Cargando…
Viewing Art in Different Contexts
While aesthetic experiences are not limited to any particular context, their sensorial, cognitive and behavioral properties can be profoundly affected by the circumstances in which they occur. Given the ubiquitous nature of contextual effects in nearly all aspects of behavior, investigations aimed a...
Autores principales: | , , , |
---|---|
Formato: | Online Artículo Texto |
Lenguaje: | English |
Publicado: |
Frontiers Media S.A.
2020
|
Materias: | |
Acceso en línea: | https://www.ncbi.nlm.nih.gov/pmc/articles/PMC7142233/ https://www.ncbi.nlm.nih.gov/pubmed/32300320 http://dx.doi.org/10.3389/fpsyg.2020.00569 |
_version_ | 1783519335725137920 |
---|---|
author | Estrada-Gonzalez, Vicente East, Scott Garbutt, Michael Spehar, Branka |
author_facet | Estrada-Gonzalez, Vicente East, Scott Garbutt, Michael Spehar, Branka |
author_sort | Estrada-Gonzalez, Vicente |
collection | PubMed |
description | While aesthetic experiences are not limited to any particular context, their sensorial, cognitive and behavioral properties can be profoundly affected by the circumstances in which they occur. Given the ubiquitous nature of contextual effects in nearly all aspects of behavior, investigations aimed at delineating the context-dependent and context-independent aspects of aesthetic experience and engagement with aesthetic objects in a diverse range of settings are important in empirical aesthetics. Here, we analyze the viewing behavior of visitors (N = 19) freely viewing 15 paintings in the 20th-century Australian collection room at the Art Gallery of New South Wales. In particular, we focus on how aspects of viewing behavior including viewing distance in the gallery condition and eye gaze measures such as fixation count, total fixation duration and average fixation duration are affected by the artworks’ physical characteristics including size and image statistics properties such as Fourier amplitude spectrum, fractal dimension and entropy. In addition, the same artworks were viewed in the laboratory, either scaled to fit most of the screen (N = 22) or to preserve their relative size as in the museum condition (N = 17) to assess the robustness of these relationships across different presentation contexts. We find that the effects of presentation context are modulated by the artworks’ physical characteristics. |
format | Online Article Text |
id | pubmed-7142233 |
institution | National Center for Biotechnology Information |
language | English |
publishDate | 2020 |
publisher | Frontiers Media S.A. |
record_format | MEDLINE/PubMed |
spelling | pubmed-71422332020-04-16 Viewing Art in Different Contexts Estrada-Gonzalez, Vicente East, Scott Garbutt, Michael Spehar, Branka Front Psychol Psychology While aesthetic experiences are not limited to any particular context, their sensorial, cognitive and behavioral properties can be profoundly affected by the circumstances in which they occur. Given the ubiquitous nature of contextual effects in nearly all aspects of behavior, investigations aimed at delineating the context-dependent and context-independent aspects of aesthetic experience and engagement with aesthetic objects in a diverse range of settings are important in empirical aesthetics. Here, we analyze the viewing behavior of visitors (N = 19) freely viewing 15 paintings in the 20th-century Australian collection room at the Art Gallery of New South Wales. In particular, we focus on how aspects of viewing behavior including viewing distance in the gallery condition and eye gaze measures such as fixation count, total fixation duration and average fixation duration are affected by the artworks’ physical characteristics including size and image statistics properties such as Fourier amplitude spectrum, fractal dimension and entropy. In addition, the same artworks were viewed in the laboratory, either scaled to fit most of the screen (N = 22) or to preserve their relative size as in the museum condition (N = 17) to assess the robustness of these relationships across different presentation contexts. We find that the effects of presentation context are modulated by the artworks’ physical characteristics. Frontiers Media S.A. 2020-04-02 /pmc/articles/PMC7142233/ /pubmed/32300320 http://dx.doi.org/10.3389/fpsyg.2020.00569 Text en Copyright © 2020 Estrada-Gonzalez, East, Garbutt and Spehar. http://creativecommons.org/licenses/by/4.0/ This is an open-access article distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction in other forums is permitted, provided the original author(s) and the copyright owner(s) are credited and that the original publication in this journal is cited, in accordance with accepted academic practice. No use, distribution or reproduction is permitted which does not comply with these terms. |
spellingShingle | Psychology Estrada-Gonzalez, Vicente East, Scott Garbutt, Michael Spehar, Branka Viewing Art in Different Contexts |
title | Viewing Art in Different Contexts |
title_full | Viewing Art in Different Contexts |
title_fullStr | Viewing Art in Different Contexts |
title_full_unstemmed | Viewing Art in Different Contexts |
title_short | Viewing Art in Different Contexts |
title_sort | viewing art in different contexts |
topic | Psychology |
url | https://www.ncbi.nlm.nih.gov/pmc/articles/PMC7142233/ https://www.ncbi.nlm.nih.gov/pubmed/32300320 http://dx.doi.org/10.3389/fpsyg.2020.00569 |
work_keys_str_mv | AT estradagonzalezvicente viewingartindifferentcontexts AT eastscott viewingartindifferentcontexts AT garbuttmichael viewingartindifferentcontexts AT speharbranka viewingartindifferentcontexts |