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The roles of musical expertise and sensory feedback in beat keeping and joint action

Auditory feedback of actions provides additional information about the timing of one’s own actions and those of others. However, little is known about how musicians and nonmusicians integrate auditory feedback from multiple sources to regulate their own timing or to (intentionally or unintentionally...

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Autores principales: Schultz, Benjamin G., Palmer, Caroline
Formato: Online Artículo Texto
Lenguaje:English
Publicado: Springer Berlin Heidelberg 2019
Materias:
Acceso en línea:https://www.ncbi.nlm.nih.gov/pmc/articles/PMC6441106/
https://www.ncbi.nlm.nih.gov/pubmed/30805705
http://dx.doi.org/10.1007/s00426-019-01156-8
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author Schultz, Benjamin G.
Palmer, Caroline
author_facet Schultz, Benjamin G.
Palmer, Caroline
author_sort Schultz, Benjamin G.
collection PubMed
description Auditory feedback of actions provides additional information about the timing of one’s own actions and those of others. However, little is known about how musicians and nonmusicians integrate auditory feedback from multiple sources to regulate their own timing or to (intentionally or unintentionally) coordinate with a partner. We examined how musical expertise modulates the role of auditory feedback in a two-person synchronization–continuation tapping task. Pairs of individuals were instructed to tap at a rate indicated by an initial metronome cue in all four auditory feedback conditions: no feedback, self-feedback (cannot hear their partner), other feedback (cannot hear themselves), or full feedback (both self and other). Participants within a pair were either both musically trained (musicians), both untrained (nonmusicians), or one musically trained and one untrained (mixed). Results demonstrated that all three pair types spontaneously synchronized with their partner when receiving other or full feedback. Moreover, all pair types were better at maintaining the metronome rate with self-feedback than with no feedback. Musician pairs better maintained the metronome rate when receiving other feedback than when receiving no feedback; in contrast, nonmusician pairs were worse when receiving other or full feedback compared to no feedback. Both members of mixed pairs maintained the metronome rate better in the other and full feedback conditions than in the no feedback condition, similar to musician pairs. Overall, nonmusicians benefited from musicians’ expertise without negatively influencing musicians’ ability to maintain the tapping rate. One implication is that nonmusicians may improve their beat-keeping abilities by performing tasks with musically skilled individuals.
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spelling pubmed-64411062019-04-17 The roles of musical expertise and sensory feedback in beat keeping and joint action Schultz, Benjamin G. Palmer, Caroline Psychol Res Original Article Auditory feedback of actions provides additional information about the timing of one’s own actions and those of others. However, little is known about how musicians and nonmusicians integrate auditory feedback from multiple sources to regulate their own timing or to (intentionally or unintentionally) coordinate with a partner. We examined how musical expertise modulates the role of auditory feedback in a two-person synchronization–continuation tapping task. Pairs of individuals were instructed to tap at a rate indicated by an initial metronome cue in all four auditory feedback conditions: no feedback, self-feedback (cannot hear their partner), other feedback (cannot hear themselves), or full feedback (both self and other). Participants within a pair were either both musically trained (musicians), both untrained (nonmusicians), or one musically trained and one untrained (mixed). Results demonstrated that all three pair types spontaneously synchronized with their partner when receiving other or full feedback. Moreover, all pair types were better at maintaining the metronome rate with self-feedback than with no feedback. Musician pairs better maintained the metronome rate when receiving other feedback than when receiving no feedback; in contrast, nonmusician pairs were worse when receiving other or full feedback compared to no feedback. Both members of mixed pairs maintained the metronome rate better in the other and full feedback conditions than in the no feedback condition, similar to musician pairs. Overall, nonmusicians benefited from musicians’ expertise without negatively influencing musicians’ ability to maintain the tapping rate. One implication is that nonmusicians may improve their beat-keeping abilities by performing tasks with musically skilled individuals. Springer Berlin Heidelberg 2019-02-25 2019 /pmc/articles/PMC6441106/ /pubmed/30805705 http://dx.doi.org/10.1007/s00426-019-01156-8 Text en © The Author(s) 2019 Open AccessThis article is distributed under the terms of the Creative Commons Attribution 4.0 International License (http://creativecommons.org/licenses/by/4.0/), which permits unrestricted use, distribution, and reproduction in any medium, provided you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license, and indicate if changes were made.
spellingShingle Original Article
Schultz, Benjamin G.
Palmer, Caroline
The roles of musical expertise and sensory feedback in beat keeping and joint action
title The roles of musical expertise and sensory feedback in beat keeping and joint action
title_full The roles of musical expertise and sensory feedback in beat keeping and joint action
title_fullStr The roles of musical expertise and sensory feedback in beat keeping and joint action
title_full_unstemmed The roles of musical expertise and sensory feedback in beat keeping and joint action
title_short The roles of musical expertise and sensory feedback in beat keeping and joint action
title_sort roles of musical expertise and sensory feedback in beat keeping and joint action
topic Original Article
url https://www.ncbi.nlm.nih.gov/pmc/articles/PMC6441106/
https://www.ncbi.nlm.nih.gov/pubmed/30805705
http://dx.doi.org/10.1007/s00426-019-01156-8
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