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Speech perception is similar for musicians and non-musicians across a wide range of conditions

It remains unclear whether musical training is associated with improved speech understanding in a noisy environment, with different studies reaching differing conclusions. Even in those studies that have reported an advantage for highly trained musicians, it is not known whether the benefits measure...

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Autores principales: Madsen, Sara M. K., Marschall, Marton, Dau, Torsten, Oxenham, Andrew J.
Formato: Online Artículo Texto
Lenguaje:English
Publicado: Nature Publishing Group UK 2019
Materias:
Acceso en línea:https://www.ncbi.nlm.nih.gov/pmc/articles/PMC6639310/
https://www.ncbi.nlm.nih.gov/pubmed/31320656
http://dx.doi.org/10.1038/s41598-019-46728-1
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author Madsen, Sara M. K.
Marschall, Marton
Dau, Torsten
Oxenham, Andrew J.
author_facet Madsen, Sara M. K.
Marschall, Marton
Dau, Torsten
Oxenham, Andrew J.
author_sort Madsen, Sara M. K.
collection PubMed
description It remains unclear whether musical training is associated with improved speech understanding in a noisy environment, with different studies reaching differing conclusions. Even in those studies that have reported an advantage for highly trained musicians, it is not known whether the benefits measured in laboratory tests extend to more ecologically valid situations. This study aimed to establish whether musicians are better than non-musicians at understanding speech in a background of competing speakers or speech-shaped noise under more realistic conditions, involving sounds presented in space via a spherical array of 64 loudspeakers, rather than over headphones, with and without simulated room reverberation. The study also included experiments testing fundamental frequency discrimination limens (F0DLs), interaural time differences limens (ITDLs), and attentive tracking. Sixty-four participants (32 non-musicians and 32 musicians) were tested, with the two groups matched in age, sex, and IQ as assessed with Raven’s Advanced Progressive matrices. There was a significant benefit of musicianship for F0DLs, ITDLs, and attentive tracking. However, speech scores were not significantly different between the two groups. The results suggest no musician advantage for understanding speech in background noise or talkers under a variety of conditions.
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spelling pubmed-66393102019-07-25 Speech perception is similar for musicians and non-musicians across a wide range of conditions Madsen, Sara M. K. Marschall, Marton Dau, Torsten Oxenham, Andrew J. Sci Rep Article It remains unclear whether musical training is associated with improved speech understanding in a noisy environment, with different studies reaching differing conclusions. Even in those studies that have reported an advantage for highly trained musicians, it is not known whether the benefits measured in laboratory tests extend to more ecologically valid situations. This study aimed to establish whether musicians are better than non-musicians at understanding speech in a background of competing speakers or speech-shaped noise under more realistic conditions, involving sounds presented in space via a spherical array of 64 loudspeakers, rather than over headphones, with and without simulated room reverberation. The study also included experiments testing fundamental frequency discrimination limens (F0DLs), interaural time differences limens (ITDLs), and attentive tracking. Sixty-four participants (32 non-musicians and 32 musicians) were tested, with the two groups matched in age, sex, and IQ as assessed with Raven’s Advanced Progressive matrices. There was a significant benefit of musicianship for F0DLs, ITDLs, and attentive tracking. However, speech scores were not significantly different between the two groups. The results suggest no musician advantage for understanding speech in background noise or talkers under a variety of conditions. Nature Publishing Group UK 2019-07-18 /pmc/articles/PMC6639310/ /pubmed/31320656 http://dx.doi.org/10.1038/s41598-019-46728-1 Text en © The Author(s) 2019 Open Access This article is licensed under a Creative Commons Attribution 4.0 International License, which permits use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license, and indicate if changes were made. The images or other third party material in this article are included in the article’s Creative Commons license, unless indicated otherwise in a credit line to the material. If material is not included in the article’s Creative Commons license and your intended use is not permitted by statutory regulation or exceeds the permitted use, you will need to obtain permission directly from the copyright holder. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/.
spellingShingle Article
Madsen, Sara M. K.
Marschall, Marton
Dau, Torsten
Oxenham, Andrew J.
Speech perception is similar for musicians and non-musicians across a wide range of conditions
title Speech perception is similar for musicians and non-musicians across a wide range of conditions
title_full Speech perception is similar for musicians and non-musicians across a wide range of conditions
title_fullStr Speech perception is similar for musicians and non-musicians across a wide range of conditions
title_full_unstemmed Speech perception is similar for musicians and non-musicians across a wide range of conditions
title_short Speech perception is similar for musicians and non-musicians across a wide range of conditions
title_sort speech perception is similar for musicians and non-musicians across a wide range of conditions
topic Article
url https://www.ncbi.nlm.nih.gov/pmc/articles/PMC6639310/
https://www.ncbi.nlm.nih.gov/pubmed/31320656
http://dx.doi.org/10.1038/s41598-019-46728-1
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