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Exploring Embodiment Through Choreographic Practice

This pilot explored embodiment and gender representation through the lens of choreographic practice and sociology. The perspective derives from a comparative lack of status held by female (vs. male) choreographers in the United Kingdom. The pilot study specifically addresses how choreography itself...

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Detalles Bibliográficos
Autor principal: Pickard, Angela
Formato: Online Artículo Texto
Lenguaje:English
Publicado: Frontiers Media S.A. 2018
Materias:
Acceso en línea:https://www.ncbi.nlm.nih.gov/pmc/articles/PMC6196263/
https://www.ncbi.nlm.nih.gov/pubmed/30374319
http://dx.doi.org/10.3389/fpsyg.2018.01920
Descripción
Sumario:This pilot explored embodiment and gender representation through the lens of choreographic practice and sociology. The perspective derives from a comparative lack of status held by female (vs. male) choreographers in the United Kingdom. The pilot study specifically addresses how choreography itself embodies and perpetuates sociocultural values. This work is part of a larger, on-going ethnographic study into the social world(s) of choreography and choreographers. The method is a process of dance making called Sonnet that would expose habitual expectations of dance performances. The process aimed to heighten awareness of gender expectations and to challenge dancers and audience members to reflect on what they normally take for granted. Using Pierre Bourdieu’s critique and notion of habitus (embodiment), the study indicates perpetuating social hierarchy in dance training and practice. This is explored and framed from Bourdieu’s social and cultural perspective.