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Evaluating Human-Computer Co-creative Processes in Music: A Case Study on the CHAMELEON Melodic Harmonizer

CHAMELEON is a computational melodic harmonization assistant. It can harmonize a given melody according to a number of independent harmonic idioms or blends between idioms based on principles of conceptual blending theory. Thus, the system is capable of offering a wealth of possible solutions and vi...

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Autores principales: Zacharakis, Asterios, Kaliakatsos-Papakostas, Maximos, Kalaitzidou, Stamatia, Cambouropoulos, Emilios
Formato: Online Artículo Texto
Lenguaje:English
Publicado: Frontiers Media S.A. 2021
Materias:
Acceso en línea:https://www.ncbi.nlm.nih.gov/pmc/articles/PMC7983946/
https://www.ncbi.nlm.nih.gov/pubmed/33762994
http://dx.doi.org/10.3389/fpsyg.2021.603752
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author Zacharakis, Asterios
Kaliakatsos-Papakostas, Maximos
Kalaitzidou, Stamatia
Cambouropoulos, Emilios
author_facet Zacharakis, Asterios
Kaliakatsos-Papakostas, Maximos
Kalaitzidou, Stamatia
Cambouropoulos, Emilios
author_sort Zacharakis, Asterios
collection PubMed
description CHAMELEON is a computational melodic harmonization assistant. It can harmonize a given melody according to a number of independent harmonic idioms or blends between idioms based on principles of conceptual blending theory. Thus, the system is capable of offering a wealth of possible solutions and viewpoints for melodic harmonization. This study investigates how human creativity may be influenced by the use of CHAMELEON in a melodic harmonization task. Professional and novice music composers participated in an experiment where they were asked to harmonize two similar melodies under two different conditions: one with and one without computational support. A control group harmonized both melodies without computational assistance. The influence of the system was examined both behaviorally, by comparing metrics of user-experience, and in terms of the properties of the artifacts (i.e., pitch class distribution and number of chord types characterizing each harmonization) that were created between the two experimental conditions. Results suggest that appreciation of the system was expertise-dependent (i.e., novices appreciated the computational support more than professionals). At the same time, users seemed to adopt more explorative strategies as a result of interaction with CHAMELEON based on the fact that the harmonizations created this way were more complex, diverse, and unexpected in comparison to the ones of the control group.
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spelling pubmed-79839462021-03-23 Evaluating Human-Computer Co-creative Processes in Music: A Case Study on the CHAMELEON Melodic Harmonizer Zacharakis, Asterios Kaliakatsos-Papakostas, Maximos Kalaitzidou, Stamatia Cambouropoulos, Emilios Front Psychol Psychology CHAMELEON is a computational melodic harmonization assistant. It can harmonize a given melody according to a number of independent harmonic idioms or blends between idioms based on principles of conceptual blending theory. Thus, the system is capable of offering a wealth of possible solutions and viewpoints for melodic harmonization. This study investigates how human creativity may be influenced by the use of CHAMELEON in a melodic harmonization task. Professional and novice music composers participated in an experiment where they were asked to harmonize two similar melodies under two different conditions: one with and one without computational support. A control group harmonized both melodies without computational assistance. The influence of the system was examined both behaviorally, by comparing metrics of user-experience, and in terms of the properties of the artifacts (i.e., pitch class distribution and number of chord types characterizing each harmonization) that were created between the two experimental conditions. Results suggest that appreciation of the system was expertise-dependent (i.e., novices appreciated the computational support more than professionals). At the same time, users seemed to adopt more explorative strategies as a result of interaction with CHAMELEON based on the fact that the harmonizations created this way were more complex, diverse, and unexpected in comparison to the ones of the control group. Frontiers Media S.A. 2021-02-22 /pmc/articles/PMC7983946/ /pubmed/33762994 http://dx.doi.org/10.3389/fpsyg.2021.603752 Text en Copyright © 2021 Zacharakis, Kaliakatsos-Papakostas, Kalaitzidou and Cambouropoulos. http://creativecommons.org/licenses/by/4.0/ This is an open-access article distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction in other forums is permitted, provided the original author(s) and the copyright owner(s) are credited and that the original publication in this journal is cited, in accordance with accepted academic practice. No use, distribution or reproduction is permitted which does not comply with these terms.
spellingShingle Psychology
Zacharakis, Asterios
Kaliakatsos-Papakostas, Maximos
Kalaitzidou, Stamatia
Cambouropoulos, Emilios
Evaluating Human-Computer Co-creative Processes in Music: A Case Study on the CHAMELEON Melodic Harmonizer
title Evaluating Human-Computer Co-creative Processes in Music: A Case Study on the CHAMELEON Melodic Harmonizer
title_full Evaluating Human-Computer Co-creative Processes in Music: A Case Study on the CHAMELEON Melodic Harmonizer
title_fullStr Evaluating Human-Computer Co-creative Processes in Music: A Case Study on the CHAMELEON Melodic Harmonizer
title_full_unstemmed Evaluating Human-Computer Co-creative Processes in Music: A Case Study on the CHAMELEON Melodic Harmonizer
title_short Evaluating Human-Computer Co-creative Processes in Music: A Case Study on the CHAMELEON Melodic Harmonizer
title_sort evaluating human-computer co-creative processes in music: a case study on the chameleon melodic harmonizer
topic Psychology
url https://www.ncbi.nlm.nih.gov/pmc/articles/PMC7983946/
https://www.ncbi.nlm.nih.gov/pubmed/33762994
http://dx.doi.org/10.3389/fpsyg.2021.603752
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