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Perception of Musical Tension in Cochlear Implant Listeners

Despite the difficulties experienced by cochlear implant (CI) users in perceiving pitch and harmony, it is not uncommon to see CI users listening to music, or even playing an instrument. Listening to music is a complex process that relies not only on low-level percepts, such as pitch or timbre, but...

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Autores principales: Spangmose, Steffen, Hjortkjær, Jens, Marozeau, Jeremy
Formato: Online Artículo Texto
Lenguaje:English
Publicado: Frontiers Media S.A. 2019
Materias:
Acceso en línea:https://www.ncbi.nlm.nih.gov/pmc/articles/PMC6798045/
https://www.ncbi.nlm.nih.gov/pubmed/31680795
http://dx.doi.org/10.3389/fnins.2019.00987
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author Spangmose, Steffen
Hjortkjær, Jens
Marozeau, Jeremy
author_facet Spangmose, Steffen
Hjortkjær, Jens
Marozeau, Jeremy
author_sort Spangmose, Steffen
collection PubMed
description Despite the difficulties experienced by cochlear implant (CI) users in perceiving pitch and harmony, it is not uncommon to see CI users listening to music, or even playing an instrument. Listening to music is a complex process that relies not only on low-level percepts, such as pitch or timbre, but also on emotional reactions or the ability to perceive musical sequences as patterns of tension and release. CI users engaged in musical activities might experience some of these higher-level musical features. The goal of this study is to evaluate CI users' ability to perceive musical tension. Nine CI listeners (CIL) and nine normal-hearing listeners (NHL) were asked to rate musical tension on a continuous visual analog slider during music listening. The subjects listened to a 4 min recording of Mozart's Piano Sonata No. 4 (K282) performed by an experienced pianist. In addition to the original piece, four modified versions were also tested to identify which features might influence the responses to the music in the two groups. In each version, one musical feature of the piece was altered: tone pitch, intensity, rhythm, or tempo. Surprisingly, CIL and NHL rated overall musical tension in a very similar way in the original piece. However, the results from the different modifications revealed that while NHL ratings were strongly affected by music with random pitch tones (but preserved intensity and timing information), CIL ratings were not. Rating judgments of both groups were similarly affected by modifications of rhythm and tempo. Our study indicates that CI users can understand higher-level musical aspects as indexed by musical tension ratings. The results suggest that although most CI users have difficulties perceiving pitch, additional music cues, such as tempo and dynamics might contribute positively to their experience of music.
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spelling pubmed-67980452019-11-01 Perception of Musical Tension in Cochlear Implant Listeners Spangmose, Steffen Hjortkjær, Jens Marozeau, Jeremy Front Neurosci Neuroscience Despite the difficulties experienced by cochlear implant (CI) users in perceiving pitch and harmony, it is not uncommon to see CI users listening to music, or even playing an instrument. Listening to music is a complex process that relies not only on low-level percepts, such as pitch or timbre, but also on emotional reactions or the ability to perceive musical sequences as patterns of tension and release. CI users engaged in musical activities might experience some of these higher-level musical features. The goal of this study is to evaluate CI users' ability to perceive musical tension. Nine CI listeners (CIL) and nine normal-hearing listeners (NHL) were asked to rate musical tension on a continuous visual analog slider during music listening. The subjects listened to a 4 min recording of Mozart's Piano Sonata No. 4 (K282) performed by an experienced pianist. In addition to the original piece, four modified versions were also tested to identify which features might influence the responses to the music in the two groups. In each version, one musical feature of the piece was altered: tone pitch, intensity, rhythm, or tempo. Surprisingly, CIL and NHL rated overall musical tension in a very similar way in the original piece. However, the results from the different modifications revealed that while NHL ratings were strongly affected by music with random pitch tones (but preserved intensity and timing information), CIL ratings were not. Rating judgments of both groups were similarly affected by modifications of rhythm and tempo. Our study indicates that CI users can understand higher-level musical aspects as indexed by musical tension ratings. The results suggest that although most CI users have difficulties perceiving pitch, additional music cues, such as tempo and dynamics might contribute positively to their experience of music. Frontiers Media S.A. 2019-09-20 /pmc/articles/PMC6798045/ /pubmed/31680795 http://dx.doi.org/10.3389/fnins.2019.00987 Text en Copyright © 2019 Spangmose, Hjortkjær and Marozeau. http://creativecommons.org/licenses/by/4.0/ This is an open-access article distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction in other forums is permitted, provided the original author(s) and the copyright owner(s) are credited and that the original publication in this journal is cited, in accordance with accepted academic practice. No use, distribution or reproduction is permitted which does not comply with these terms.
spellingShingle Neuroscience
Spangmose, Steffen
Hjortkjær, Jens
Marozeau, Jeremy
Perception of Musical Tension in Cochlear Implant Listeners
title Perception of Musical Tension in Cochlear Implant Listeners
title_full Perception of Musical Tension in Cochlear Implant Listeners
title_fullStr Perception of Musical Tension in Cochlear Implant Listeners
title_full_unstemmed Perception of Musical Tension in Cochlear Implant Listeners
title_short Perception of Musical Tension in Cochlear Implant Listeners
title_sort perception of musical tension in cochlear implant listeners
topic Neuroscience
url https://www.ncbi.nlm.nih.gov/pmc/articles/PMC6798045/
https://www.ncbi.nlm.nih.gov/pubmed/31680795
http://dx.doi.org/10.3389/fnins.2019.00987
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