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Audiovisual Modulation in Music Perception for Musicians and Non-musicians

In audiovisual music perception, visual information from a musical instrument being played is available prior to the onset of the corresponding musical sound and consequently allows a perceiver to form a prediction about the upcoming audio music. This prediction in audiovisual music perception, comp...

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Autores principales: Sorati, Marzieh, Behne, Dawn Marie
Formato: Online Artículo Texto
Lenguaje:English
Publicado: Frontiers Media S.A. 2020
Materias:
Acceso en línea:https://www.ncbi.nlm.nih.gov/pmc/articles/PMC7273518/
https://www.ncbi.nlm.nih.gov/pubmed/32547458
http://dx.doi.org/10.3389/fpsyg.2020.01094
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author Sorati, Marzieh
Behne, Dawn Marie
author_facet Sorati, Marzieh
Behne, Dawn Marie
author_sort Sorati, Marzieh
collection PubMed
description In audiovisual music perception, visual information from a musical instrument being played is available prior to the onset of the corresponding musical sound and consequently allows a perceiver to form a prediction about the upcoming audio music. This prediction in audiovisual music perception, compared to auditory music perception, leads to lower N1 and P2 amplitudes and latencies. Although previous research suggests that audiovisual experience, such as previous musical experience may enhance this prediction, a remaining question is to what extent musical experience modifies N1 and P2 amplitudes and latencies. Furthermore, corresponding event-related phase modulations quantified as inter-trial phase coherence (ITPC) have not previously been reported for audiovisual music perception. In the current study, audio video recordings of a keyboard key being played were presented to musicians and non-musicians in audio only (AO), video only (VO), and audiovisual (AV) conditions. With predictive movements from playing the keyboard isolated from AV music perception (AV-VO), the current findings demonstrated that, compared to the AO condition, both groups had a similar decrease in N1 amplitude and latency, and P2 amplitude, along with correspondingly lower ITPC values in the delta, theta, and alpha frequency bands. However, while musicians showed lower ITPC values in the beta-band in AV-VO compared to the AO, non-musicians did not show this pattern. Findings indicate that AV perception may be broadly correlated with auditory perception, and differences between musicians and non-musicians further indicate musical experience to be a specific factor influencing AV perception. Predicting an upcoming sound in AV music perception may involve visual predictory processes, as well as beta-band oscillations, which may be influenced by years of musical training. This study highlights possible interconnectivity in AV perception as well as potential modulation with experience.
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spelling pubmed-72735182020-06-15 Audiovisual Modulation in Music Perception for Musicians and Non-musicians Sorati, Marzieh Behne, Dawn Marie Front Psychol Psychology In audiovisual music perception, visual information from a musical instrument being played is available prior to the onset of the corresponding musical sound and consequently allows a perceiver to form a prediction about the upcoming audio music. This prediction in audiovisual music perception, compared to auditory music perception, leads to lower N1 and P2 amplitudes and latencies. Although previous research suggests that audiovisual experience, such as previous musical experience may enhance this prediction, a remaining question is to what extent musical experience modifies N1 and P2 amplitudes and latencies. Furthermore, corresponding event-related phase modulations quantified as inter-trial phase coherence (ITPC) have not previously been reported for audiovisual music perception. In the current study, audio video recordings of a keyboard key being played were presented to musicians and non-musicians in audio only (AO), video only (VO), and audiovisual (AV) conditions. With predictive movements from playing the keyboard isolated from AV music perception (AV-VO), the current findings demonstrated that, compared to the AO condition, both groups had a similar decrease in N1 amplitude and latency, and P2 amplitude, along with correspondingly lower ITPC values in the delta, theta, and alpha frequency bands. However, while musicians showed lower ITPC values in the beta-band in AV-VO compared to the AO, non-musicians did not show this pattern. Findings indicate that AV perception may be broadly correlated with auditory perception, and differences between musicians and non-musicians further indicate musical experience to be a specific factor influencing AV perception. Predicting an upcoming sound in AV music perception may involve visual predictory processes, as well as beta-band oscillations, which may be influenced by years of musical training. This study highlights possible interconnectivity in AV perception as well as potential modulation with experience. Frontiers Media S.A. 2020-05-29 /pmc/articles/PMC7273518/ /pubmed/32547458 http://dx.doi.org/10.3389/fpsyg.2020.01094 Text en Copyright © 2020 Sorati and Behne. http://creativecommons.org/licenses/by/4.0/ This is an open-access article distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction in other forums is permitted, provided the original author(s) and the copyright owner(s) are credited and that the original publication in this journal is cited, in accordance with accepted academic practice. No use, distribution or reproduction is permitted which does not comply with these terms.
spellingShingle Psychology
Sorati, Marzieh
Behne, Dawn Marie
Audiovisual Modulation in Music Perception for Musicians and Non-musicians
title Audiovisual Modulation in Music Perception for Musicians and Non-musicians
title_full Audiovisual Modulation in Music Perception for Musicians and Non-musicians
title_fullStr Audiovisual Modulation in Music Perception for Musicians and Non-musicians
title_full_unstemmed Audiovisual Modulation in Music Perception for Musicians and Non-musicians
title_short Audiovisual Modulation in Music Perception for Musicians and Non-musicians
title_sort audiovisual modulation in music perception for musicians and non-musicians
topic Psychology
url https://www.ncbi.nlm.nih.gov/pmc/articles/PMC7273518/
https://www.ncbi.nlm.nih.gov/pubmed/32547458
http://dx.doi.org/10.3389/fpsyg.2020.01094
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