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Beatboxers and Guitarists Engage Sensorimotor Regions Selectively When Listening to the Instruments They can Play
Studies of classical musicians have demonstrated that expertise modulates neural responses during auditory perception. However, it remains unclear whether such expertise-dependent plasticity is modulated by the instrument that a musician plays. To examine whether the recruitment of sensorimotor regi...
Autores principales: | , , , , , , , |
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Formato: | Online Artículo Texto |
Lenguaje: | English |
Publicado: |
Oxford University Press
2018
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Materias: | |
Acceso en línea: | https://www.ncbi.nlm.nih.gov/pmc/articles/PMC6188551/ https://www.ncbi.nlm.nih.gov/pubmed/30169831 http://dx.doi.org/10.1093/cercor/bhy208 |
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author | Krishnan, Saloni Lima, César F Evans, Samuel Chen, Sinead Guldner, Stella Yeff, Harry Manly, Tom Scott, Sophie K |
author_facet | Krishnan, Saloni Lima, César F Evans, Samuel Chen, Sinead Guldner, Stella Yeff, Harry Manly, Tom Scott, Sophie K |
author_sort | Krishnan, Saloni |
collection | PubMed |
description | Studies of classical musicians have demonstrated that expertise modulates neural responses during auditory perception. However, it remains unclear whether such expertise-dependent plasticity is modulated by the instrument that a musician plays. To examine whether the recruitment of sensorimotor regions during music perception is modulated by instrument-specific experience, we studied nonclassical musicians—beatboxers, who predominantly use their vocal apparatus to produce sound, and guitarists, who use their hands. We contrast fMRI activity in 20 beatboxers, 20 guitarists, and 20 nonmusicians as they listen to novel beatboxing and guitar pieces. All musicians show enhanced activity in sensorimotor regions (IFG, IPC, and SMA), but only when listening to the musical instrument they can play. Using independent component analysis, we find expertise-selective enhancement in sensorimotor networks, which are distinct from changes in attentional networks. These findings suggest that long-term sensorimotor experience facilitates access to the posterodorsal “how” pathway during auditory processing. |
format | Online Article Text |
id | pubmed-6188551 |
institution | National Center for Biotechnology Information |
language | English |
publishDate | 2018 |
publisher | Oxford University Press |
record_format | MEDLINE/PubMed |
spelling | pubmed-61885512018-10-22 Beatboxers and Guitarists Engage Sensorimotor Regions Selectively When Listening to the Instruments They can Play Krishnan, Saloni Lima, César F Evans, Samuel Chen, Sinead Guldner, Stella Yeff, Harry Manly, Tom Scott, Sophie K Cereb Cortex Original Articles Studies of classical musicians have demonstrated that expertise modulates neural responses during auditory perception. However, it remains unclear whether such expertise-dependent plasticity is modulated by the instrument that a musician plays. To examine whether the recruitment of sensorimotor regions during music perception is modulated by instrument-specific experience, we studied nonclassical musicians—beatboxers, who predominantly use their vocal apparatus to produce sound, and guitarists, who use their hands. We contrast fMRI activity in 20 beatboxers, 20 guitarists, and 20 nonmusicians as they listen to novel beatboxing and guitar pieces. All musicians show enhanced activity in sensorimotor regions (IFG, IPC, and SMA), but only when listening to the musical instrument they can play. Using independent component analysis, we find expertise-selective enhancement in sensorimotor networks, which are distinct from changes in attentional networks. These findings suggest that long-term sensorimotor experience facilitates access to the posterodorsal “how” pathway during auditory processing. Oxford University Press 2018-11 2018-08-31 /pmc/articles/PMC6188551/ /pubmed/30169831 http://dx.doi.org/10.1093/cercor/bhy208 Text en © The Author(s) 2018. Published by Oxford University Press. http://creativecommons.org/licenses/by/4.0/ This is an Open Access article distributed under the terms of the Creative Commons Attribution License (http://creativecommons.org/licenses/by/4.0/), which permits unrestricted reuse, distribution, and reproduction in any medium, provided the original work is properly cited. |
spellingShingle | Original Articles Krishnan, Saloni Lima, César F Evans, Samuel Chen, Sinead Guldner, Stella Yeff, Harry Manly, Tom Scott, Sophie K Beatboxers and Guitarists Engage Sensorimotor Regions Selectively When Listening to the Instruments They can Play |
title | Beatboxers and Guitarists Engage Sensorimotor Regions Selectively When Listening to the Instruments They can Play |
title_full | Beatboxers and Guitarists Engage Sensorimotor Regions Selectively When Listening to the Instruments They can Play |
title_fullStr | Beatboxers and Guitarists Engage Sensorimotor Regions Selectively When Listening to the Instruments They can Play |
title_full_unstemmed | Beatboxers and Guitarists Engage Sensorimotor Regions Selectively When Listening to the Instruments They can Play |
title_short | Beatboxers and Guitarists Engage Sensorimotor Regions Selectively When Listening to the Instruments They can Play |
title_sort | beatboxers and guitarists engage sensorimotor regions selectively when listening to the instruments they can play |
topic | Original Articles |
url | https://www.ncbi.nlm.nih.gov/pmc/articles/PMC6188551/ https://www.ncbi.nlm.nih.gov/pubmed/30169831 http://dx.doi.org/10.1093/cercor/bhy208 |
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