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The Unseen Déjà-Vu: From Erkki Huhtamo’s Topoi to Ken Jacobs’ Remakes: Commentary to Edwin Carels “Revisiting Tom Tom: Performative anamnesis and autonomous vision in Ken Jacobs’ appropriations of Tom Tom the Piper’s Son”
This commentary on Edwin Carels’ essay “Revisiting Tom Tom: Performative anamnesis and autonomous vision in Ken Jacobs’ appropriations of Tom Tom the Piper’s Son” broadens up the media-archaeological framework in which Carels places his text. Notions such as Huhtamo’s topos and Zielinski’s “deep tim...
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| Formato: | Online Artículo Texto |
| Lenguaje: | English |
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Springer Netherlands
2016
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| Acceso en línea: | https://www.ncbi.nlm.nih.gov/pmc/articles/PMC5959956/ https://www.ncbi.nlm.nih.gov/pubmed/29805290 http://dx.doi.org/10.1007/s10699-016-9516-5 |