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Impacts on quality: Enjoyment factors in blind and low vision audience entertainment ratings: A qualitative study

Audio description (AD) is one of the main methods that people who are blind or low vision (B/LV) use to access film, television, and theatre content. AD is a second audio track inserted into the space(s) where speech is absent, which tends to be only a few seconds. Contained in that second track is...

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Detalles Bibliográficos
Autores principales: Naraine, Mala D., Fels, Deborah I., Whitfield, Margot
Formato: Online Artículo Texto
Lenguaje:English
Publicado: Public Library of Science 2018
Materias:
Acceso en línea:https://www.ncbi.nlm.nih.gov/pmc/articles/PMC6277089/
https://www.ncbi.nlm.nih.gov/pubmed/30507973
http://dx.doi.org/10.1371/journal.pone.0208165
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author Naraine, Mala D.
Fels, Deborah I.
Whitfield, Margot
author_facet Naraine, Mala D.
Fels, Deborah I.
Whitfield, Margot
author_sort Naraine, Mala D.
collection PubMed
description Audio description (AD) is one of the main methods that people who are blind or low vision (B/LV) use to access film, television, and theatre content. AD is a second audio track inserted into the space(s) where speech is absent, which tends to be only a few seconds. Contained in that second track is an audio description of the important visual information contained within a specific scene. However, as there is insufficient time to describe all visual information, decisions about what is important to describe and how to present that information (style) to optimize a B/LV viewer’s entertainment experience are required. Most research to date has considered only short-term, single-episode experiences to gauge viewers’ reactions to the AD content. In addition, this research typically has used a monotone, single style of audio description, which is defined as “the conventional style” in this paper. We use an integrative style instead, that is defined as ‘AD designed to fit a specific show”, and differed between shows. We carried out a within-subjects longitudinal study with eight episodes of a dark comedy, using different description styles and describers in order to assess viewer engagement and preferences for AD describer style, language use, timing, and fit to the show. Twenty-four blind participants viewed and rated all eight episodes. Major findings included that most participants found the integrative style entertaining, a fit with the specific episodes, and enjoyable. Some participants, however, preferred the conventional style and struggled with the language and topic of a dark comedy and its associated descriptions.
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spelling pubmed-62770892018-12-20 Impacts on quality: Enjoyment factors in blind and low vision audience entertainment ratings: A qualitative study Naraine, Mala D. Fels, Deborah I. Whitfield, Margot PLoS One Research Article Audio description (AD) is one of the main methods that people who are blind or low vision (B/LV) use to access film, television, and theatre content. AD is a second audio track inserted into the space(s) where speech is absent, which tends to be only a few seconds. Contained in that second track is an audio description of the important visual information contained within a specific scene. However, as there is insufficient time to describe all visual information, decisions about what is important to describe and how to present that information (style) to optimize a B/LV viewer’s entertainment experience are required. Most research to date has considered only short-term, single-episode experiences to gauge viewers’ reactions to the AD content. In addition, this research typically has used a monotone, single style of audio description, which is defined as “the conventional style” in this paper. We use an integrative style instead, that is defined as ‘AD designed to fit a specific show”, and differed between shows. We carried out a within-subjects longitudinal study with eight episodes of a dark comedy, using different description styles and describers in order to assess viewer engagement and preferences for AD describer style, language use, timing, and fit to the show. Twenty-four blind participants viewed and rated all eight episodes. Major findings included that most participants found the integrative style entertaining, a fit with the specific episodes, and enjoyable. Some participants, however, preferred the conventional style and struggled with the language and topic of a dark comedy and its associated descriptions. Public Library of Science 2018-12-03 /pmc/articles/PMC6277089/ /pubmed/30507973 http://dx.doi.org/10.1371/journal.pone.0208165 Text en © 2018 Naraine et al http://creativecommons.org/licenses/by/4.0/ This is an open access article distributed under the terms of the Creative Commons Attribution License (http://creativecommons.org/licenses/by/4.0/) , which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are credited.
spellingShingle Research Article
Naraine, Mala D.
Fels, Deborah I.
Whitfield, Margot
Impacts on quality: Enjoyment factors in blind and low vision audience entertainment ratings: A qualitative study
title Impacts on quality: Enjoyment factors in blind and low vision audience entertainment ratings: A qualitative study
title_full Impacts on quality: Enjoyment factors in blind and low vision audience entertainment ratings: A qualitative study
title_fullStr Impacts on quality: Enjoyment factors in blind and low vision audience entertainment ratings: A qualitative study
title_full_unstemmed Impacts on quality: Enjoyment factors in blind and low vision audience entertainment ratings: A qualitative study
title_short Impacts on quality: Enjoyment factors in blind and low vision audience entertainment ratings: A qualitative study
title_sort impacts on quality: enjoyment factors in blind and low vision audience entertainment ratings: a qualitative study
topic Research Article
url https://www.ncbi.nlm.nih.gov/pmc/articles/PMC6277089/
https://www.ncbi.nlm.nih.gov/pubmed/30507973
http://dx.doi.org/10.1371/journal.pone.0208165
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