Cargando…
Amodal Presence and the Bounce/Stream Illusion
Ambiguous bounce/stream collision points were hidden behind an occluder so that observers had to complete them amodally. In Movie 1, straight or curved static lines were painted on the occluder. In Movie 2, dotted textures flowed in straight or curved lines across the front of the occluder. In Movie...
Autor principal: | |
---|---|
Formato: | Online Artículo Texto |
Lenguaje: | English |
Publicado: |
SAGE Publications
2018
|
Materias: | |
Acceso en línea: | https://www.ncbi.nlm.nih.gov/pmc/articles/PMC6092762/ https://www.ncbi.nlm.nih.gov/pubmed/30123487 http://dx.doi.org/10.1177/2041669518791833 |
_version_ | 1783347586798714880 |
---|---|
author | Anstis, Stuart |
author_facet | Anstis, Stuart |
author_sort | Anstis, Stuart |
collection | PubMed |
description | Ambiguous bounce/stream collision points were hidden behind an occluder so that observers had to complete them amodally. In Movie 1, straight or curved static lines were painted on the occluder. In Movie 2, dotted textures flowed in straight or curved lines across the front of the occluder. In Movie 3, moving eyes, painted on the occluder, either moved in straight lines, as if tracking streaming spots, or else followed curved paths, as if tracking bouncing spots. The straight (or curved) lines, texture flow or eye movements led to judgments of streaming (or bouncing). These effects demonstrate the role of attention and expectations in disambiguating bounce/stream stimuli. |
format | Online Article Text |
id | pubmed-6092762 |
institution | National Center for Biotechnology Information |
language | English |
publishDate | 2018 |
publisher | SAGE Publications |
record_format | MEDLINE/PubMed |
spelling | pubmed-60927622018-08-17 Amodal Presence and the Bounce/Stream Illusion Anstis, Stuart Iperception Special Issue: Amodal Completion Ambiguous bounce/stream collision points were hidden behind an occluder so that observers had to complete them amodally. In Movie 1, straight or curved static lines were painted on the occluder. In Movie 2, dotted textures flowed in straight or curved lines across the front of the occluder. In Movie 3, moving eyes, painted on the occluder, either moved in straight lines, as if tracking streaming spots, or else followed curved paths, as if tracking bouncing spots. The straight (or curved) lines, texture flow or eye movements led to judgments of streaming (or bouncing). These effects demonstrate the role of attention and expectations in disambiguating bounce/stream stimuli. SAGE Publications 2018-08-07 /pmc/articles/PMC6092762/ /pubmed/30123487 http://dx.doi.org/10.1177/2041669518791833 Text en © The Author(s) 2018 http://creativecommons.org/licenses/by/4.0/ Creative Commons CC-BY: This article is distributed under the terms of the Creative Commons Attribution 4.0 License (http://www.creativecommons.org/licenses/by/4.0/) which permits any use, reproduction and distribution of the work without further permission provided the original work is attributed as specified on the SAGE and Open Access pages (https://us.sagepub.com/en-us/nam/open-access-at-sage). |
spellingShingle | Special Issue: Amodal Completion Anstis, Stuart Amodal Presence and the Bounce/Stream Illusion |
title | Amodal Presence and the Bounce/Stream Illusion |
title_full | Amodal Presence and the Bounce/Stream Illusion |
title_fullStr | Amodal Presence and the Bounce/Stream Illusion |
title_full_unstemmed | Amodal Presence and the Bounce/Stream Illusion |
title_short | Amodal Presence and the Bounce/Stream Illusion |
title_sort | amodal presence and the bounce/stream illusion |
topic | Special Issue: Amodal Completion |
url | https://www.ncbi.nlm.nih.gov/pmc/articles/PMC6092762/ https://www.ncbi.nlm.nih.gov/pubmed/30123487 http://dx.doi.org/10.1177/2041669518791833 |
work_keys_str_mv | AT anstisstuart amodalpresenceandthebouncestreamillusion |