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Unexpected presence of (14)C in inorganic pigment for an absolute dating of paintings
The absolute dating of paintings is crucial for tackling the problem of fake art. Investigations to authenticate paintings rely on an advanced knowledge of art history and a collection of scientific techniques. Radiocarbon dating is the only technique that gives access to an absolute time scale, but...
Autores principales: | , , , , , , , , |
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Formato: | Online Artículo Texto |
Lenguaje: | English |
Publicado: |
Nature Publishing Group UK
2020
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Materias: | |
Acceso en línea: | https://www.ncbi.nlm.nih.gov/pmc/articles/PMC7293340/ https://www.ncbi.nlm.nih.gov/pubmed/32533035 http://dx.doi.org/10.1038/s41598-020-65929-7 |
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author | Beck, Lucile Messager, Cyrielle Caffy, Ingrid Delqué-Količ, Emmanuelle Perron, Marion Dumoulin, Jean-Pascal Moreau, Christophe Degrigny, Christian Serneels, Vincent |
author_facet | Beck, Lucile Messager, Cyrielle Caffy, Ingrid Delqué-Količ, Emmanuelle Perron, Marion Dumoulin, Jean-Pascal Moreau, Christophe Degrigny, Christian Serneels, Vincent |
author_sort | Beck, Lucile |
collection | PubMed |
description | The absolute dating of paintings is crucial for tackling the problem of fake art. Investigations to authenticate paintings rely on an advanced knowledge of art history and a collection of scientific techniques. Radiocarbon dating is the only technique that gives access to an absolute time scale, but its application is limited to organic materials such as wood, canvas or natural binder. Extending absolute dating to inorganic pigments would make it possible to overcome the lack of available materials for dating easel and mural paintings. Here, we present a novel technique permitting paintings that contain inorganic pigment to be radiocarbon dated. We report results obtained on lead white that was the major white pigment used from Antiquity to the 20(th) century. We demonstrate that its manufacture is the key point for an absolute and reliable dating. We report an unprecedented use of (14)C to date 14(th) to 16(th) century wall paintings. Since lead white was extensively used by the greatest artists, we anticipate that this study will open new avenues for detecting forgeries on the art market and for museums. |
format | Online Article Text |
id | pubmed-7293340 |
institution | National Center for Biotechnology Information |
language | English |
publishDate | 2020 |
publisher | Nature Publishing Group UK |
record_format | MEDLINE/PubMed |
spelling | pubmed-72933402020-06-17 Unexpected presence of (14)C in inorganic pigment for an absolute dating of paintings Beck, Lucile Messager, Cyrielle Caffy, Ingrid Delqué-Količ, Emmanuelle Perron, Marion Dumoulin, Jean-Pascal Moreau, Christophe Degrigny, Christian Serneels, Vincent Sci Rep Article The absolute dating of paintings is crucial for tackling the problem of fake art. Investigations to authenticate paintings rely on an advanced knowledge of art history and a collection of scientific techniques. Radiocarbon dating is the only technique that gives access to an absolute time scale, but its application is limited to organic materials such as wood, canvas or natural binder. Extending absolute dating to inorganic pigments would make it possible to overcome the lack of available materials for dating easel and mural paintings. Here, we present a novel technique permitting paintings that contain inorganic pigment to be radiocarbon dated. We report results obtained on lead white that was the major white pigment used from Antiquity to the 20(th) century. We demonstrate that its manufacture is the key point for an absolute and reliable dating. We report an unprecedented use of (14)C to date 14(th) to 16(th) century wall paintings. Since lead white was extensively used by the greatest artists, we anticipate that this study will open new avenues for detecting forgeries on the art market and for museums. Nature Publishing Group UK 2020-06-12 /pmc/articles/PMC7293340/ /pubmed/32533035 http://dx.doi.org/10.1038/s41598-020-65929-7 Text en © The Author(s) 2020 Open Access This article is licensed under a Creative Commons Attribution 4.0 International License, which permits use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license, and indicate if changes were made. The images or other third party material in this article are included in the article’s Creative Commons license, unless indicated otherwise in a credit line to the material. If material is not included in the article’s Creative Commons license and your intended use is not permitted by statutory regulation or exceeds the permitted use, you will need to obtain permission directly from the copyright holder. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/. |
spellingShingle | Article Beck, Lucile Messager, Cyrielle Caffy, Ingrid Delqué-Količ, Emmanuelle Perron, Marion Dumoulin, Jean-Pascal Moreau, Christophe Degrigny, Christian Serneels, Vincent Unexpected presence of (14)C in inorganic pigment for an absolute dating of paintings |
title | Unexpected presence of (14)C in inorganic pigment for an absolute dating of paintings |
title_full | Unexpected presence of (14)C in inorganic pigment for an absolute dating of paintings |
title_fullStr | Unexpected presence of (14)C in inorganic pigment for an absolute dating of paintings |
title_full_unstemmed | Unexpected presence of (14)C in inorganic pigment for an absolute dating of paintings |
title_short | Unexpected presence of (14)C in inorganic pigment for an absolute dating of paintings |
title_sort | unexpected presence of (14)c in inorganic pigment for an absolute dating of paintings |
topic | Article |
url | https://www.ncbi.nlm.nih.gov/pmc/articles/PMC7293340/ https://www.ncbi.nlm.nih.gov/pubmed/32533035 http://dx.doi.org/10.1038/s41598-020-65929-7 |
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