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Good vibrations: A review of vocal expressions of positive emotions
Researchers examining nonverbal communication of emotions are becoming increasingly interested in differentiations between different positive emotional states like interest, relief, and pride. But despite the importance of the voice in communicating emotion in general and positive emotion in particu...
Autores principales: | , , |
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Formato: | Online Artículo Texto |
Lenguaje: | English |
Publicado: |
Springer US
2020
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Materias: | |
Acceso en línea: | https://www.ncbi.nlm.nih.gov/pmc/articles/PMC7093353/ https://www.ncbi.nlm.nih.gov/pubmed/31898261 http://dx.doi.org/10.3758/s13423-019-01701-x |
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author | Kamiloğlu, Roza G. Fischer, Agneta H. Sauter, Disa A. |
author_facet | Kamiloğlu, Roza G. Fischer, Agneta H. Sauter, Disa A. |
author_sort | Kamiloğlu, Roza G. |
collection | PubMed |
description | Researchers examining nonverbal communication of emotions are becoming increasingly interested in differentiations between different positive emotional states like interest, relief, and pride. But despite the importance of the voice in communicating emotion in general and positive emotion in particular, there is to date no systematic review of what characterizes vocal expressions of different positive emotions. Furthermore, integration and synthesis of current findings are lacking. In this review, we comprehensively review studies (N = 108) investigating acoustic features relating to specific positive emotions in speech prosody and nonverbal vocalizations. We find that happy voices are generally loud with considerable variability in loudness, have high and variable pitch, and are high in the first two formant frequencies. When specific positive emotions are directly compared with each other, pitch mean, loudness mean, and speech rate differ across positive emotions, with patterns mapping onto clusters of emotions, so-called emotion families. For instance, pitch is higher for epistemological emotions (amusement, interest, relief), moderate for savouring emotions (contentment and pleasure), and lower for a prosocial emotion (admiration). Some, but not all, of the differences in acoustic patterns also map on to differences in arousal levels. We end by pointing to limitations in extant work and making concrete proposals for future research on positive emotions in the voice. |
format | Online Article Text |
id | pubmed-7093353 |
institution | National Center for Biotechnology Information |
language | English |
publishDate | 2020 |
publisher | Springer US |
record_format | MEDLINE/PubMed |
spelling | pubmed-70933532020-03-26 Good vibrations: A review of vocal expressions of positive emotions Kamiloğlu, Roza G. Fischer, Agneta H. Sauter, Disa A. Psychon Bull Rev Theoretical Review Researchers examining nonverbal communication of emotions are becoming increasingly interested in differentiations between different positive emotional states like interest, relief, and pride. But despite the importance of the voice in communicating emotion in general and positive emotion in particular, there is to date no systematic review of what characterizes vocal expressions of different positive emotions. Furthermore, integration and synthesis of current findings are lacking. In this review, we comprehensively review studies (N = 108) investigating acoustic features relating to specific positive emotions in speech prosody and nonverbal vocalizations. We find that happy voices are generally loud with considerable variability in loudness, have high and variable pitch, and are high in the first two formant frequencies. When specific positive emotions are directly compared with each other, pitch mean, loudness mean, and speech rate differ across positive emotions, with patterns mapping onto clusters of emotions, so-called emotion families. For instance, pitch is higher for epistemological emotions (amusement, interest, relief), moderate for savouring emotions (contentment and pleasure), and lower for a prosocial emotion (admiration). Some, but not all, of the differences in acoustic patterns also map on to differences in arousal levels. We end by pointing to limitations in extant work and making concrete proposals for future research on positive emotions in the voice. Springer US 2020-01-02 2020 /pmc/articles/PMC7093353/ /pubmed/31898261 http://dx.doi.org/10.3758/s13423-019-01701-x Text en © The Author(s) 2020 Open Access This article is licensed under a Creative Commons Attribution 4.0 International License, which permits use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons licence, and indicate if changes were made. The images or other third party material in this article are included in the article's Creative Commons licence, unless indicated otherwise in a credit line to the material. If material is not included in the article's Creative Commons licence and your intended use is not permitted by statutory regulation or exceeds the permitted use, you will need to obtain permission directly from the copyright holder. To view a copy of this licence, visit http://creativecommons.org/licenses/by/4.0/. |
spellingShingle | Theoretical Review Kamiloğlu, Roza G. Fischer, Agneta H. Sauter, Disa A. Good vibrations: A review of vocal expressions of positive emotions |
title | Good vibrations: A review of vocal expressions of positive emotions |
title_full | Good vibrations: A review of vocal expressions of positive emotions |
title_fullStr | Good vibrations: A review of vocal expressions of positive emotions |
title_full_unstemmed | Good vibrations: A review of vocal expressions of positive emotions |
title_short | Good vibrations: A review of vocal expressions of positive emotions |
title_sort | good vibrations: a review of vocal expressions of positive emotions |
topic | Theoretical Review |
url | https://www.ncbi.nlm.nih.gov/pmc/articles/PMC7093353/ https://www.ncbi.nlm.nih.gov/pubmed/31898261 http://dx.doi.org/10.3758/s13423-019-01701-x |
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