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Aesthetic Intervention: Lines of Flight
During the European Congress of Qualitative Inquiry, Edinburgh, 2019, we offered an esthetic intervention: two spaces open to delegates in which they could explore and express their interactions with the conference through the assemblage of paper, paint, crayons, scissors, glue, glitter, bodies, bre...
Autores principales: | , , |
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Formato: | Online Artículo Texto |
Lenguaje: | English |
Publicado: |
SAGE Publications
2021
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Materias: | |
Acceso en línea: | https://www.ncbi.nlm.nih.gov/pmc/articles/PMC7596345/ http://dx.doi.org/10.1177/1940844720968200 |
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author | Mackay, Susan Soler, Gabriel Wyatt, Tessa |
author_facet | Mackay, Susan Soler, Gabriel Wyatt, Tessa |
author_sort | Mackay, Susan |
collection | PubMed |
description | During the European Congress of Qualitative Inquiry, Edinburgh, 2019, we offered an esthetic intervention: two spaces open to delegates in which they could explore and express their interactions with the conference through the assemblage of paper, paint, crayons, scissors, glue, glitter, bodies, breath, memories, thoughts—ineffable and effable. Delegates were invited to produce either individual journals, individual pieces, or contribute to large collective pieces of art. In this article, we follow the lines of flight to create the event and reflect on the process that led up to and continued after the esthetic intervention. |
format | Online Article Text |
id | pubmed-7596345 |
institution | National Center for Biotechnology Information |
language | English |
publishDate | 2021 |
publisher | SAGE Publications |
record_format | MEDLINE/PubMed |
spelling | pubmed-75963452020-11-02 Aesthetic Intervention: Lines of Flight Mackay, Susan Soler, Gabriel Wyatt, Tessa Int Rev Qual Res Articles During the European Congress of Qualitative Inquiry, Edinburgh, 2019, we offered an esthetic intervention: two spaces open to delegates in which they could explore and express their interactions with the conference through the assemblage of paper, paint, crayons, scissors, glue, glitter, bodies, breath, memories, thoughts—ineffable and effable. Delegates were invited to produce either individual journals, individual pieces, or contribute to large collective pieces of art. In this article, we follow the lines of flight to create the event and reflect on the process that led up to and continued after the esthetic intervention. SAGE Publications 2021-05 /pmc/articles/PMC7596345/ http://dx.doi.org/10.1177/1940844720968200 Text en © 2020 International Institute for Qualitative Inquiry https://creativecommons.org/licenses/by/4.0/This article is distributed under the terms of the Creative Commons Attribution 4.0 License (https://creativecommons.org/licenses/by/4.0/) which permits any use, reproduction and distribution of the work without further permission provided the original work is attributed as specified on the SAGE and Open Access pages (https://us.sagepub.com/en-us/nam/open-access-at-sage). |
spellingShingle | Articles Mackay, Susan Soler, Gabriel Wyatt, Tessa Aesthetic Intervention: Lines of Flight |
title | Aesthetic Intervention: Lines of Flight |
title_full | Aesthetic Intervention: Lines of Flight |
title_fullStr | Aesthetic Intervention: Lines of Flight |
title_full_unstemmed | Aesthetic Intervention: Lines of Flight |
title_short | Aesthetic Intervention: Lines of Flight |
title_sort | aesthetic intervention: lines of flight |
topic | Articles |
url | https://www.ncbi.nlm.nih.gov/pmc/articles/PMC7596345/ http://dx.doi.org/10.1177/1940844720968200 |
work_keys_str_mv | AT mackaysusan aestheticinterventionlinesofflight AT solergabriel aestheticinterventionlinesofflight AT wyatttessa aestheticinterventionlinesofflight |