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An analysis of the foot in turnout using a dance specific 3D multi-segment foot model

INTRODUCTION: Recent three-dimensional (3D) kinematic research has revealed foot abduction is the strongest predictor of standing functional and forced turnout postures. However, it is still unknown how the internal foot joints enable a large degree of foot abduction in turnout. The primary purpose...

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Autores principales: Carter, Sarah L., Bryant, Alan R., Hopper, Luke S.
Formato: Online Artículo Texto
Lenguaje:English
Publicado: BioMed Central 2019
Materias:
Acceso en línea:https://www.ncbi.nlm.nih.gov/pmc/articles/PMC6360724/
https://www.ncbi.nlm.nih.gov/pubmed/30740146
http://dx.doi.org/10.1186/s13047-019-0318-1
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author Carter, Sarah L.
Bryant, Alan R.
Hopper, Luke S.
author_facet Carter, Sarah L.
Bryant, Alan R.
Hopper, Luke S.
author_sort Carter, Sarah L.
collection PubMed
description INTRODUCTION: Recent three-dimensional (3D) kinematic research has revealed foot abduction is the strongest predictor of standing functional and forced turnout postures. However, it is still unknown how the internal foot joints enable a large degree of foot abduction in turnout. The primary purpose of this study was to use a dance specific multi-segment foot model to determine the lower leg and foot contributions to turnout that female university-level ballets use to accentuate their turnout. METHODS: Eighteen female dance students (mean age, 18.8 ± 1.6 years) volunteered for this study. Retro-reflective markers were attached to the dancers’ dominant foot. Each dancer performed three repetitions of functional turnout, forced turnout and ten consecutive sautés in first position. Repeated measures ANOVA with Bonferroni adjustments for the multiple comparisons were used to determine the kinematic adjustments, hindfoot eversion, midfoot and forefoot abduction, navicular drop (i.e. lowering of the medial longitudinal arch) and first metatarsophalangeal joint abduction between natural double leg up-right posture and the first position conditions. RESULTS: Hindfoot eversion (4.6°, p < 0.001) and midfoot abduction (2.8°, p < 0.001) significantly increased in functional turnout compared to the natural double leg up-right posture. Thirteen dancers demonstrated increased first metatarsophalangeal joint (MTPJ) abduction in forced turnout, however no statistically significant increase was found. Navicular drop during sautés in first position significantly increased by 11 mm (p < 0.001) compared to the natural double leg up-right posture. CONCLUSION: Our findings suggest dancers do pronate, via hindfoot eversion and midfoot abduction in both functional and forced turnout, however, no immediate association was found between forced turnout and first MTPJ abduction. Foot pronation does play a role in achieving turnout. Further prospective research on in situ measures of the lower limb in turnout and injury surveillance is required to improve our understanding of the normal and abnormal dance biomechanics. ELECTRONIC SUPPLEMENTARY MATERIAL: The online version of this article (10.1186/s13047-019-0318-1) contains supplementary material, which is available to authorized users.
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spelling pubmed-63607242019-02-08 An analysis of the foot in turnout using a dance specific 3D multi-segment foot model Carter, Sarah L. Bryant, Alan R. Hopper, Luke S. J Foot Ankle Res Research INTRODUCTION: Recent three-dimensional (3D) kinematic research has revealed foot abduction is the strongest predictor of standing functional and forced turnout postures. However, it is still unknown how the internal foot joints enable a large degree of foot abduction in turnout. The primary purpose of this study was to use a dance specific multi-segment foot model to determine the lower leg and foot contributions to turnout that female university-level ballets use to accentuate their turnout. METHODS: Eighteen female dance students (mean age, 18.8 ± 1.6 years) volunteered for this study. Retro-reflective markers were attached to the dancers’ dominant foot. Each dancer performed three repetitions of functional turnout, forced turnout and ten consecutive sautés in first position. Repeated measures ANOVA with Bonferroni adjustments for the multiple comparisons were used to determine the kinematic adjustments, hindfoot eversion, midfoot and forefoot abduction, navicular drop (i.e. lowering of the medial longitudinal arch) and first metatarsophalangeal joint abduction between natural double leg up-right posture and the first position conditions. RESULTS: Hindfoot eversion (4.6°, p < 0.001) and midfoot abduction (2.8°, p < 0.001) significantly increased in functional turnout compared to the natural double leg up-right posture. Thirteen dancers demonstrated increased first metatarsophalangeal joint (MTPJ) abduction in forced turnout, however no statistically significant increase was found. Navicular drop during sautés in first position significantly increased by 11 mm (p < 0.001) compared to the natural double leg up-right posture. CONCLUSION: Our findings suggest dancers do pronate, via hindfoot eversion and midfoot abduction in both functional and forced turnout, however, no immediate association was found between forced turnout and first MTPJ abduction. Foot pronation does play a role in achieving turnout. Further prospective research on in situ measures of the lower limb in turnout and injury surveillance is required to improve our understanding of the normal and abnormal dance biomechanics. ELECTRONIC SUPPLEMENTARY MATERIAL: The online version of this article (10.1186/s13047-019-0318-1) contains supplementary material, which is available to authorized users. BioMed Central 2019-02-04 /pmc/articles/PMC6360724/ /pubmed/30740146 http://dx.doi.org/10.1186/s13047-019-0318-1 Text en © The Author(s). 2019 Open AccessThis article is distributed under the terms of the Creative Commons Attribution 4.0 International License (http://creativecommons.org/licenses/by/4.0/), which permits unrestricted use, distribution, and reproduction in any medium, provided you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license, and indicate if changes were made. The Creative Commons Public Domain Dedication waiver (http://creativecommons.org/publicdomain/zero/1.0/) applies to the data made available in this article, unless otherwise stated.
spellingShingle Research
Carter, Sarah L.
Bryant, Alan R.
Hopper, Luke S.
An analysis of the foot in turnout using a dance specific 3D multi-segment foot model
title An analysis of the foot in turnout using a dance specific 3D multi-segment foot model
title_full An analysis of the foot in turnout using a dance specific 3D multi-segment foot model
title_fullStr An analysis of the foot in turnout using a dance specific 3D multi-segment foot model
title_full_unstemmed An analysis of the foot in turnout using a dance specific 3D multi-segment foot model
title_short An analysis of the foot in turnout using a dance specific 3D multi-segment foot model
title_sort analysis of the foot in turnout using a dance specific 3d multi-segment foot model
topic Research
url https://www.ncbi.nlm.nih.gov/pmc/articles/PMC6360724/
https://www.ncbi.nlm.nih.gov/pubmed/30740146
http://dx.doi.org/10.1186/s13047-019-0318-1
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