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Kinematics of perceived dyadic coordination in dance

We investigated the relationships between perceptions of similarity and interaction in spontaneously dancing dyads, and movement features extracted using novel computational methods. We hypothesized that dancers’ movements would be perceived as more similar when they exhibited spatially and temporal...

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Autores principales: Hartmann, Martin, Mavrolampados, Anastasios, Allingham, Emma, Carlson, Emily, Burger, Birgitta, Toiviainen, Petri
Formato: Online Artículo Texto
Lenguaje:English
Publicado: Nature Publishing Group UK 2019
Materias:
Acceso en línea:https://www.ncbi.nlm.nih.gov/pmc/articles/PMC6821729/
https://www.ncbi.nlm.nih.gov/pubmed/31666586
http://dx.doi.org/10.1038/s41598-019-52097-6
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author Hartmann, Martin
Mavrolampados, Anastasios
Allingham, Emma
Carlson, Emily
Burger, Birgitta
Toiviainen, Petri
author_facet Hartmann, Martin
Mavrolampados, Anastasios
Allingham, Emma
Carlson, Emily
Burger, Birgitta
Toiviainen, Petri
author_sort Hartmann, Martin
collection PubMed
description We investigated the relationships between perceptions of similarity and interaction in spontaneously dancing dyads, and movement features extracted using novel computational methods. We hypothesized that dancers’ movements would be perceived as more similar when they exhibited spatially and temporally comparable movement patterns, and as more interactive when they spatially oriented more towards each other. Pairs of dancers were asked to move freely to two musical excerpts while their movements were recorded using optical motion capture. Subsequently, in two separate perceptual experiments we presented stick figure animations of the dyads to observers, who rated degree of interaction and similarity between dancers. Mean perceptual ratings were compared with three different approaches for quantifying coordination: torso orientation, temporal coupling, and spatial coupling. Correlations and partial correlations across dyads were computed between each estimate and the perceptual measures. A systematic exploration showed that torso orientation (dancers facing more towards each other) is a strong predictor of perceived interaction even after controlling for other features, whereas temporal and spatial coupling (dancers moving similarly in space and in time) are better predictors for perceived similarity. Further, our results suggest that similarity is a necessary but not sufficient condition for interaction.
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spelling pubmed-68217292019-11-05 Kinematics of perceived dyadic coordination in dance Hartmann, Martin Mavrolampados, Anastasios Allingham, Emma Carlson, Emily Burger, Birgitta Toiviainen, Petri Sci Rep Article We investigated the relationships between perceptions of similarity and interaction in spontaneously dancing dyads, and movement features extracted using novel computational methods. We hypothesized that dancers’ movements would be perceived as more similar when they exhibited spatially and temporally comparable movement patterns, and as more interactive when they spatially oriented more towards each other. Pairs of dancers were asked to move freely to two musical excerpts while their movements were recorded using optical motion capture. Subsequently, in two separate perceptual experiments we presented stick figure animations of the dyads to observers, who rated degree of interaction and similarity between dancers. Mean perceptual ratings were compared with three different approaches for quantifying coordination: torso orientation, temporal coupling, and spatial coupling. Correlations and partial correlations across dyads were computed between each estimate and the perceptual measures. A systematic exploration showed that torso orientation (dancers facing more towards each other) is a strong predictor of perceived interaction even after controlling for other features, whereas temporal and spatial coupling (dancers moving similarly in space and in time) are better predictors for perceived similarity. Further, our results suggest that similarity is a necessary but not sufficient condition for interaction. Nature Publishing Group UK 2019-10-30 /pmc/articles/PMC6821729/ /pubmed/31666586 http://dx.doi.org/10.1038/s41598-019-52097-6 Text en © The Author(s) 2019 Open Access This article is licensed under a Creative Commons Attribution 4.0 International License, which permits use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license, and indicate if changes were made. The images or other third party material in this article are included in the article’s Creative Commons license, unless indicated otherwise in a credit line to the material. If material is not included in the article’s Creative Commons license and your intended use is not permitted by statutory regulation or exceeds the permitted use, you will need to obtain permission directly from the copyright holder. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/.
spellingShingle Article
Hartmann, Martin
Mavrolampados, Anastasios
Allingham, Emma
Carlson, Emily
Burger, Birgitta
Toiviainen, Petri
Kinematics of perceived dyadic coordination in dance
title Kinematics of perceived dyadic coordination in dance
title_full Kinematics of perceived dyadic coordination in dance
title_fullStr Kinematics of perceived dyadic coordination in dance
title_full_unstemmed Kinematics of perceived dyadic coordination in dance
title_short Kinematics of perceived dyadic coordination in dance
title_sort kinematics of perceived dyadic coordination in dance
topic Article
url https://www.ncbi.nlm.nih.gov/pmc/articles/PMC6821729/
https://www.ncbi.nlm.nih.gov/pubmed/31666586
http://dx.doi.org/10.1038/s41598-019-52097-6
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