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‘Like Pebbles Stuck in a Sieve’: Reading Romushas in the Second-Generation Photography of Southeast Asian Captivity

Western depictions of captivity across Southeast Asia during the Second World War are dominated by the images of military prisoners of war who were captured by Japanese forces following the fall of Singapore in February 1942. Much less widely known are the histories of romushas: forced labourers fro...

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Detalles Bibliográficos
Autor principal: Oliver, Lizzie
Formato: Online Artículo Texto
Lenguaje:English
Publicado: Routledge 2017
Materias:
Acceso en línea:https://www.ncbi.nlm.nih.gov/pmc/articles/PMC6044054/
https://www.ncbi.nlm.nih.gov/pubmed/30046355
http://dx.doi.org/10.1080/17526272.2017.1385265
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author Oliver, Lizzie
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author_sort Oliver, Lizzie
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description Western depictions of captivity across Southeast Asia during the Second World War are dominated by the images of military prisoners of war who were captured by Japanese forces following the fall of Singapore in February 1942. Much less widely known are the histories of romushas: forced labourers from Java who were recruited in their millions and suffered extreme deprivation and ill-treatment through systems of hard labour and corporal punishment. This article explores how the second-generation work of Dutch photographer Jan Banning retraces the rare stories of some of these romushas, and how — with a lack of public places of remembrance — the boundaries between survival and memorial are blurred through the layered functions of Banning’s portraits.
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spelling pubmed-60440542018-07-23 ‘Like Pebbles Stuck in a Sieve’: Reading Romushas in the Second-Generation Photography of Southeast Asian Captivity Oliver, Lizzie J War Cult Stud Articles Western depictions of captivity across Southeast Asia during the Second World War are dominated by the images of military prisoners of war who were captured by Japanese forces following the fall of Singapore in February 1942. Much less widely known are the histories of romushas: forced labourers from Java who were recruited in their millions and suffered extreme deprivation and ill-treatment through systems of hard labour and corporal punishment. This article explores how the second-generation work of Dutch photographer Jan Banning retraces the rare stories of some of these romushas, and how — with a lack of public places of remembrance — the boundaries between survival and memorial are blurred through the layered functions of Banning’s portraits. Routledge 2017-10-05 /pmc/articles/PMC6044054/ /pubmed/30046355 http://dx.doi.org/10.1080/17526272.2017.1385265 Text en © 2017 Informa UK Limited, trading as Taylor & Francis Group
spellingShingle Articles
Oliver, Lizzie
‘Like Pebbles Stuck in a Sieve’: Reading Romushas in the Second-Generation Photography of Southeast Asian Captivity
title ‘Like Pebbles Stuck in a Sieve’: Reading Romushas in the Second-Generation Photography of Southeast Asian Captivity
title_full ‘Like Pebbles Stuck in a Sieve’: Reading Romushas in the Second-Generation Photography of Southeast Asian Captivity
title_fullStr ‘Like Pebbles Stuck in a Sieve’: Reading Romushas in the Second-Generation Photography of Southeast Asian Captivity
title_full_unstemmed ‘Like Pebbles Stuck in a Sieve’: Reading Romushas in the Second-Generation Photography of Southeast Asian Captivity
title_short ‘Like Pebbles Stuck in a Sieve’: Reading Romushas in the Second-Generation Photography of Southeast Asian Captivity
title_sort ‘like pebbles stuck in a sieve’: reading romushas in the second-generation photography of southeast asian captivity
topic Articles
url https://www.ncbi.nlm.nih.gov/pmc/articles/PMC6044054/
https://www.ncbi.nlm.nih.gov/pubmed/30046355
http://dx.doi.org/10.1080/17526272.2017.1385265
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