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The sound of silence: an EEG study of how musicians time pauses in individual and joint music performance

Pauses are an integral feature of social interaction. Conversation partners often pause between conversational turns, and musical co-performers often pause between musical phrases. How do humans coordinate the duration of pauses to ensure seamless interaction? A total of 40 trained pianists performe...

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Autores principales: Zamm, Anna, Debener, Stefan, Konvalinka, Ivana, Sebanz, Natalie, Knoblich, Günther
Formato: Online Artículo Texto
Lenguaje:English
Publicado: Oxford University Press 2020
Materias:
Acceso en línea:https://www.ncbi.nlm.nih.gov/pmc/articles/PMC7812619/
https://www.ncbi.nlm.nih.gov/pubmed/32734305
http://dx.doi.org/10.1093/scan/nsaa096
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author Zamm, Anna
Debener, Stefan
Konvalinka, Ivana
Sebanz, Natalie
Knoblich, Günther
author_facet Zamm, Anna
Debener, Stefan
Konvalinka, Ivana
Sebanz, Natalie
Knoblich, Günther
author_sort Zamm, Anna
collection PubMed
description Pauses are an integral feature of social interaction. Conversation partners often pause between conversational turns, and musical co-performers often pause between musical phrases. How do humans coordinate the duration of pauses to ensure seamless interaction? A total of 40 trained pianists performed a simple melody containing fermatas (notated expressive pauses of unspecified duration) first alone (Solo) and then with a partner (Duet) while electroencephalography (EEG) was recorded. As predicted, Duet partners’ tone onset synchrony was reduced for tones following pauses. Pauses were shorter in Duet relative to Solo performance, and synchrony of partners’ Duet tone onsets was enhanced for tones following shorter pauses. EEG analysis revealed classic signatures of action preparation during pauses, namely decreases in the power of cortical beta oscillations (13–30 Hz, event-related desynchronization ERD). Beta ERD did not differ between pauses in Solo and Duet performance, but was enhanced for shorter relative to longer pauses, suggesting that reduced pause durations in Duet performance facilitated a neural state of enhanced action readiness. Together these findings provide novel insight into behavioural strategies by which musical partners resolve coordination challenges posed by expressive silence, and capture a clear neural signature of action planning during time-varying silences in natural music performance.
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spelling pubmed-78126192021-01-25 The sound of silence: an EEG study of how musicians time pauses in individual and joint music performance Zamm, Anna Debener, Stefan Konvalinka, Ivana Sebanz, Natalie Knoblich, Günther Soc Cogn Affect Neurosci Original Manuscript Pauses are an integral feature of social interaction. Conversation partners often pause between conversational turns, and musical co-performers often pause between musical phrases. How do humans coordinate the duration of pauses to ensure seamless interaction? A total of 40 trained pianists performed a simple melody containing fermatas (notated expressive pauses of unspecified duration) first alone (Solo) and then with a partner (Duet) while electroencephalography (EEG) was recorded. As predicted, Duet partners’ tone onset synchrony was reduced for tones following pauses. Pauses were shorter in Duet relative to Solo performance, and synchrony of partners’ Duet tone onsets was enhanced for tones following shorter pauses. EEG analysis revealed classic signatures of action preparation during pauses, namely decreases in the power of cortical beta oscillations (13–30 Hz, event-related desynchronization ERD). Beta ERD did not differ between pauses in Solo and Duet performance, but was enhanced for shorter relative to longer pauses, suggesting that reduced pause durations in Duet performance facilitated a neural state of enhanced action readiness. Together these findings provide novel insight into behavioural strategies by which musical partners resolve coordination challenges posed by expressive silence, and capture a clear neural signature of action planning during time-varying silences in natural music performance. Oxford University Press 2020-07-30 /pmc/articles/PMC7812619/ /pubmed/32734305 http://dx.doi.org/10.1093/scan/nsaa096 Text en © The Author(s) 2020. Published by Oxford University Press. All rights reserved. For Permissions, please email: journals.permissions@oup.com http://creativecommons.org/licenses/by-nc-nd/4.0/ This is an Open Access article distributed under the terms of the Creative Commons Attribution NonCommercial-NoDerivs licence (http://creativecommons.org/licenses/by-nc-nd/4.0/), which permits non-commercial reproduction and distribution of the work, in any medium, provided the original work is not altered or transformed in any way, and that the work is properly cited. For commercial re-use, please contact journals.permissions@oup.com
spellingShingle Original Manuscript
Zamm, Anna
Debener, Stefan
Konvalinka, Ivana
Sebanz, Natalie
Knoblich, Günther
The sound of silence: an EEG study of how musicians time pauses in individual and joint music performance
title The sound of silence: an EEG study of how musicians time pauses in individual and joint music performance
title_full The sound of silence: an EEG study of how musicians time pauses in individual and joint music performance
title_fullStr The sound of silence: an EEG study of how musicians time pauses in individual and joint music performance
title_full_unstemmed The sound of silence: an EEG study of how musicians time pauses in individual and joint music performance
title_short The sound of silence: an EEG study of how musicians time pauses in individual and joint music performance
title_sort sound of silence: an eeg study of how musicians time pauses in individual and joint music performance
topic Original Manuscript
url https://www.ncbi.nlm.nih.gov/pmc/articles/PMC7812619/
https://www.ncbi.nlm.nih.gov/pubmed/32734305
http://dx.doi.org/10.1093/scan/nsaa096
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