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Strabismus in Bronzino’s paintings: a hallmark of a realistic painter?

The present article analyses eleven paintings of Bronzino, one of the major painters of the late Italian Mannerism, in which the sitters are portrayed with deviating eyes. The reasons why Bronzino may have included a truant eye in his subjects are herein discussed. We consider the ‘wandering’ eye as...

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Autores principales: Davide, Lazzeri, Giuseppe, Cianchini, Fabio, Nicoli, Giamberto, Casini, Stefano, Lazzeri
Formato: Online Artículo Texto
Lenguaje:English
Publicado: Mattioli 1885 2018
Materias:
Acceso en línea:https://www.ncbi.nlm.nih.gov/pmc/articles/PMC6502094/
https://www.ncbi.nlm.nih.gov/pubmed/30657125
http://dx.doi.org/10.23750/abm.v89i4.6385
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author Davide, Lazzeri
Giuseppe, Cianchini
Fabio, Nicoli
Giamberto, Casini
Stefano, Lazzeri
author_facet Davide, Lazzeri
Giuseppe, Cianchini
Fabio, Nicoli
Giamberto, Casini
Stefano, Lazzeri
author_sort Davide, Lazzeri
collection PubMed
description The present article analyses eleven paintings of Bronzino, one of the major painters of the late Italian Mannerism, in which the sitters are portrayed with deviating eyes. The reasons why Bronzino may have included a truant eye in his subjects are herein discussed. We consider the ‘wandering’ eye as a hallmark of Bronzino’s style. The inclusion of strabismus may be part of the Mannerismtendency of usingexaggerated hallmarks but pursuing at the same time an increasing realism that was typical of the 15(th) and 16(th) century movements. (www.actabiomedica.it)
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spelling pubmed-65020942019-05-08 Strabismus in Bronzino’s paintings: a hallmark of a realistic painter? Davide, Lazzeri Giuseppe, Cianchini Fabio, Nicoli Giamberto, Casini Stefano, Lazzeri Acta Biomed Original Article The present article analyses eleven paintings of Bronzino, one of the major painters of the late Italian Mannerism, in which the sitters are portrayed with deviating eyes. The reasons why Bronzino may have included a truant eye in his subjects are herein discussed. We consider the ‘wandering’ eye as a hallmark of Bronzino’s style. The inclusion of strabismus may be part of the Mannerismtendency of usingexaggerated hallmarks but pursuing at the same time an increasing realism that was typical of the 15(th) and 16(th) century movements. (www.actabiomedica.it) Mattioli 1885 2018 /pmc/articles/PMC6502094/ /pubmed/30657125 http://dx.doi.org/10.23750/abm.v89i4.6385 Text en Copyright: © 2018 ACTA BIO MEDICA SOCIETY OF MEDICINE AND NATURAL SCIENCES OF PARMA http://creativecommons.org/licenses/by-nc-sa/4.0 This work is licensed under a Creative Commons Attribution 4.0 International License
spellingShingle Original Article
Davide, Lazzeri
Giuseppe, Cianchini
Fabio, Nicoli
Giamberto, Casini
Stefano, Lazzeri
Strabismus in Bronzino’s paintings: a hallmark of a realistic painter?
title Strabismus in Bronzino’s paintings: a hallmark of a realistic painter?
title_full Strabismus in Bronzino’s paintings: a hallmark of a realistic painter?
title_fullStr Strabismus in Bronzino’s paintings: a hallmark of a realistic painter?
title_full_unstemmed Strabismus in Bronzino’s paintings: a hallmark of a realistic painter?
title_short Strabismus in Bronzino’s paintings: a hallmark of a realistic painter?
title_sort strabismus in bronzino’s paintings: a hallmark of a realistic painter?
topic Original Article
url https://www.ncbi.nlm.nih.gov/pmc/articles/PMC6502094/
https://www.ncbi.nlm.nih.gov/pubmed/30657125
http://dx.doi.org/10.23750/abm.v89i4.6385
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