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Using Beatboxing for Creative Rehabilitation After Laryngectomy: Experiences From a Public Engagement Project

Laryngectomy is the surgical removal of the larynx (voice box), usually performed in patients with advanced stages of throat cancer. The psychosocial impact of losing the voice is significant, affecting a person’s professional and social life in a devastating way, and a proportion of this patient gr...

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Autores principales: Moors, Thomas, Silva, Sanjeev, Maraschin, Donatella, Young, David, Quinn, John M., de Carpentier, John, Allouche, Johan, Himonides, Evangelos
Formato: Online Artículo Texto
Lenguaje:English
Publicado: Frontiers Media S.A. 2020
Materias:
Acceso en línea:https://www.ncbi.nlm.nih.gov/pmc/articles/PMC7001741/
https://www.ncbi.nlm.nih.gov/pubmed/32082203
http://dx.doi.org/10.3389/fpsyg.2019.02854
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author Moors, Thomas
Silva, Sanjeev
Maraschin, Donatella
Young, David
Quinn, John M.
de Carpentier, John
Allouche, Johan
Himonides, Evangelos
author_facet Moors, Thomas
Silva, Sanjeev
Maraschin, Donatella
Young, David
Quinn, John M.
de Carpentier, John
Allouche, Johan
Himonides, Evangelos
author_sort Moors, Thomas
collection PubMed
description Laryngectomy is the surgical removal of the larynx (voice box), usually performed in patients with advanced stages of throat cancer. The psychosocial impact of losing the voice is significant, affecting a person’s professional and social life in a devastating way, and a proportion of this patient group subsequently must overcome depression (22–30%) and social isolation (40%). The profound changes to anatomical structures involved in voicing and articulation, as a result of surgery, radiotherapy or chemotherapy (separately or in combination with one another), introduce challenges faced in speech rehabilitation and voice production that complicate social reintegration and quality of life. After laryngectomy, breathing, voicing, articulation and tongue movement are major components in restoring communication. Regular exercise of the chest, neck and oropharyngeal muscles, in particular, is important in controlling these components and keeping the involved structures supple. It is, however, a difficult task for a speech therapist to keep the patient engaged and motivated to practice these exercises. We have adopted a multidisciplinary approach to explore the use of basic beatboxing techniques to create a wide variety of exercises that are seen as fun and interactive and that maximize the use of the structures important in alaryngeal phonation. We herein report on our empirical work in developing patients’ skills, particularly relating to voiced and unvoiced consonants to improve intelligibility. In collaboration with a professional beatboxing performer, we produced instructional online video materials to support patients working on their own and/or with support from speech therapists. Although the present paper is focused predominantly on introducing the structure of the conducted workshops, the rationale for their design and the final public engagement performance, we also include feedback from participants to commence the critical discourse about whether this type of activity could lead to systematic underlying research and robustly assessed interventions in the future. Based on this exploratory work, we conclude that the innovative approach that we employed was found to be engaging, useful, informative and motivating. We conclude by offering our views regarding the limitations of our work and the implications for future empirical research.
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spelling pubmed-70017412020-02-20 Using Beatboxing for Creative Rehabilitation After Laryngectomy: Experiences From a Public Engagement Project Moors, Thomas Silva, Sanjeev Maraschin, Donatella Young, David Quinn, John M. de Carpentier, John Allouche, Johan Himonides, Evangelos Front Psychol Psychology Laryngectomy is the surgical removal of the larynx (voice box), usually performed in patients with advanced stages of throat cancer. The psychosocial impact of losing the voice is significant, affecting a person’s professional and social life in a devastating way, and a proportion of this patient group subsequently must overcome depression (22–30%) and social isolation (40%). The profound changes to anatomical structures involved in voicing and articulation, as a result of surgery, radiotherapy or chemotherapy (separately or in combination with one another), introduce challenges faced in speech rehabilitation and voice production that complicate social reintegration and quality of life. After laryngectomy, breathing, voicing, articulation and tongue movement are major components in restoring communication. Regular exercise of the chest, neck and oropharyngeal muscles, in particular, is important in controlling these components and keeping the involved structures supple. It is, however, a difficult task for a speech therapist to keep the patient engaged and motivated to practice these exercises. We have adopted a multidisciplinary approach to explore the use of basic beatboxing techniques to create a wide variety of exercises that are seen as fun and interactive and that maximize the use of the structures important in alaryngeal phonation. We herein report on our empirical work in developing patients’ skills, particularly relating to voiced and unvoiced consonants to improve intelligibility. In collaboration with a professional beatboxing performer, we produced instructional online video materials to support patients working on their own and/or with support from speech therapists. Although the present paper is focused predominantly on introducing the structure of the conducted workshops, the rationale for their design and the final public engagement performance, we also include feedback from participants to commence the critical discourse about whether this type of activity could lead to systematic underlying research and robustly assessed interventions in the future. Based on this exploratory work, we conclude that the innovative approach that we employed was found to be engaging, useful, informative and motivating. We conclude by offering our views regarding the limitations of our work and the implications for future empirical research. Frontiers Media S.A. 2020-01-14 /pmc/articles/PMC7001741/ /pubmed/32082203 http://dx.doi.org/10.3389/fpsyg.2019.02854 Text en Copyright © 2020 Moors, Silva, Maraschin, Young, Quinn, de Carpentier, Allouche and Himonides. http://creativecommons.org/licenses/by/4.0/ This is an open-access article distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction in other forums is permitted, provided the original author(s) and the copyright owner(s) are credited and that the original publication in this journal is cited, in accordance with accepted academic practice. No use, distribution or reproduction is permitted which does not comply with these terms.
spellingShingle Psychology
Moors, Thomas
Silva, Sanjeev
Maraschin, Donatella
Young, David
Quinn, John M.
de Carpentier, John
Allouche, Johan
Himonides, Evangelos
Using Beatboxing for Creative Rehabilitation After Laryngectomy: Experiences From a Public Engagement Project
title Using Beatboxing for Creative Rehabilitation After Laryngectomy: Experiences From a Public Engagement Project
title_full Using Beatboxing for Creative Rehabilitation After Laryngectomy: Experiences From a Public Engagement Project
title_fullStr Using Beatboxing for Creative Rehabilitation After Laryngectomy: Experiences From a Public Engagement Project
title_full_unstemmed Using Beatboxing for Creative Rehabilitation After Laryngectomy: Experiences From a Public Engagement Project
title_short Using Beatboxing for Creative Rehabilitation After Laryngectomy: Experiences From a Public Engagement Project
title_sort using beatboxing for creative rehabilitation after laryngectomy: experiences from a public engagement project
topic Psychology
url https://www.ncbi.nlm.nih.gov/pmc/articles/PMC7001741/
https://www.ncbi.nlm.nih.gov/pubmed/32082203
http://dx.doi.org/10.3389/fpsyg.2019.02854
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