Cargando…
Cultural differences in the use of acoustic cues for musical emotion experience
Does music penetrate cultural differences with its ability to evoke emotion? The ragas of Hindustani music are specific sequences of notes that elicit various emotions: happy, romantic, devotion, calm, angry, longing, tension and sad. They can be presented in two modes, alaap and gat, which differ i...
Autores principales: | , , , , |
---|---|
Formato: | Online Artículo Texto |
Lenguaje: | English |
Publicado: |
Public Library of Science
2019
|
Materias: | |
Acceso en línea: | https://www.ncbi.nlm.nih.gov/pmc/articles/PMC6743780/ https://www.ncbi.nlm.nih.gov/pubmed/31518379 http://dx.doi.org/10.1371/journal.pone.0222380 |
_version_ | 1783451327242698752 |
---|---|
author | Midya, Vishal Valla, Jeffrey Balasubramanian, Hymavathy Mathur, Avantika Singh, Nandini Chatterjee |
author_facet | Midya, Vishal Valla, Jeffrey Balasubramanian, Hymavathy Mathur, Avantika Singh, Nandini Chatterjee |
author_sort | Midya, Vishal |
collection | PubMed |
description | Does music penetrate cultural differences with its ability to evoke emotion? The ragas of Hindustani music are specific sequences of notes that elicit various emotions: happy, romantic, devotion, calm, angry, longing, tension and sad. They can be presented in two modes, alaap and gat, which differ in rhythm, but match in tonality. Participants from Indian and Non-Indian cultures (N = 144 and 112, respectively) rated twenty-four pieces of Hindustani ragas on eight dimensions of emotion, in a free response task. Of the 192 between-group comparisons, ratings differed in only 9% of the instances, showing universality across multiple musical emotions. Robust regression analyses and machine learning methods revealed tonality best explained emotion ratings for Indian participants whereas rhythm was the primary predictor in Non-Indian listeners. Our results provide compelling evidence for universality in emotions in the auditory domain in the realm of musical emotion, driven by distinct acoustic features that depend on listeners’ cultural backgrounds. |
format | Online Article Text |
id | pubmed-6743780 |
institution | National Center for Biotechnology Information |
language | English |
publishDate | 2019 |
publisher | Public Library of Science |
record_format | MEDLINE/PubMed |
spelling | pubmed-67437802019-09-20 Cultural differences in the use of acoustic cues for musical emotion experience Midya, Vishal Valla, Jeffrey Balasubramanian, Hymavathy Mathur, Avantika Singh, Nandini Chatterjee PLoS One Research Article Does music penetrate cultural differences with its ability to evoke emotion? The ragas of Hindustani music are specific sequences of notes that elicit various emotions: happy, romantic, devotion, calm, angry, longing, tension and sad. They can be presented in two modes, alaap and gat, which differ in rhythm, but match in tonality. Participants from Indian and Non-Indian cultures (N = 144 and 112, respectively) rated twenty-four pieces of Hindustani ragas on eight dimensions of emotion, in a free response task. Of the 192 between-group comparisons, ratings differed in only 9% of the instances, showing universality across multiple musical emotions. Robust regression analyses and machine learning methods revealed tonality best explained emotion ratings for Indian participants whereas rhythm was the primary predictor in Non-Indian listeners. Our results provide compelling evidence for universality in emotions in the auditory domain in the realm of musical emotion, driven by distinct acoustic features that depend on listeners’ cultural backgrounds. Public Library of Science 2019-09-13 /pmc/articles/PMC6743780/ /pubmed/31518379 http://dx.doi.org/10.1371/journal.pone.0222380 Text en © 2019 Midya et al http://creativecommons.org/licenses/by/4.0/ This is an open access article distributed under the terms of the Creative Commons Attribution License (http://creativecommons.org/licenses/by/4.0/) , which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are credited. |
spellingShingle | Research Article Midya, Vishal Valla, Jeffrey Balasubramanian, Hymavathy Mathur, Avantika Singh, Nandini Chatterjee Cultural differences in the use of acoustic cues for musical emotion experience |
title | Cultural differences in the use of acoustic cues for musical emotion experience |
title_full | Cultural differences in the use of acoustic cues for musical emotion experience |
title_fullStr | Cultural differences in the use of acoustic cues for musical emotion experience |
title_full_unstemmed | Cultural differences in the use of acoustic cues for musical emotion experience |
title_short | Cultural differences in the use of acoustic cues for musical emotion experience |
title_sort | cultural differences in the use of acoustic cues for musical emotion experience |
topic | Research Article |
url | https://www.ncbi.nlm.nih.gov/pmc/articles/PMC6743780/ https://www.ncbi.nlm.nih.gov/pubmed/31518379 http://dx.doi.org/10.1371/journal.pone.0222380 |
work_keys_str_mv | AT midyavishal culturaldifferencesintheuseofacousticcuesformusicalemotionexperience AT vallajeffrey culturaldifferencesintheuseofacousticcuesformusicalemotionexperience AT balasubramanianhymavathy culturaldifferencesintheuseofacousticcuesformusicalemotionexperience AT mathuravantika culturaldifferencesintheuseofacousticcuesformusicalemotionexperience AT singhnandinichatterjee culturaldifferencesintheuseofacousticcuesformusicalemotionexperience |