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No Evidence for an Auditory Attentional Blink for Voices Regardless of Musical Expertise

Background: Attending to goal-relevant information can leave us metaphorically “blind” or “deaf” to the next relevant information while searching among distracters. This temporal cost lasting for about a half a second on the human selective attention has been long explored using the attentional blin...

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Autores principales: Akça, Merve, Laeng, Bruno, Godøy, Rolf Inge
Formato: Online Artículo Texto
Lenguaje:English
Publicado: Frontiers Media S.A. 2020
Materias:
Acceso en línea:https://www.ncbi.nlm.nih.gov/pmc/articles/PMC6966238/
https://www.ncbi.nlm.nih.gov/pubmed/31998190
http://dx.doi.org/10.3389/fpsyg.2019.02935
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author Akça, Merve
Laeng, Bruno
Godøy, Rolf Inge
author_facet Akça, Merve
Laeng, Bruno
Godøy, Rolf Inge
author_sort Akça, Merve
collection PubMed
description Background: Attending to goal-relevant information can leave us metaphorically “blind” or “deaf” to the next relevant information while searching among distracters. This temporal cost lasting for about a half a second on the human selective attention has been long explored using the attentional blink paradigm. Although there is evidence that certain visual stimuli relating to one's area of expertise can be less susceptible to attentional blink effects, it remains unexplored whether the dynamics of temporal selective attention vary with expertise and objects types in the auditory modality. Methods: Using the auditory version of the attentional blink paradigm, the present study investigates whether certain auditory objects relating to musical and perceptual expertise could have an impact on the transient costs of selective attention. In this study, expert cellists and novice participants were asked to first identify a target sound, and then to detect instrumental timbres of cello or organ, or human voice as a second target in a rapid auditory stream. Results: The results showed moderate evidence against the attentional blink effect for voices independent of participants' musical expertise. Experts outperformed novices in their overall accuracy levels of target identification and detection, reflecting a clear benefit of musical expertise. Importantly, the musicianship advantage disappeared when the human voices served as the second target in the stream. Discussion: The results are discussed in terms of stimulus salience, the advantage of voice processing, as well as perceptual and musical expertise in relation to attention and working memory performances.
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spelling pubmed-69662382020-01-29 No Evidence for an Auditory Attentional Blink for Voices Regardless of Musical Expertise Akça, Merve Laeng, Bruno Godøy, Rolf Inge Front Psychol Psychology Background: Attending to goal-relevant information can leave us metaphorically “blind” or “deaf” to the next relevant information while searching among distracters. This temporal cost lasting for about a half a second on the human selective attention has been long explored using the attentional blink paradigm. Although there is evidence that certain visual stimuli relating to one's area of expertise can be less susceptible to attentional blink effects, it remains unexplored whether the dynamics of temporal selective attention vary with expertise and objects types in the auditory modality. Methods: Using the auditory version of the attentional blink paradigm, the present study investigates whether certain auditory objects relating to musical and perceptual expertise could have an impact on the transient costs of selective attention. In this study, expert cellists and novice participants were asked to first identify a target sound, and then to detect instrumental timbres of cello or organ, or human voice as a second target in a rapid auditory stream. Results: The results showed moderate evidence against the attentional blink effect for voices independent of participants' musical expertise. Experts outperformed novices in their overall accuracy levels of target identification and detection, reflecting a clear benefit of musical expertise. Importantly, the musicianship advantage disappeared when the human voices served as the second target in the stream. Discussion: The results are discussed in terms of stimulus salience, the advantage of voice processing, as well as perceptual and musical expertise in relation to attention and working memory performances. Frontiers Media S.A. 2020-01-10 /pmc/articles/PMC6966238/ /pubmed/31998190 http://dx.doi.org/10.3389/fpsyg.2019.02935 Text en Copyright © 2020 Akça, Laeng and Godøy. http://creativecommons.org/licenses/by/4.0/ This is an open-access article distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction in other forums is permitted, provided the original author(s) and the copyright owner(s) are credited and that the original publication in this journal is cited, in accordance with accepted academic practice. No use, distribution or reproduction is permitted which does not comply with these terms.
spellingShingle Psychology
Akça, Merve
Laeng, Bruno
Godøy, Rolf Inge
No Evidence for an Auditory Attentional Blink for Voices Regardless of Musical Expertise
title No Evidence for an Auditory Attentional Blink for Voices Regardless of Musical Expertise
title_full No Evidence for an Auditory Attentional Blink for Voices Regardless of Musical Expertise
title_fullStr No Evidence for an Auditory Attentional Blink for Voices Regardless of Musical Expertise
title_full_unstemmed No Evidence for an Auditory Attentional Blink for Voices Regardless of Musical Expertise
title_short No Evidence for an Auditory Attentional Blink for Voices Regardless of Musical Expertise
title_sort no evidence for an auditory attentional blink for voices regardless of musical expertise
topic Psychology
url https://www.ncbi.nlm.nih.gov/pmc/articles/PMC6966238/
https://www.ncbi.nlm.nih.gov/pubmed/31998190
http://dx.doi.org/10.3389/fpsyg.2019.02935
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