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The Effects of an Ecological Diversifying Experience on Creativity: An Experimental Study

Sometimes, life houses rare and unexpected events, such as moving abroad or meeting a special person unexpectedly. Recently, these situations have been indicated as “diversifying experiences” (DEs), defined as unusual and unexpected events that drag people outside their daily routine and accustomed...

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Autores principales: Chirico, Alice, Carrara, Sofia, Bastoni, Sofia, Gianotti, Elena, Gaggioli, Andrea
Formato: Online Artículo Texto
Lenguaje:English
Publicado: Frontiers Media S.A. 2020
Materias:
Acceso en línea:https://www.ncbi.nlm.nih.gov/pmc/articles/PMC7372012/
https://www.ncbi.nlm.nih.gov/pubmed/32760311
http://dx.doi.org/10.3389/fpsyg.2020.01396
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author Chirico, Alice
Carrara, Sofia
Bastoni, Sofia
Gianotti, Elena
Gaggioli, Andrea
author_facet Chirico, Alice
Carrara, Sofia
Bastoni, Sofia
Gianotti, Elena
Gaggioli, Andrea
author_sort Chirico, Alice
collection PubMed
description Sometimes, life houses rare and unexpected events, such as moving abroad or meeting a special person unexpectedly. Recently, these situations have been indicated as “diversifying experiences” (DEs), defined as unusual and unexpected events that drag people outside their daily routine and accustomed schemas. The core mechanism of DEs would entail the disruption of our mental schema, which can facilitate unexpected connections among even distant ideas, thus enhancing people’s cognitive flexibility, that is, a key component of creative thinking. Despite both qualitative and lab-based studies have investigated the features of these experiences, an ecological assessment of their properties also in relation with creativity is still an open issue. The aim of this research is to study the DE–creativity link in a more ecological way, on the basis of a real-life disruptive experience of light deprivation. Specifically, we compared an ecological DE artistic established entertainment format (i.e., “dialogue in the dark,” which is seeing people perform several daily life activities but in the absence of light) with an equivalent experience in which the same activities were acted in the sunlight. The absence of light played the role of violating mechanism, framed within the ecological experiential format of the “dialogue in the dark.” We compared visitors’ emotional profile [Positive and Negative Affect Schedule (PANAS), ad hoc Adjective Checklist], perceived impact of the experience [Centrality of Event Scale (CES)], and creative performance [Torrance Tests of Creative Thinking (TTCT)] in both groups of sighted people (in absence of light vs. in presence of light); and we also controlled for people’s openness to experience and need for cognitive closure, as dispositions. Results showed that (vs. control group) “dialogue in the dark” (i) led to worse creative performances, (ii) produced more intense positive affect, and (iii) resulted as a more impacting experience. Intense short-term impact of DE could have been detrimental for participants’ creativity. People may need more time to elaborate the DE and accommodate existing schema to generate more creative ideas. This is the first study proposing and succeeding in demonstrating the feasibility to investigate even real complex DEs in a controlled way, thus outlining how their link with creativity can take place in real life.
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spelling pubmed-73720122020-08-04 The Effects of an Ecological Diversifying Experience on Creativity: An Experimental Study Chirico, Alice Carrara, Sofia Bastoni, Sofia Gianotti, Elena Gaggioli, Andrea Front Psychol Psychology Sometimes, life houses rare and unexpected events, such as moving abroad or meeting a special person unexpectedly. Recently, these situations have been indicated as “diversifying experiences” (DEs), defined as unusual and unexpected events that drag people outside their daily routine and accustomed schemas. The core mechanism of DEs would entail the disruption of our mental schema, which can facilitate unexpected connections among even distant ideas, thus enhancing people’s cognitive flexibility, that is, a key component of creative thinking. Despite both qualitative and lab-based studies have investigated the features of these experiences, an ecological assessment of their properties also in relation with creativity is still an open issue. The aim of this research is to study the DE–creativity link in a more ecological way, on the basis of a real-life disruptive experience of light deprivation. Specifically, we compared an ecological DE artistic established entertainment format (i.e., “dialogue in the dark,” which is seeing people perform several daily life activities but in the absence of light) with an equivalent experience in which the same activities were acted in the sunlight. The absence of light played the role of violating mechanism, framed within the ecological experiential format of the “dialogue in the dark.” We compared visitors’ emotional profile [Positive and Negative Affect Schedule (PANAS), ad hoc Adjective Checklist], perceived impact of the experience [Centrality of Event Scale (CES)], and creative performance [Torrance Tests of Creative Thinking (TTCT)] in both groups of sighted people (in absence of light vs. in presence of light); and we also controlled for people’s openness to experience and need for cognitive closure, as dispositions. Results showed that (vs. control group) “dialogue in the dark” (i) led to worse creative performances, (ii) produced more intense positive affect, and (iii) resulted as a more impacting experience. Intense short-term impact of DE could have been detrimental for participants’ creativity. People may need more time to elaborate the DE and accommodate existing schema to generate more creative ideas. This is the first study proposing and succeeding in demonstrating the feasibility to investigate even real complex DEs in a controlled way, thus outlining how their link with creativity can take place in real life. Frontiers Media S.A. 2020-07-14 /pmc/articles/PMC7372012/ /pubmed/32760311 http://dx.doi.org/10.3389/fpsyg.2020.01396 Text en Copyright © 2020 Chirico, Carrara, Bastoni, Gianotti and Gaggioli. http://creativecommons.org/licenses/by/4.0/ This is an open-access article distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction in other forums is permitted, provided the original author(s) and the copyright owner(s) are credited and that the original publication in this journal is cited, in accordance with accepted academic practice. No use, distribution or reproduction is permitted which does not comply with these terms.
spellingShingle Psychology
Chirico, Alice
Carrara, Sofia
Bastoni, Sofia
Gianotti, Elena
Gaggioli, Andrea
The Effects of an Ecological Diversifying Experience on Creativity: An Experimental Study
title The Effects of an Ecological Diversifying Experience on Creativity: An Experimental Study
title_full The Effects of an Ecological Diversifying Experience on Creativity: An Experimental Study
title_fullStr The Effects of an Ecological Diversifying Experience on Creativity: An Experimental Study
title_full_unstemmed The Effects of an Ecological Diversifying Experience on Creativity: An Experimental Study
title_short The Effects of an Ecological Diversifying Experience on Creativity: An Experimental Study
title_sort effects of an ecological diversifying experience on creativity: an experimental study
topic Psychology
url https://www.ncbi.nlm.nih.gov/pmc/articles/PMC7372012/
https://www.ncbi.nlm.nih.gov/pubmed/32760311
http://dx.doi.org/10.3389/fpsyg.2020.01396
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