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Cultural differences in the use of acoustic cues for musical emotion experience

Does music penetrate cultural differences with its ability to evoke emotion? The ragas of Hindustani music are specific sequences of notes that elicit various emotions: happy, romantic, devotion, calm, angry, longing, tension and sad. They can be presented in two modes, alaap and gat, which differ i...

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Autores principales: Midya, Vishal, Valla, Jeffrey, Balasubramanian, Hymavathy, Mathur, Avantika, Singh, Nandini Chatterjee
Formato: Online Artículo Texto
Lenguaje:English
Publicado: Public Library of Science 2019
Materias:
Acceso en línea:https://www.ncbi.nlm.nih.gov/pmc/articles/PMC6743780/
https://www.ncbi.nlm.nih.gov/pubmed/31518379
http://dx.doi.org/10.1371/journal.pone.0222380
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author Midya, Vishal
Valla, Jeffrey
Balasubramanian, Hymavathy
Mathur, Avantika
Singh, Nandini Chatterjee
author_facet Midya, Vishal
Valla, Jeffrey
Balasubramanian, Hymavathy
Mathur, Avantika
Singh, Nandini Chatterjee
author_sort Midya, Vishal
collection PubMed
description Does music penetrate cultural differences with its ability to evoke emotion? The ragas of Hindustani music are specific sequences of notes that elicit various emotions: happy, romantic, devotion, calm, angry, longing, tension and sad. They can be presented in two modes, alaap and gat, which differ in rhythm, but match in tonality. Participants from Indian and Non-Indian cultures (N = 144 and 112, respectively) rated twenty-four pieces of Hindustani ragas on eight dimensions of emotion, in a free response task. Of the 192 between-group comparisons, ratings differed in only 9% of the instances, showing universality across multiple musical emotions. Robust regression analyses and machine learning methods revealed tonality best explained emotion ratings for Indian participants whereas rhythm was the primary predictor in Non-Indian listeners. Our results provide compelling evidence for universality in emotions in the auditory domain in the realm of musical emotion, driven by distinct acoustic features that depend on listeners’ cultural backgrounds.
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spelling pubmed-67437802019-09-20 Cultural differences in the use of acoustic cues for musical emotion experience Midya, Vishal Valla, Jeffrey Balasubramanian, Hymavathy Mathur, Avantika Singh, Nandini Chatterjee PLoS One Research Article Does music penetrate cultural differences with its ability to evoke emotion? The ragas of Hindustani music are specific sequences of notes that elicit various emotions: happy, romantic, devotion, calm, angry, longing, tension and sad. They can be presented in two modes, alaap and gat, which differ in rhythm, but match in tonality. Participants from Indian and Non-Indian cultures (N = 144 and 112, respectively) rated twenty-four pieces of Hindustani ragas on eight dimensions of emotion, in a free response task. Of the 192 between-group comparisons, ratings differed in only 9% of the instances, showing universality across multiple musical emotions. Robust regression analyses and machine learning methods revealed tonality best explained emotion ratings for Indian participants whereas rhythm was the primary predictor in Non-Indian listeners. Our results provide compelling evidence for universality in emotions in the auditory domain in the realm of musical emotion, driven by distinct acoustic features that depend on listeners’ cultural backgrounds. Public Library of Science 2019-09-13 /pmc/articles/PMC6743780/ /pubmed/31518379 http://dx.doi.org/10.1371/journal.pone.0222380 Text en © 2019 Midya et al http://creativecommons.org/licenses/by/4.0/ This is an open access article distributed under the terms of the Creative Commons Attribution License (http://creativecommons.org/licenses/by/4.0/) , which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are credited.
spellingShingle Research Article
Midya, Vishal
Valla, Jeffrey
Balasubramanian, Hymavathy
Mathur, Avantika
Singh, Nandini Chatterjee
Cultural differences in the use of acoustic cues for musical emotion experience
title Cultural differences in the use of acoustic cues for musical emotion experience
title_full Cultural differences in the use of acoustic cues for musical emotion experience
title_fullStr Cultural differences in the use of acoustic cues for musical emotion experience
title_full_unstemmed Cultural differences in the use of acoustic cues for musical emotion experience
title_short Cultural differences in the use of acoustic cues for musical emotion experience
title_sort cultural differences in the use of acoustic cues for musical emotion experience
topic Research Article
url https://www.ncbi.nlm.nih.gov/pmc/articles/PMC6743780/
https://www.ncbi.nlm.nih.gov/pubmed/31518379
http://dx.doi.org/10.1371/journal.pone.0222380
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