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Aesthetic Perception of Line Patterns: Effect of Edge-Orientation Entropy and Curvilinear Shape
Curvilinearity is a perceptual feature that robustly predicts preference ratings for a variety of visual stimuli. The predictive effect of curved/angular shape overlaps, to a large degree, with regularities in second-order edge-orientation entropy, which captures how independent edge orientations ar...
Autores principales: | , , , |
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Formato: | Online Artículo Texto |
Lenguaje: | English |
Publicado: |
SAGE Publications
2020
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Materias: | |
Acceso en línea: | https://www.ncbi.nlm.nih.gov/pmc/articles/PMC7533941/ https://www.ncbi.nlm.nih.gov/pubmed/33062240 http://dx.doi.org/10.1177/2041669520950749 |
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author | Stanischewski, Sarah Altmann, Carolin S. Brachmann, Anselm Redies, Christoph |
author_facet | Stanischewski, Sarah Altmann, Carolin S. Brachmann, Anselm Redies, Christoph |
author_sort | Stanischewski, Sarah |
collection | PubMed |
description | Curvilinearity is a perceptual feature that robustly predicts preference ratings for a variety of visual stimuli. The predictive effect of curved/angular shape overlaps, to a large degree, with regularities in second-order edge-orientation entropy, which captures how independent edge orientations are distributed across an image. For some complex line patterns, edge-orientation entropy is actually a better predictor for what human observers like than curved/angular shape. The present work was designed to disentangle the role of the two features in artificial patterns that consisted of either curved or angular line elements. We systematically varied these patterns across two more dimensions, edge-orientation entropy and the number of lines. Eighty-three participants rated the stimuli along three aesthetic dimensions (pleasing, harmonious, and complex). Results showed that curved/angular shape was a stronger predictor for ratings of pleasing and harmonious if the stimuli consisted of a few lines that were clearly discernible. By contrast, edge-orientation entropy was a stronger predictor for the ratings if the stimuli showed many lines, which merged into a texture. No such differences were obtained for complexity ratings. Our findings are in line with results from neurophysiological studies that the processing of shape and texture, respectively, is mediated by different cortical mechanisms. |
format | Online Article Text |
id | pubmed-7533941 |
institution | National Center for Biotechnology Information |
language | English |
publishDate | 2020 |
publisher | SAGE Publications |
record_format | MEDLINE/PubMed |
spelling | pubmed-75339412020-10-14 Aesthetic Perception of Line Patterns: Effect of Edge-Orientation Entropy and Curvilinear Shape Stanischewski, Sarah Altmann, Carolin S. Brachmann, Anselm Redies, Christoph Iperception Article Curvilinearity is a perceptual feature that robustly predicts preference ratings for a variety of visual stimuli. The predictive effect of curved/angular shape overlaps, to a large degree, with regularities in second-order edge-orientation entropy, which captures how independent edge orientations are distributed across an image. For some complex line patterns, edge-orientation entropy is actually a better predictor for what human observers like than curved/angular shape. The present work was designed to disentangle the role of the two features in artificial patterns that consisted of either curved or angular line elements. We systematically varied these patterns across two more dimensions, edge-orientation entropy and the number of lines. Eighty-three participants rated the stimuli along three aesthetic dimensions (pleasing, harmonious, and complex). Results showed that curved/angular shape was a stronger predictor for ratings of pleasing and harmonious if the stimuli consisted of a few lines that were clearly discernible. By contrast, edge-orientation entropy was a stronger predictor for the ratings if the stimuli showed many lines, which merged into a texture. No such differences were obtained for complexity ratings. Our findings are in line with results from neurophysiological studies that the processing of shape and texture, respectively, is mediated by different cortical mechanisms. SAGE Publications 2020-09-30 /pmc/articles/PMC7533941/ /pubmed/33062240 http://dx.doi.org/10.1177/2041669520950749 Text en © The Author(s) 2020 https://creativecommons.org/licenses/by/4.0/ Creative Commons CC BY: This article is distributed under the terms of the Creative Commons Attribution 4.0 License (https://creativecommons.org/licenses/by/4.0/) which permits any use, reproduction and distribution of the work without further permission provided the original work is attributed as specified on the SAGE and Open Access pages (https://us.sagepub.com/en-us/nam/open-access-at-sage). |
spellingShingle | Article Stanischewski, Sarah Altmann, Carolin S. Brachmann, Anselm Redies, Christoph Aesthetic Perception of Line Patterns: Effect of Edge-Orientation Entropy and Curvilinear Shape |
title | Aesthetic Perception of Line Patterns: Effect of Edge-Orientation Entropy and Curvilinear Shape |
title_full | Aesthetic Perception of Line Patterns: Effect of Edge-Orientation Entropy and Curvilinear Shape |
title_fullStr | Aesthetic Perception of Line Patterns: Effect of Edge-Orientation Entropy and Curvilinear Shape |
title_full_unstemmed | Aesthetic Perception of Line Patterns: Effect of Edge-Orientation Entropy and Curvilinear Shape |
title_short | Aesthetic Perception of Line Patterns: Effect of Edge-Orientation Entropy and Curvilinear Shape |
title_sort | aesthetic perception of line patterns: effect of edge-orientation entropy and curvilinear shape |
topic | Article |
url | https://www.ncbi.nlm.nih.gov/pmc/articles/PMC7533941/ https://www.ncbi.nlm.nih.gov/pubmed/33062240 http://dx.doi.org/10.1177/2041669520950749 |
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