Science, art, society and Klimt’s University of Vienna paintings

At the turn of the 19th century the Austrian artist Gustav Klimt was commissioned to decorate the ceiling of the Great Hall of the University of Vienna. However the three paintings he produced – Philosophy, Medicine and Jurisprudence – were rejected by the university and later destroyed by retreatin...

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Detalles Bibliográficos
Autor principal: Pereda, Alberto E
Formato: Online Artículo Texto
Lenguaje:English
Publicado: eLife Sciences Publications, Ltd 2019
Materias:
Feature Article
Acceso en línea:https://www.ncbi.nlm.nih.gov/pmc/articles/PMC6675541/
https://www.ncbi.nlm.nih.gov/pubmed/31368889
http://dx.doi.org/10.7554/eLife.50016
Descripción
Sumario:At the turn of the 19th century the Austrian artist Gustav Klimt was commissioned to decorate the ceiling of the Great Hall of the University of Vienna. However the three paintings he produced – Philosophy, Medicine and Jurisprudence – were rejected by the university and later destroyed by retreating German troops during World War II. The story of these paintings, and another called Goldfish, illuminates common ground between art and science, and highlights ongoing tensions in the relationships between art, science and society.

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