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Characterizing Microbial Signatures on Sculptures and Paintings of Similar Provenance

The preservation of artwork challenges museums, collectors, and art enthusiasts. Currently, reducing moisture, adjusting the type of lighting, and preventing the formation of mold are primary methods to preserving and preventing deterioration. Other methods such as ones based in detailed knowledge o...

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Autores principales: Torralba, Manolito G., Kuelbs, Claire, Moncera, Kelvin Jens, Roby, Rhonda, Nelson, Karen E.
Formato: Online Artículo Texto
Lenguaje:English
Publicado: Springer US 2020
Materias:
Acceso en línea:https://www.ncbi.nlm.nih.gov/pmc/articles/PMC8062337/
https://www.ncbi.nlm.nih.gov/pubmed/32440698
http://dx.doi.org/10.1007/s00248-020-01504-x
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author Torralba, Manolito G.
Kuelbs, Claire
Moncera, Kelvin Jens
Roby, Rhonda
Nelson, Karen E.
author_facet Torralba, Manolito G.
Kuelbs, Claire
Moncera, Kelvin Jens
Roby, Rhonda
Nelson, Karen E.
author_sort Torralba, Manolito G.
collection PubMed
description The preservation of artwork challenges museums, collectors, and art enthusiasts. Currently, reducing moisture, adjusting the type of lighting, and preventing the formation of mold are primary methods to preserving and preventing deterioration. Other methods such as ones based in detailed knowledge of molecular biology such as microbial community characterization using polymerase chain reaction (PCR) and sequencing have yet to be explored. Such molecular biology approaches are essential to explore as some environmental bacteria are capable of oxidizing nonpolar chemical substances rich in hydrocarbons such as oil-based paints. Using 16S rDNA Illumina Sequencing, we demonstrate a novel finding that there are differing bacterial communities for artwork from roughly the same era when comparing paintings on wood, paintings on canvases, and sculptures made of stone and marble. We also demonstrate that there are specific genera such as Aeromonas known for having oxidase positive strains, present on paintings on wood and paintings on canvas that could potentially be responsible for deterioration and fading as such organisms produce water or hydrogen peroxide as a byproduct of cytochrome c oxidase activity. The advantages of these genomics-based approaches to characterizing the microbial population on deteriorating artwork provides immense potential by identifying potentially damaging species that may not be detected using conventional methods in addition to addressing challenges to identification, restoration, and preservation efforts.
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spelling pubmed-80623372021-05-05 Characterizing Microbial Signatures on Sculptures and Paintings of Similar Provenance Torralba, Manolito G. Kuelbs, Claire Moncera, Kelvin Jens Roby, Rhonda Nelson, Karen E. Microb Ecol Note The preservation of artwork challenges museums, collectors, and art enthusiasts. Currently, reducing moisture, adjusting the type of lighting, and preventing the formation of mold are primary methods to preserving and preventing deterioration. Other methods such as ones based in detailed knowledge of molecular biology such as microbial community characterization using polymerase chain reaction (PCR) and sequencing have yet to be explored. Such molecular biology approaches are essential to explore as some environmental bacteria are capable of oxidizing nonpolar chemical substances rich in hydrocarbons such as oil-based paints. Using 16S rDNA Illumina Sequencing, we demonstrate a novel finding that there are differing bacterial communities for artwork from roughly the same era when comparing paintings on wood, paintings on canvases, and sculptures made of stone and marble. We also demonstrate that there are specific genera such as Aeromonas known for having oxidase positive strains, present on paintings on wood and paintings on canvas that could potentially be responsible for deterioration and fading as such organisms produce water or hydrogen peroxide as a byproduct of cytochrome c oxidase activity. The advantages of these genomics-based approaches to characterizing the microbial population on deteriorating artwork provides immense potential by identifying potentially damaging species that may not be detected using conventional methods in addition to addressing challenges to identification, restoration, and preservation efforts. Springer US 2020-05-21 2021 /pmc/articles/PMC8062337/ /pubmed/32440698 http://dx.doi.org/10.1007/s00248-020-01504-x Text en © The Author(s) 2020 https://creativecommons.org/licenses/by/4.0/Open Access This article is licensed under a Creative Commons Attribution 4.0 International License, which permits use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons licence, and indicate if changes were made. The images or other third party material in this article are included in the article's Creative Commons licence, unless indicated otherwise in a credit line to the material. If material is not included in the article's Creative Commons licence and your intended use is not permitted by statutory regulation or exceeds the permitted use, you will need to obtain permission directly from the copyright holder. To view a copy of this licence, visit http://creativecommons.org/licenses/by/4.0/ (https://creativecommons.org/licenses/by/4.0/) .
spellingShingle Note
Torralba, Manolito G.
Kuelbs, Claire
Moncera, Kelvin Jens
Roby, Rhonda
Nelson, Karen E.
Characterizing Microbial Signatures on Sculptures and Paintings of Similar Provenance
title Characterizing Microbial Signatures on Sculptures and Paintings of Similar Provenance
title_full Characterizing Microbial Signatures on Sculptures and Paintings of Similar Provenance
title_fullStr Characterizing Microbial Signatures on Sculptures and Paintings of Similar Provenance
title_full_unstemmed Characterizing Microbial Signatures on Sculptures and Paintings of Similar Provenance
title_short Characterizing Microbial Signatures on Sculptures and Paintings of Similar Provenance
title_sort characterizing microbial signatures on sculptures and paintings of similar provenance
topic Note
url https://www.ncbi.nlm.nih.gov/pmc/articles/PMC8062337/
https://www.ncbi.nlm.nih.gov/pubmed/32440698
http://dx.doi.org/10.1007/s00248-020-01504-x
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