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OUTPUT: Choreographed and Reconfigured Human and Industrial Robot Bodies Across Artistic Modalities

Millions of industrial robots are used across manufacturing and research applications worldwide. Handfuls of these robots have been used in dance, installation, and theatrical art works as tools and performers. OUTPUT, a collaborative artwork presented here, employs an industrial robot as choreograp...

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Detalles Bibliográficos
Autor principal: Cuan, Catie
Formato: Online Artículo Texto
Lenguaje:English
Publicado: Frontiers Media S.A. 2021
Materias:
Acceso en línea:https://www.ncbi.nlm.nih.gov/pmc/articles/PMC8049110/
https://www.ncbi.nlm.nih.gov/pubmed/33869292
http://dx.doi.org/10.3389/frobt.2020.576790
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author Cuan, Catie
author_facet Cuan, Catie
author_sort Cuan, Catie
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description Millions of industrial robots are used across manufacturing and research applications worldwide. Handfuls of these robots have been used in dance, installation, and theatrical art works as tools and performers. OUTPUT, a collaborative artwork presented here, employs an industrial robot as choreographic source material and dancing body in order to reframe these robots as performers and bring them into closer proximity with the general public. This OUTPUT work has existed as a performance, installation, and augmented reality application. All three formats of the work include improvisational components, where a human can dance with a representation of themselves alongside an industrial robot, facilitating an embodied and creative experience next to these sequestered machines.
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spelling pubmed-80491102021-04-16 OUTPUT: Choreographed and Reconfigured Human and Industrial Robot Bodies Across Artistic Modalities Cuan, Catie Front Robot AI Robotics and AI Millions of industrial robots are used across manufacturing and research applications worldwide. Handfuls of these robots have been used in dance, installation, and theatrical art works as tools and performers. OUTPUT, a collaborative artwork presented here, employs an industrial robot as choreographic source material and dancing body in order to reframe these robots as performers and bring them into closer proximity with the general public. This OUTPUT work has existed as a performance, installation, and augmented reality application. All three formats of the work include improvisational components, where a human can dance with a representation of themselves alongside an industrial robot, facilitating an embodied and creative experience next to these sequestered machines. Frontiers Media S.A. 2021-04-01 /pmc/articles/PMC8049110/ /pubmed/33869292 http://dx.doi.org/10.3389/frobt.2020.576790 Text en Copyright © 2021 Cuan. https://creativecommons.org/licenses/by/4.0/This is an open-access article distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction in other forums is permitted, provided the original author(s) and the copyright owner(s) are credited and that the original publication in this journal is cited, in accordance with accepted academic practice. No use, distribution or reproduction is permitted which does not comply with these terms.
spellingShingle Robotics and AI
Cuan, Catie
OUTPUT: Choreographed and Reconfigured Human and Industrial Robot Bodies Across Artistic Modalities
title OUTPUT: Choreographed and Reconfigured Human and Industrial Robot Bodies Across Artistic Modalities
title_full OUTPUT: Choreographed and Reconfigured Human and Industrial Robot Bodies Across Artistic Modalities
title_fullStr OUTPUT: Choreographed and Reconfigured Human and Industrial Robot Bodies Across Artistic Modalities
title_full_unstemmed OUTPUT: Choreographed and Reconfigured Human and Industrial Robot Bodies Across Artistic Modalities
title_short OUTPUT: Choreographed and Reconfigured Human and Industrial Robot Bodies Across Artistic Modalities
title_sort output: choreographed and reconfigured human and industrial robot bodies across artistic modalities
topic Robotics and AI
url https://www.ncbi.nlm.nih.gov/pmc/articles/PMC8049110/
https://www.ncbi.nlm.nih.gov/pubmed/33869292
http://dx.doi.org/10.3389/frobt.2020.576790
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