Cargando…

Noise edge pitch and models of pitch perception

Monaural noise edge pitch (NEP) is evoked by a broadband noise with a sharp falling edge in the power spectrum. The pitch is heard near the spectral edge frequency but shifted slightly into the frequency region of the noise. Thus, the pitch of a lowpass (LP) noise is matched by a pure tone typically...

Descripción completa

Detalles Bibliográficos
Autores principales: Hartmann, William M., Cariani, Peter A., Colburn, H. Steven
Formato: Online Artículo Texto
Lenguaje:English
Publicado: Acoustical Society of America 2019
Materias:
Acceso en línea:https://www.ncbi.nlm.nih.gov/pmc/articles/PMC7112715/
https://www.ncbi.nlm.nih.gov/pubmed/31046377
http://dx.doi.org/10.1121/1.5093546
Descripción
Sumario:Monaural noise edge pitch (NEP) is evoked by a broadband noise with a sharp falling edge in the power spectrum. The pitch is heard near the spectral edge frequency but shifted slightly into the frequency region of the noise. Thus, the pitch of a lowpass (LP) noise is matched by a pure tone typically 2%–5% below the edge, whereas the pitch of highpass (HP) noise is matched a comparable amount above the edge. Musically trained listeners can recognize musical intervals between NEPs. The pitches can be understood from a temporal pattern-matching model of pitch perception based on the peaks of a simplified autocorrelation function. The pitch shifts arise from limits on the autocorrelation window duration. An alternative place-theory approach explains the pitch shifts as the result of lateral inhibition. Psychophysical experiments using edge frequencies of 100 Hz and below find that LP-noise pitches exist but HP-noise pitches do not. The result is consistent with a temporal analysis in tonotopic regions outside the noise band. LP and HP experiments with high-frequency edges find that pitch tends to disappear as the edge frequency approaches 5000 Hz, as expected from a timing theory, though exceptional listeners can go an octave higher.