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Body sway reflects joint emotional expression in music ensemble performance

Joint action is essential in daily life, as humans often must coordinate with others to accomplish shared goals. Previous studies have mainly focused on sensorimotor aspects of joint action, with measurements reflecting event-to-event precision of interpersonal sensorimotor coordination (e.g., tappi...

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Autores principales: Chang, Andrew, Kragness, Haley E., Livingstone, Steven R., Bosnyak, Dan J., Trainor, Laurel J.
Formato: Online Artículo Texto
Lenguaje:English
Publicado: Nature Publishing Group UK 2019
Materias:
Acceso en línea:https://www.ncbi.nlm.nih.gov/pmc/articles/PMC6338747/
https://www.ncbi.nlm.nih.gov/pubmed/30659220
http://dx.doi.org/10.1038/s41598-018-36358-4
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author Chang, Andrew
Kragness, Haley E.
Livingstone, Steven R.
Bosnyak, Dan J.
Trainor, Laurel J.
author_facet Chang, Andrew
Kragness, Haley E.
Livingstone, Steven R.
Bosnyak, Dan J.
Trainor, Laurel J.
author_sort Chang, Andrew
collection PubMed
description Joint action is essential in daily life, as humans often must coordinate with others to accomplish shared goals. Previous studies have mainly focused on sensorimotor aspects of joint action, with measurements reflecting event-to-event precision of interpersonal sensorimotor coordination (e.g., tapping). However, while emotional factors are often closely tied to joint actions, they are rarely studied, as event-to-event measurements are insufficient to capture higher-order aspects of joint action such as emotional expression. To quantify joint emotional expression, we used motion capture to simultaneously measure the body sway of each musician in a trio (piano, violin, cello) during performances. Excerpts were performed with or without emotional expression. Granger causality was used to analyze body sway movement time series amongst musicians, which reflects information flow. Results showed that the total Granger-coupling of body sway in the ensemble was higher when performing pieces with emotional expression than without. Granger-coupling further correlated with the emotional intensity as rated by both the ensemble members themselves and by musician judges, based on the audio recordings alone. Together, our findings suggest that Granger-coupling of co-actors’ body sways reflects joint emotional expression in a music ensemble, and thus provide a novel approach to studying joint emotional expression.
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spelling pubmed-63387472019-01-23 Body sway reflects joint emotional expression in music ensemble performance Chang, Andrew Kragness, Haley E. Livingstone, Steven R. Bosnyak, Dan J. Trainor, Laurel J. Sci Rep Article Joint action is essential in daily life, as humans often must coordinate with others to accomplish shared goals. Previous studies have mainly focused on sensorimotor aspects of joint action, with measurements reflecting event-to-event precision of interpersonal sensorimotor coordination (e.g., tapping). However, while emotional factors are often closely tied to joint actions, they are rarely studied, as event-to-event measurements are insufficient to capture higher-order aspects of joint action such as emotional expression. To quantify joint emotional expression, we used motion capture to simultaneously measure the body sway of each musician in a trio (piano, violin, cello) during performances. Excerpts were performed with or without emotional expression. Granger causality was used to analyze body sway movement time series amongst musicians, which reflects information flow. Results showed that the total Granger-coupling of body sway in the ensemble was higher when performing pieces with emotional expression than without. Granger-coupling further correlated with the emotional intensity as rated by both the ensemble members themselves and by musician judges, based on the audio recordings alone. Together, our findings suggest that Granger-coupling of co-actors’ body sways reflects joint emotional expression in a music ensemble, and thus provide a novel approach to studying joint emotional expression. Nature Publishing Group UK 2019-01-18 /pmc/articles/PMC6338747/ /pubmed/30659220 http://dx.doi.org/10.1038/s41598-018-36358-4 Text en © The Author(s) 2019 Open Access This article is licensed under a Creative Commons Attribution 4.0 International License, which permits use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license, and indicate if changes were made. The images or other third party material in this article are included in the article’s Creative Commons license, unless indicated otherwise in a credit line to the material. If material is not included in the article’s Creative Commons license and your intended use is not permitted by statutory regulation or exceeds the permitted use, you will need to obtain permission directly from the copyright holder. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/.
spellingShingle Article
Chang, Andrew
Kragness, Haley E.
Livingstone, Steven R.
Bosnyak, Dan J.
Trainor, Laurel J.
Body sway reflects joint emotional expression in music ensemble performance
title Body sway reflects joint emotional expression in music ensemble performance
title_full Body sway reflects joint emotional expression in music ensemble performance
title_fullStr Body sway reflects joint emotional expression in music ensemble performance
title_full_unstemmed Body sway reflects joint emotional expression in music ensemble performance
title_short Body sway reflects joint emotional expression in music ensemble performance
title_sort body sway reflects joint emotional expression in music ensemble performance
topic Article
url https://www.ncbi.nlm.nih.gov/pmc/articles/PMC6338747/
https://www.ncbi.nlm.nih.gov/pubmed/30659220
http://dx.doi.org/10.1038/s41598-018-36358-4
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