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Body sway reflects joint emotional expression in music ensemble performance
Joint action is essential in daily life, as humans often must coordinate with others to accomplish shared goals. Previous studies have mainly focused on sensorimotor aspects of joint action, with measurements reflecting event-to-event precision of interpersonal sensorimotor coordination (e.g., tappi...
Autores principales: | , , , , |
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Formato: | Online Artículo Texto |
Lenguaje: | English |
Publicado: |
Nature Publishing Group UK
2019
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Materias: | |
Acceso en línea: | https://www.ncbi.nlm.nih.gov/pmc/articles/PMC6338747/ https://www.ncbi.nlm.nih.gov/pubmed/30659220 http://dx.doi.org/10.1038/s41598-018-36358-4 |
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author | Chang, Andrew Kragness, Haley E. Livingstone, Steven R. Bosnyak, Dan J. Trainor, Laurel J. |
author_facet | Chang, Andrew Kragness, Haley E. Livingstone, Steven R. Bosnyak, Dan J. Trainor, Laurel J. |
author_sort | Chang, Andrew |
collection | PubMed |
description | Joint action is essential in daily life, as humans often must coordinate with others to accomplish shared goals. Previous studies have mainly focused on sensorimotor aspects of joint action, with measurements reflecting event-to-event precision of interpersonal sensorimotor coordination (e.g., tapping). However, while emotional factors are often closely tied to joint actions, they are rarely studied, as event-to-event measurements are insufficient to capture higher-order aspects of joint action such as emotional expression. To quantify joint emotional expression, we used motion capture to simultaneously measure the body sway of each musician in a trio (piano, violin, cello) during performances. Excerpts were performed with or without emotional expression. Granger causality was used to analyze body sway movement time series amongst musicians, which reflects information flow. Results showed that the total Granger-coupling of body sway in the ensemble was higher when performing pieces with emotional expression than without. Granger-coupling further correlated with the emotional intensity as rated by both the ensemble members themselves and by musician judges, based on the audio recordings alone. Together, our findings suggest that Granger-coupling of co-actors’ body sways reflects joint emotional expression in a music ensemble, and thus provide a novel approach to studying joint emotional expression. |
format | Online Article Text |
id | pubmed-6338747 |
institution | National Center for Biotechnology Information |
language | English |
publishDate | 2019 |
publisher | Nature Publishing Group UK |
record_format | MEDLINE/PubMed |
spelling | pubmed-63387472019-01-23 Body sway reflects joint emotional expression in music ensemble performance Chang, Andrew Kragness, Haley E. Livingstone, Steven R. Bosnyak, Dan J. Trainor, Laurel J. Sci Rep Article Joint action is essential in daily life, as humans often must coordinate with others to accomplish shared goals. Previous studies have mainly focused on sensorimotor aspects of joint action, with measurements reflecting event-to-event precision of interpersonal sensorimotor coordination (e.g., tapping). However, while emotional factors are often closely tied to joint actions, they are rarely studied, as event-to-event measurements are insufficient to capture higher-order aspects of joint action such as emotional expression. To quantify joint emotional expression, we used motion capture to simultaneously measure the body sway of each musician in a trio (piano, violin, cello) during performances. Excerpts were performed with or without emotional expression. Granger causality was used to analyze body sway movement time series amongst musicians, which reflects information flow. Results showed that the total Granger-coupling of body sway in the ensemble was higher when performing pieces with emotional expression than without. Granger-coupling further correlated with the emotional intensity as rated by both the ensemble members themselves and by musician judges, based on the audio recordings alone. Together, our findings suggest that Granger-coupling of co-actors’ body sways reflects joint emotional expression in a music ensemble, and thus provide a novel approach to studying joint emotional expression. Nature Publishing Group UK 2019-01-18 /pmc/articles/PMC6338747/ /pubmed/30659220 http://dx.doi.org/10.1038/s41598-018-36358-4 Text en © The Author(s) 2019 Open Access This article is licensed under a Creative Commons Attribution 4.0 International License, which permits use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license, and indicate if changes were made. The images or other third party material in this article are included in the article’s Creative Commons license, unless indicated otherwise in a credit line to the material. If material is not included in the article’s Creative Commons license and your intended use is not permitted by statutory regulation or exceeds the permitted use, you will need to obtain permission directly from the copyright holder. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/. |
spellingShingle | Article Chang, Andrew Kragness, Haley E. Livingstone, Steven R. Bosnyak, Dan J. Trainor, Laurel J. Body sway reflects joint emotional expression in music ensemble performance |
title | Body sway reflects joint emotional expression in music ensemble performance |
title_full | Body sway reflects joint emotional expression in music ensemble performance |
title_fullStr | Body sway reflects joint emotional expression in music ensemble performance |
title_full_unstemmed | Body sway reflects joint emotional expression in music ensemble performance |
title_short | Body sway reflects joint emotional expression in music ensemble performance |
title_sort | body sway reflects joint emotional expression in music ensemble performance |
topic | Article |
url | https://www.ncbi.nlm.nih.gov/pmc/articles/PMC6338747/ https://www.ncbi.nlm.nih.gov/pubmed/30659220 http://dx.doi.org/10.1038/s41598-018-36358-4 |
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