scheurich, Rebecca, Zamm, Anna, Palmer, Caroline
Formato: Online Artículo Texto
Lenguaje:English
Publicado: Frontiers Media S.A. 2018
Materias:
Acceso en línea:https://www.ncbi.nlm.nih.gov/pmc/articles/PMC5897499/
https://www.ncbi.nlm.nih.gov/pubmed/29681872
http://dx.doi.org/10.3389/fpsyg.2018.00458
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author Scheurich, Rebecca
Zamm, Anna
Palmer, Caroline
author_facet Scheurich, Rebecca
Zamm, Anna
Palmer, Caroline
author_sort Scheurich, Rebecca
collection PubMed
description The ability to flexibly adapt one’s behavior is critical for social tasks such as speech and music performance, in which individuals must coordinate the timing of their actions with others. Natural movement frequencies, also called spontaneous rates, constrain synchronization accuracy between partners during duet music performance, whereas musical training enhances synchronization accuracy. We investigated the combined influences of these factors on the flexibility with which individuals can synchronize their actions with sequences at different rates. First, we developed a novel musical task capable of measuring spontaneous rates in both musicians and non-musicians in which participants tapped the rhythm of a familiar melody while hearing the corresponding melody tones. The novel task was validated by similar measures of spontaneous rates generated by piano performance and by the tapping task from the same pianists. We then implemented the novel task with musicians and non-musicians as they synchronized tapping of a familiar melody with a metronome at their spontaneous rates, and at rates proportionally slower and faster than their spontaneous rates. Musicians synchronized more flexibly across rates than non-musicians, indicated by greater synchronization accuracy. Additionally, musicians showed greater engagement of error correction mechanisms than non-musicians. Finally, differences in flexibility were characterized by more recurrent (repetitive) and patterned synchronization in non-musicians, indicative of greater temporal rigidity.
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spelling pubmed-58974992018-04-20 Tapping Into Rate Flexibility: Musical Training Facilitates Synchronization Around Spontaneous Production Rates Scheurich, Rebecca Zamm, Anna Palmer, Caroline Front Psychol Psychology The ability to flexibly adapt one’s behavior is critical for social tasks such as speech and music performance, in which individuals must coordinate the timing of their actions with others. Natural movement frequencies, also called spontaneous rates, constrain synchronization accuracy between partners during duet music performance, whereas musical training enhances synchronization accuracy. We investigated the combined influences of these factors on the flexibility with which individuals can synchronize their actions with sequences at different rates. First, we developed a novel musical task capable of measuring spontaneous rates in both musicians and non-musicians in which participants tapped the rhythm of a familiar melody while hearing the corresponding melody tones. The novel task was validated by similar measures of spontaneous rates generated by piano performance and by the tapping task from the same pianists. We then implemented the novel task with musicians and non-musicians as they synchronized tapping of a familiar melody with a metronome at their spontaneous rates, and at rates proportionally slower and faster than their spontaneous rates. Musicians synchronized more flexibly across rates than non-musicians, indicated by greater synchronization accuracy. Additionally, musicians showed greater engagement of error correction mechanisms than non-musicians. Finally, differences in flexibility were characterized by more recurrent (repetitive) and patterned synchronization in non-musicians, indicative of greater temporal rigidity. Frontiers Media S.A. 2018-04-06 /pmc/articles/PMC5897499/ /pubmed/29681872 http://dx.doi.org/10.3389/fpsyg.2018.00458 Text en Copyright © 2018 Scheurich, Zamm and Palmer. http://creativecommons.org/licenses/by/4.0/ This is an open-access article distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction in other forums is permitted, provided the original author(s) and the copyright owner are credited and that the original publication in this journal is cited, in accordance with accepted academic practice. No use, distribution or reproduction is permitted which does not comply with these terms.
spellingShingle Psychology
Scheurich, Rebecca
Zamm, Anna
Palmer, Caroline
Tapping Into Rate Flexibility: Musical Training Facilitates Synchronization Around Spontaneous Production Rates
title Tapping Into Rate Flexibility: Musical Training Facilitates Synchronization Around Spontaneous Production Rates
title_full Tapping Into Rate Flexibility: Musical Training Facilitates Synchronization Around Spontaneous Production Rates
title_fullStr Tapping Into Rate Flexibility: Musical Training Facilitates Synchronization Around Spontaneous Production Rates
title_full_unstemmed Tapping Into Rate Flexibility: Musical Training Facilitates Synchronization Around Spontaneous Production Rates
title_short Tapping Into Rate Flexibility: Musical Training Facilitates Synchronization Around Spontaneous Production Rates
title_sort tapping into rate flexibility: musical training facilitates synchronization around spontaneous production rates
topic Psychology
url https://www.ncbi.nlm.nih.gov/pmc/articles/PMC5897499/
https://www.ncbi.nlm.nih.gov/pubmed/29681872
http://dx.doi.org/10.3389/fpsyg.2018.00458
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