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Connecting Free Improvisation Performance and Drumming Gestures Through Digital Wearables
High-level improvising musicians master idiosyncratic gesture vocabularies that allow them to express themselves in unique ways. The full use of such vocabularies is nevertheless challenged when improvisers incorporate electronics in their performances. To control electronic sounds and effects, they...
Autores principales: | , , , |
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Formato: | Online Artículo Texto |
Lenguaje: | English |
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Frontiers Media S.A.
2021
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Materias: | |
Acceso en línea: | https://www.ncbi.nlm.nih.gov/pmc/articles/PMC8071876/ https://www.ncbi.nlm.nih.gov/pubmed/33912095 http://dx.doi.org/10.3389/fpsyg.2021.576810 |
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author | Pras, Amandine Rodrigues, Mailis G. Grupp, Victoria Wanderley, Marcelo M. |
author_facet | Pras, Amandine Rodrigues, Mailis G. Grupp, Victoria Wanderley, Marcelo M. |
author_sort | Pras, Amandine |
collection | PubMed |
description | High-level improvising musicians master idiosyncratic gesture vocabularies that allow them to express themselves in unique ways. The full use of such vocabularies is nevertheless challenged when improvisers incorporate electronics in their performances. To control electronic sounds and effects, they typically use commercial interfaces whose physicality is likely to limit their freedom of movement. Based on Jim Black's descriptions of his ideal digital musical instrument, embodied improvisation gestures, and stage performance constraints, we develop the concept of a modular wearable MIDI interface to closely meet the needs of professional improvisers, rather than proposing a new generic instrument that would require substantial practice to adapt improvisational techniques already acquired. Our research draws upon different bodies of knowledge, from theoretical principles on collaboration and embodiment to wearable interface design, in order to create a digital vest called Track It, Zip It (TIZI) that features two innovative on-body sensors. Allowing for sound control, these sensors are seamlessly integrated with Black's improvisational gesture vocabulary. We then detail the design process of three TIZI prototypes structured by the outcomes of a performance test with Black, a public performance by a novice improviser during the 2017 International Guthman Musical Instrument Competition, and measurements of sensor responses. After commenting on the strengths and weaknesses of the final TIZI prototype, we discuss how our interdisciplinary and collective process involving a world-class improviser at the very center of the design process can provide recommendations to designers who wish to create interfaces better adapted to high-level performers. Finally, we present our goals for the future creation of a wireless version of the vest for a female body based on Diana Policarpo's artistic vision. |
format | Online Article Text |
id | pubmed-8071876 |
institution | National Center for Biotechnology Information |
language | English |
publishDate | 2021 |
publisher | Frontiers Media S.A. |
record_format | MEDLINE/PubMed |
spelling | pubmed-80718762021-04-27 Connecting Free Improvisation Performance and Drumming Gestures Through Digital Wearables Pras, Amandine Rodrigues, Mailis G. Grupp, Victoria Wanderley, Marcelo M. Front Psychol Psychology High-level improvising musicians master idiosyncratic gesture vocabularies that allow them to express themselves in unique ways. The full use of such vocabularies is nevertheless challenged when improvisers incorporate electronics in their performances. To control electronic sounds and effects, they typically use commercial interfaces whose physicality is likely to limit their freedom of movement. Based on Jim Black's descriptions of his ideal digital musical instrument, embodied improvisation gestures, and stage performance constraints, we develop the concept of a modular wearable MIDI interface to closely meet the needs of professional improvisers, rather than proposing a new generic instrument that would require substantial practice to adapt improvisational techniques already acquired. Our research draws upon different bodies of knowledge, from theoretical principles on collaboration and embodiment to wearable interface design, in order to create a digital vest called Track It, Zip It (TIZI) that features two innovative on-body sensors. Allowing for sound control, these sensors are seamlessly integrated with Black's improvisational gesture vocabulary. We then detail the design process of three TIZI prototypes structured by the outcomes of a performance test with Black, a public performance by a novice improviser during the 2017 International Guthman Musical Instrument Competition, and measurements of sensor responses. After commenting on the strengths and weaknesses of the final TIZI prototype, we discuss how our interdisciplinary and collective process involving a world-class improviser at the very center of the design process can provide recommendations to designers who wish to create interfaces better adapted to high-level performers. Finally, we present our goals for the future creation of a wireless version of the vest for a female body based on Diana Policarpo's artistic vision. Frontiers Media S.A. 2021-04-12 /pmc/articles/PMC8071876/ /pubmed/33912095 http://dx.doi.org/10.3389/fpsyg.2021.576810 Text en Copyright © 2021 Pras, Rodrigues, Grupp and Wanderley. https://creativecommons.org/licenses/by/4.0/This is an open-access article distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction in other forums is permitted, provided the original author(s) and the copyright owner(s) are credited and that the original publication in this journal is cited, in accordance with accepted academic practice. No use, distribution or reproduction is permitted which does not comply with these terms. |
spellingShingle | Psychology Pras, Amandine Rodrigues, Mailis G. Grupp, Victoria Wanderley, Marcelo M. Connecting Free Improvisation Performance and Drumming Gestures Through Digital Wearables |
title | Connecting Free Improvisation Performance and Drumming Gestures Through Digital Wearables |
title_full | Connecting Free Improvisation Performance and Drumming Gestures Through Digital Wearables |
title_fullStr | Connecting Free Improvisation Performance and Drumming Gestures Through Digital Wearables |
title_full_unstemmed | Connecting Free Improvisation Performance and Drumming Gestures Through Digital Wearables |
title_short | Connecting Free Improvisation Performance and Drumming Gestures Through Digital Wearables |
title_sort | connecting free improvisation performance and drumming gestures through digital wearables |
topic | Psychology |
url | https://www.ncbi.nlm.nih.gov/pmc/articles/PMC8071876/ https://www.ncbi.nlm.nih.gov/pubmed/33912095 http://dx.doi.org/10.3389/fpsyg.2021.576810 |
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