The Unseen Déjà-Vu: From Erkki Huhtamo’s Topoi to Ken Jacobs’ Remakes: Commentary to Edwin Carels “Revisiting Tom Tom: Performative anamnesis and autonomous vision in Ken Jacobs’ appropriations of Tom Tom the Piper’s Son”

This commentary on Edwin Carels’ essay “Revisiting Tom Tom: Performative anamnesis and autonomous vision in Ken Jacobs’ appropriations of Tom Tom the Piper’s Son” broadens up the media-archaeological framework in which Carels places his text. Notions such as Huhtamo’s topos and Zielinski’s “deep tim...

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Autor principal: Strauven, Wanda
Formato: Online Artículo Texto
Lenguaje:English
Publicado: Springer Netherlands 2016
Materias:
Article
Acceso en línea:https://www.ncbi.nlm.nih.gov/pmc/articles/PMC5959956/
https://www.ncbi.nlm.nih.gov/pubmed/29805290
http://dx.doi.org/10.1007/s10699-016-9516-5
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author Strauven, Wanda
author_facet Strauven, Wanda
author_sort Strauven, Wanda
collection PubMed
description This commentary on Edwin Carels’ essay “Revisiting Tom Tom: Performative anamnesis and autonomous vision in Ken Jacobs’ appropriations of Tom Tom the Piper’s Son” broadens up the media-archaeological framework in which Carels places his text. Notions such as Huhtamo’s topos and Zielinski’s “deep time” are brought into the discussion in order to point out the difficulty to see what there is to see and to question the position of the viewer in front of experimental films like Tom Tom the Piper’s Son and its remakes.
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spelling pubmed-59599562018-05-24 The Unseen Déjà-Vu: From Erkki Huhtamo’s Topoi to Ken Jacobs’ Remakes: Commentary to Edwin Carels “Revisiting Tom Tom: Performative anamnesis and autonomous vision in Ken Jacobs’ appropriations of Tom Tom the Piper’s Son” Strauven, Wanda Found Sci Article This commentary on Edwin Carels’ essay “Revisiting Tom Tom: Performative anamnesis and autonomous vision in Ken Jacobs’ appropriations of Tom Tom the Piper’s Son” broadens up the media-archaeological framework in which Carels places his text. Notions such as Huhtamo’s topos and Zielinski’s “deep time” are brought into the discussion in order to point out the difficulty to see what there is to see and to question the position of the viewer in front of experimental films like Tom Tom the Piper’s Son and its remakes. Springer Netherlands 2016-12-24 2018 /pmc/articles/PMC5959956/ /pubmed/29805290 http://dx.doi.org/10.1007/s10699-016-9516-5 Text en © The Author(s) 2016 Open AccessThis article is distributed under the terms of the Creative Commons Attribution 4.0 International License (http://creativecommons.org/licenses/by/4.0/), which permits unrestricted use, distribution, and reproduction in any medium, provided you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license, and indicate if changes were made.
spellingShingle Article
Strauven, Wanda
The Unseen Déjà-Vu: From Erkki Huhtamo’s Topoi to Ken Jacobs’ Remakes: Commentary to Edwin Carels “Revisiting Tom Tom: Performative anamnesis and autonomous vision in Ken Jacobs’ appropriations of Tom Tom the Piper’s Son”
title The Unseen Déjà-Vu: From Erkki Huhtamo’s Topoi to Ken Jacobs’ Remakes: Commentary to Edwin Carels “Revisiting Tom Tom: Performative anamnesis and autonomous vision in Ken Jacobs’ appropriations of Tom Tom the Piper’s Son”
title_full The Unseen Déjà-Vu: From Erkki Huhtamo’s Topoi to Ken Jacobs’ Remakes: Commentary to Edwin Carels “Revisiting Tom Tom: Performative anamnesis and autonomous vision in Ken Jacobs’ appropriations of Tom Tom the Piper’s Son”
title_fullStr The Unseen Déjà-Vu: From Erkki Huhtamo’s Topoi to Ken Jacobs’ Remakes: Commentary to Edwin Carels “Revisiting Tom Tom: Performative anamnesis and autonomous vision in Ken Jacobs’ appropriations of Tom Tom the Piper’s Son”
title_full_unstemmed The Unseen Déjà-Vu: From Erkki Huhtamo’s Topoi to Ken Jacobs’ Remakes: Commentary to Edwin Carels “Revisiting Tom Tom: Performative anamnesis and autonomous vision in Ken Jacobs’ appropriations of Tom Tom the Piper’s Son”
title_short The Unseen Déjà-Vu: From Erkki Huhtamo’s Topoi to Ken Jacobs’ Remakes: Commentary to Edwin Carels “Revisiting Tom Tom: Performative anamnesis and autonomous vision in Ken Jacobs’ appropriations of Tom Tom the Piper’s Son”
title_sort unseen déjà-vu: from erkki huhtamo’s topoi to ken jacobs’ remakes: commentary to edwin carels “revisiting tom tom: performative anamnesis and autonomous vision in ken jacobs’ appropriations of tom tom the piper’s son”
topic Article
url https://www.ncbi.nlm.nih.gov/pmc/articles/PMC5959956/
https://www.ncbi.nlm.nih.gov/pubmed/29805290
http://dx.doi.org/10.1007/s10699-016-9516-5
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