Cargando…

The paradoxical role of emotional intensity in the perception of vocal affect

Vocalizations including laughter, cries, moans, or screams constitute a potent source of information about the affective states of others. It is typically conjectured that the higher the intensity of the expressed emotion, the better the classification of affective information. However, attempts to...

Descripción completa

Detalles Bibliográficos
Autores principales: Holz, N., Larrouy-Maestri, P., Poeppel, D.
Formato: Online Artículo Texto
Lenguaje:English
Publicado: Nature Publishing Group UK 2021
Materias:
Acceso en línea:https://www.ncbi.nlm.nih.gov/pmc/articles/PMC8102532/
https://www.ncbi.nlm.nih.gov/pubmed/33958630
http://dx.doi.org/10.1038/s41598-021-88431-0
_version_ 1783689122809905152
author Holz, N.
Larrouy-Maestri, P.
Poeppel, D.
author_facet Holz, N.
Larrouy-Maestri, P.
Poeppel, D.
author_sort Holz, N.
collection PubMed
description Vocalizations including laughter, cries, moans, or screams constitute a potent source of information about the affective states of others. It is typically conjectured that the higher the intensity of the expressed emotion, the better the classification of affective information. However, attempts to map the relation between affective intensity and inferred meaning are controversial. Based on a newly developed stimulus database of carefully validated non-speech expressions ranging across the entire intensity spectrum from low to peak, we show that the intuition is false. Based on three experiments (N = 90), we demonstrate that intensity in fact has a paradoxical role. Participants were asked to rate and classify the authenticity, intensity and emotion, as well as valence and arousal of the wide range of vocalizations. Listeners are clearly able to infer expressed intensity and arousal; in contrast, and surprisingly, emotion category and valence have a perceptual sweet spot: moderate and strong emotions are clearly categorized, but peak emotions are maximally ambiguous. This finding, which converges with related observations from visual experiments, raises interesting theoretical challenges for the emotion communication literature.
format Online
Article
Text
id pubmed-8102532
institution National Center for Biotechnology Information
language English
publishDate 2021
publisher Nature Publishing Group UK
record_format MEDLINE/PubMed
spelling pubmed-81025322021-05-10 The paradoxical role of emotional intensity in the perception of vocal affect Holz, N. Larrouy-Maestri, P. Poeppel, D. Sci Rep Article Vocalizations including laughter, cries, moans, or screams constitute a potent source of information about the affective states of others. It is typically conjectured that the higher the intensity of the expressed emotion, the better the classification of affective information. However, attempts to map the relation between affective intensity and inferred meaning are controversial. Based on a newly developed stimulus database of carefully validated non-speech expressions ranging across the entire intensity spectrum from low to peak, we show that the intuition is false. Based on three experiments (N = 90), we demonstrate that intensity in fact has a paradoxical role. Participants were asked to rate and classify the authenticity, intensity and emotion, as well as valence and arousal of the wide range of vocalizations. Listeners are clearly able to infer expressed intensity and arousal; in contrast, and surprisingly, emotion category and valence have a perceptual sweet spot: moderate and strong emotions are clearly categorized, but peak emotions are maximally ambiguous. This finding, which converges with related observations from visual experiments, raises interesting theoretical challenges for the emotion communication literature. Nature Publishing Group UK 2021-05-06 /pmc/articles/PMC8102532/ /pubmed/33958630 http://dx.doi.org/10.1038/s41598-021-88431-0 Text en © The Author(s) 2021 https://creativecommons.org/licenses/by/4.0/Open Access This article is licensed under a Creative Commons Attribution 4.0 International License, which permits use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons licence, and indicate if changes were made. The images or other third party material in this article are included in the article's Creative Commons licence, unless indicated otherwise in a credit line to the material. If material is not included in the article's Creative Commons licence and your intended use is not permitted by statutory regulation or exceeds the permitted use, you will need to obtain permission directly from the copyright holder. To view a copy of this licence, visit http://creativecommons.org/licenses/by/4.0/ (https://creativecommons.org/licenses/by/4.0/) .
spellingShingle Article
Holz, N.
Larrouy-Maestri, P.
Poeppel, D.
The paradoxical role of emotional intensity in the perception of vocal affect
title The paradoxical role of emotional intensity in the perception of vocal affect
title_full The paradoxical role of emotional intensity in the perception of vocal affect
title_fullStr The paradoxical role of emotional intensity in the perception of vocal affect
title_full_unstemmed The paradoxical role of emotional intensity in the perception of vocal affect
title_short The paradoxical role of emotional intensity in the perception of vocal affect
title_sort paradoxical role of emotional intensity in the perception of vocal affect
topic Article
url https://www.ncbi.nlm.nih.gov/pmc/articles/PMC8102532/
https://www.ncbi.nlm.nih.gov/pubmed/33958630
http://dx.doi.org/10.1038/s41598-021-88431-0
work_keys_str_mv AT holzn theparadoxicalroleofemotionalintensityintheperceptionofvocalaffect
AT larrouymaestrip theparadoxicalroleofemotionalintensityintheperceptionofvocalaffect
AT poeppeld theparadoxicalroleofemotionalintensityintheperceptionofvocalaffect
AT holzn paradoxicalroleofemotionalintensityintheperceptionofvocalaffect
AT larrouymaestrip paradoxicalroleofemotionalintensityintheperceptionofvocalaffect
AT poeppeld paradoxicalroleofemotionalintensityintheperceptionofvocalaffect