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Unexpected presence of (14)C in inorganic pigment for an absolute dating of paintings

The absolute dating of paintings is crucial for tackling the problem of fake art. Investigations to authenticate paintings rely on an advanced knowledge of art history and a collection of scientific techniques. Radiocarbon dating is the only technique that gives access to an absolute time scale, but...

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Autores principales: Beck, Lucile, Messager, Cyrielle, Caffy, Ingrid, Delqué-Količ, Emmanuelle, Perron, Marion, Dumoulin, Jean-Pascal, Moreau, Christophe, Degrigny, Christian, Serneels, Vincent
Formato: Online Artículo Texto
Lenguaje:English
Publicado: Nature Publishing Group UK 2020
Materias:
Acceso en línea:https://www.ncbi.nlm.nih.gov/pmc/articles/PMC7293340/
https://www.ncbi.nlm.nih.gov/pubmed/32533035
http://dx.doi.org/10.1038/s41598-020-65929-7
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author Beck, Lucile
Messager, Cyrielle
Caffy, Ingrid
Delqué-Količ, Emmanuelle
Perron, Marion
Dumoulin, Jean-Pascal
Moreau, Christophe
Degrigny, Christian
Serneels, Vincent
author_facet Beck, Lucile
Messager, Cyrielle
Caffy, Ingrid
Delqué-Količ, Emmanuelle
Perron, Marion
Dumoulin, Jean-Pascal
Moreau, Christophe
Degrigny, Christian
Serneels, Vincent
author_sort Beck, Lucile
collection PubMed
description The absolute dating of paintings is crucial for tackling the problem of fake art. Investigations to authenticate paintings rely on an advanced knowledge of art history and a collection of scientific techniques. Radiocarbon dating is the only technique that gives access to an absolute time scale, but its application is limited to organic materials such as wood, canvas or natural binder. Extending absolute dating to inorganic pigments would make it possible to overcome the lack of available materials for dating easel and mural paintings. Here, we present a novel technique permitting paintings that contain inorganic pigment to be radiocarbon dated. We report results obtained on lead white that was the major white pigment used from Antiquity to the 20(th) century. We demonstrate that its manufacture is the key point for an absolute and reliable dating. We report an unprecedented use of (14)C to date 14(th) to 16(th) century wall paintings. Since lead white was extensively used by the greatest artists, we anticipate that this study will open new avenues for detecting forgeries on the art market and for museums.
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spelling pubmed-72933402020-06-17 Unexpected presence of (14)C in inorganic pigment for an absolute dating of paintings Beck, Lucile Messager, Cyrielle Caffy, Ingrid Delqué-Količ, Emmanuelle Perron, Marion Dumoulin, Jean-Pascal Moreau, Christophe Degrigny, Christian Serneels, Vincent Sci Rep Article The absolute dating of paintings is crucial for tackling the problem of fake art. Investigations to authenticate paintings rely on an advanced knowledge of art history and a collection of scientific techniques. Radiocarbon dating is the only technique that gives access to an absolute time scale, but its application is limited to organic materials such as wood, canvas or natural binder. Extending absolute dating to inorganic pigments would make it possible to overcome the lack of available materials for dating easel and mural paintings. Here, we present a novel technique permitting paintings that contain inorganic pigment to be radiocarbon dated. We report results obtained on lead white that was the major white pigment used from Antiquity to the 20(th) century. We demonstrate that its manufacture is the key point for an absolute and reliable dating. We report an unprecedented use of (14)C to date 14(th) to 16(th) century wall paintings. Since lead white was extensively used by the greatest artists, we anticipate that this study will open new avenues for detecting forgeries on the art market and for museums. Nature Publishing Group UK 2020-06-12 /pmc/articles/PMC7293340/ /pubmed/32533035 http://dx.doi.org/10.1038/s41598-020-65929-7 Text en © The Author(s) 2020 Open Access This article is licensed under a Creative Commons Attribution 4.0 International License, which permits use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license, and indicate if changes were made. The images or other third party material in this article are included in the article’s Creative Commons license, unless indicated otherwise in a credit line to the material. If material is not included in the article’s Creative Commons license and your intended use is not permitted by statutory regulation or exceeds the permitted use, you will need to obtain permission directly from the copyright holder. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/.
spellingShingle Article
Beck, Lucile
Messager, Cyrielle
Caffy, Ingrid
Delqué-Količ, Emmanuelle
Perron, Marion
Dumoulin, Jean-Pascal
Moreau, Christophe
Degrigny, Christian
Serneels, Vincent
Unexpected presence of (14)C in inorganic pigment for an absolute dating of paintings
title Unexpected presence of (14)C in inorganic pigment for an absolute dating of paintings
title_full Unexpected presence of (14)C in inorganic pigment for an absolute dating of paintings
title_fullStr Unexpected presence of (14)C in inorganic pigment for an absolute dating of paintings
title_full_unstemmed Unexpected presence of (14)C in inorganic pigment for an absolute dating of paintings
title_short Unexpected presence of (14)C in inorganic pigment for an absolute dating of paintings
title_sort unexpected presence of (14)c in inorganic pigment for an absolute dating of paintings
topic Article
url https://www.ncbi.nlm.nih.gov/pmc/articles/PMC7293340/
https://www.ncbi.nlm.nih.gov/pubmed/32533035
http://dx.doi.org/10.1038/s41598-020-65929-7
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