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Biomechanical Description of Zapateado Technique in Flamenco

The main purpose of this study was to identify a dancer’s body alignment while performing flamenco footwork to provide a detailed description that could be used by flamenco practitioners: teachers, instructors and students of different levels of advancement. The zapateado technique performed by a pr...

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Autores principales: Forczek-Karkosz, Wanda, Michnik, Robert, Nowakowska-Lipiec, Katarzyna, Vargas-Macias, Alfonso, Baena-Chicón, Irene, Gómez-Lozano, Sebastián, Gorwa, Joanna
Formato: Online Artículo Texto
Lenguaje:English
Publicado: MDPI 2021
Materias:
Acceso en línea:https://www.ncbi.nlm.nih.gov/pmc/articles/PMC7999826/
https://www.ncbi.nlm.nih.gov/pubmed/33809091
http://dx.doi.org/10.3390/ijerph18062905
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author Forczek-Karkosz, Wanda
Michnik, Robert
Nowakowska-Lipiec, Katarzyna
Vargas-Macias, Alfonso
Baena-Chicón, Irene
Gómez-Lozano, Sebastián
Gorwa, Joanna
author_facet Forczek-Karkosz, Wanda
Michnik, Robert
Nowakowska-Lipiec, Katarzyna
Vargas-Macias, Alfonso
Baena-Chicón, Irene
Gómez-Lozano, Sebastián
Gorwa, Joanna
author_sort Forczek-Karkosz, Wanda
collection PubMed
description The main purpose of this study was to identify a dancer’s body alignment while performing flamenco footwork to provide a detailed description that could be used by flamenco practitioners: teachers, instructors and students of different levels of advancement. The zapateado technique performed by a professional flamenco dancer was analyzed. The biomechanical analysis was based on 30 cycles composed of six repeating sequences of strikes. Kinematic recordings were performed using a Vicon system, while the measurement of the ground reaction forces (GRF) was accomplished with a Kistler force plate. The following parameters were analyzed: the time of each foot strike, the maximal value of the vertical component of GRF normalized to body weight (BW) for subsequent footwork steps, the impulse of the GRF and the kinematics of pelvis and lower limb joints, and an exemplary waveform view of the sound of footwork strikes was shown. The average values of the vertical component of GRF ranged between 0.6 and 2.7 BW. The maximal anterior pelvic tilt was 29°, with a 6° range of motion (RoM). This mobility was accompanied by 20° hip RoM and by ~40° knee RoM throughout flexion. The conclusions provide practical information that a teacher and flamenco student should receive.
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spelling pubmed-79998262021-03-28 Biomechanical Description of Zapateado Technique in Flamenco Forczek-Karkosz, Wanda Michnik, Robert Nowakowska-Lipiec, Katarzyna Vargas-Macias, Alfonso Baena-Chicón, Irene Gómez-Lozano, Sebastián Gorwa, Joanna Int J Environ Res Public Health Article The main purpose of this study was to identify a dancer’s body alignment while performing flamenco footwork to provide a detailed description that could be used by flamenco practitioners: teachers, instructors and students of different levels of advancement. The zapateado technique performed by a professional flamenco dancer was analyzed. The biomechanical analysis was based on 30 cycles composed of six repeating sequences of strikes. Kinematic recordings were performed using a Vicon system, while the measurement of the ground reaction forces (GRF) was accomplished with a Kistler force plate. The following parameters were analyzed: the time of each foot strike, the maximal value of the vertical component of GRF normalized to body weight (BW) for subsequent footwork steps, the impulse of the GRF and the kinematics of pelvis and lower limb joints, and an exemplary waveform view of the sound of footwork strikes was shown. The average values of the vertical component of GRF ranged between 0.6 and 2.7 BW. The maximal anterior pelvic tilt was 29°, with a 6° range of motion (RoM). This mobility was accompanied by 20° hip RoM and by ~40° knee RoM throughout flexion. The conclusions provide practical information that a teacher and flamenco student should receive. MDPI 2021-03-12 /pmc/articles/PMC7999826/ /pubmed/33809091 http://dx.doi.org/10.3390/ijerph18062905 Text en © 2021 by the authors. Licensee MDPI, Basel, Switzerland. This article is an open access article distributed under the terms and conditions of the Creative Commons Attribution (CC BY) license (http://creativecommons.org/licenses/by/4.0/).
spellingShingle Article
Forczek-Karkosz, Wanda
Michnik, Robert
Nowakowska-Lipiec, Katarzyna
Vargas-Macias, Alfonso
Baena-Chicón, Irene
Gómez-Lozano, Sebastián
Gorwa, Joanna
Biomechanical Description of Zapateado Technique in Flamenco
title Biomechanical Description of Zapateado Technique in Flamenco
title_full Biomechanical Description of Zapateado Technique in Flamenco
title_fullStr Biomechanical Description of Zapateado Technique in Flamenco
title_full_unstemmed Biomechanical Description of Zapateado Technique in Flamenco
title_short Biomechanical Description of Zapateado Technique in Flamenco
title_sort biomechanical description of zapateado technique in flamenco
topic Article
url https://www.ncbi.nlm.nih.gov/pmc/articles/PMC7999826/
https://www.ncbi.nlm.nih.gov/pubmed/33809091
http://dx.doi.org/10.3390/ijerph18062905
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