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Musical Collaboration in Rhythmic Improvisation

Despite our intimate relationship with music in every-day life, we know little about how people create music. A particularly elusive area of study entails the spontaneous collaborative musical creation in the absence of rehearsals or scripts. Toward this aim, we designed an experiment in which pairs...

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Detalles Bibliográficos
Autores principales: Nakayama, Shinnosuke, Soman, Vrishin R., Porfiri, Maurizio
Formato: Online Artículo Texto
Lenguaje:English
Publicado: MDPI 2020
Materias:
Acceso en línea:https://www.ncbi.nlm.nih.gov/pmc/articles/PMC7516664/
https://www.ncbi.nlm.nih.gov/pubmed/33286007
http://dx.doi.org/10.3390/e22020233
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author Nakayama, Shinnosuke
Soman, Vrishin R.
Porfiri, Maurizio
author_facet Nakayama, Shinnosuke
Soman, Vrishin R.
Porfiri, Maurizio
author_sort Nakayama, Shinnosuke
collection PubMed
description Despite our intimate relationship with music in every-day life, we know little about how people create music. A particularly elusive area of study entails the spontaneous collaborative musical creation in the absence of rehearsals or scripts. Toward this aim, we designed an experiment in which pairs of players collaboratively created music in rhythmic improvisation. Rhythmic patterns and collaborative processes were investigated through symbolic-recurrence quantification and information theory, applied to the time series of the sound created by the players. Working with real data on collaborative rhythmic improvisation, we identified features of improvised music and elucidated underlying processes of collaboration. Players preferred certain patterns over others, and their musical experience drove musical collaboration when rhythmic improvisation started. These results unfold prevailing rhythmic features in collaborative music creation while informing the complex dynamics of the underlying processes.
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spelling pubmed-75166642020-11-09 Musical Collaboration in Rhythmic Improvisation Nakayama, Shinnosuke Soman, Vrishin R. Porfiri, Maurizio Entropy (Basel) Article Despite our intimate relationship with music in every-day life, we know little about how people create music. A particularly elusive area of study entails the spontaneous collaborative musical creation in the absence of rehearsals or scripts. Toward this aim, we designed an experiment in which pairs of players collaboratively created music in rhythmic improvisation. Rhythmic patterns and collaborative processes were investigated through symbolic-recurrence quantification and information theory, applied to the time series of the sound created by the players. Working with real data on collaborative rhythmic improvisation, we identified features of improvised music and elucidated underlying processes of collaboration. Players preferred certain patterns over others, and their musical experience drove musical collaboration when rhythmic improvisation started. These results unfold prevailing rhythmic features in collaborative music creation while informing the complex dynamics of the underlying processes. MDPI 2020-02-19 /pmc/articles/PMC7516664/ /pubmed/33286007 http://dx.doi.org/10.3390/e22020233 Text en © 2020 by the authors. Licensee MDPI, Basel, Switzerland. This article is an open access article distributed under the terms and conditions of the Creative Commons Attribution (CC BY) license (http://creativecommons.org/licenses/by/4.0/).
spellingShingle Article
Nakayama, Shinnosuke
Soman, Vrishin R.
Porfiri, Maurizio
Musical Collaboration in Rhythmic Improvisation
title Musical Collaboration in Rhythmic Improvisation
title_full Musical Collaboration in Rhythmic Improvisation
title_fullStr Musical Collaboration in Rhythmic Improvisation
title_full_unstemmed Musical Collaboration in Rhythmic Improvisation
title_short Musical Collaboration in Rhythmic Improvisation
title_sort musical collaboration in rhythmic improvisation
topic Article
url https://www.ncbi.nlm.nih.gov/pmc/articles/PMC7516664/
https://www.ncbi.nlm.nih.gov/pubmed/33286007
http://dx.doi.org/10.3390/e22020233
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